Catalog (2481)

An outstanding 14K yellow gold and pearl ring in a sophisticated modernist the design. The split shank creates a flat crown enclosing a row of three pearls, graduating from 5.3 to 6.6 mm. The quality of the pearls are easily on a par with Mikimoto. The luster is superb, the color is cream with rosé overtones, and the surfaces are smooth. Overall, the quality is estimated at AA. The quality of the mounting itself, is likewise superb. The interior of the shank is marked "14K".

Origin: America, ca. 1960. Condition: excellent, all original. Size: crown, 3/4" x 7/16". Finger Size: 4-3/4 (could easily be enlarged). Weight: 9.5 grams.

A terrific 18K yellow gold stick pin in the form of a German shepherd’s head. The detail work is especially well-done, with very accurate representation of the fur, the texture of the snout, etc. The pinstem is stamped with the “tete d’aigle” hallmark for 18K gold.

Origin: France, ca. 1880. Condition: excellent, sharp detail, all original. Size: overall length, 3”; head, 1/2” x 9/16”. Weight: 4.5 grams.

An exquisite set of four sterling silver blotter corners by M.C. Cone. Each corner is made up of a pair of leaves flanking a stylized dogwood blossom, all worked from sheet silver. The upper two corners have the initials “AB” worked into the design, indicating that these were commissioned for the original owner. The backs are signed “Cone Sterling”. M.C. Cone, listed as a metalworker in the 1906/07 edition of the “National Directory of Workers in the Artistic Crafts” worked in West Hartford, Connecticut, not far from where these blotter corners were found. The quality of both design and workmanship is of the very highest level.

Origin: America, ca. 1905. Condition: excellent, all original, no dings. Size: 2-3/4” x 2-3/4”. Weight: 158.5 grams.

A very good Victorian brooch worked in pietra-dura. The design depicts a colorful purple iris blossom with foliage and buds against a black background. The pieces of stone are very well-cut and fit tightly into the design. The back retains the original brass pinstem and c-clasp.

Origin: Italy, ca. 1880. Condition: excellent, all original. Size: 1-1/8 diameter.

A wonderful Victorian ironstone footed fruit compote decorated in an underglaze blue floral pattern. Distinctly Asian in flavor, the pattern depicts prunus blossoms and peonies surrounded by rocky outcroppings, foliage and hovering butterflies. The edges are finished in a diaper border. Either end has a leafy handle, heavily accented with gilding similar in style to that found on Old Paris porcelains. The overall shape and use of gilding suggests an early date. The bottom is marked with F. Morley & Co.’s underglaze stamp.

Origin: England, ca. 1845. Condition: excellent, no chips or cracks, there are three small glaze misses near the upper rim, original gilding intact. Size: 12-1/2” x 9” x 5-5/8” tall.

A lovely and unusual Victorian sterling silver jelly knife in Towle’s 1880 “No. 128” pattern. Also known as “No. 28”, this pattern is characterized by a twisted handle, accented with beautiful bright-cut engraving. The serving end is shaped in the form of a leaf and is matte-gilt to highlight the floral engraving. Originally intended to serve savory jellies, the piece could now be used for pastries. The back is hallmarked by Towle and has the pattern number.

Origin: America, ca. 1880. Condition: excellent, original gilding intact, there may be a slight bend toward the tip of the serving end but it’s difficult to be certain because of the naturalistic form of the bowl. Size: 8-3/8” long. Weight: 45.0 grams.

A very fine early cut crystal wine decanter with etched grapevine decoration. The neck is panel cut and accented with a diamond-cut ring at the base. The panel cutting extends past the ring on the shoulders and resumes at the base. The sides are beautifully decorated with an etched grapevine pattern. The etching is finely done. The base is star-cut. The hollow-blown stopper is panel cut to match the decanter's neck. The inside of the neck and the base of the stopper are etched with matching numbers, indicating this is the original stopper. The glass is quite heavy and very brilliant. If American, the decanter is probably the product of the New England Glass Company. If European, it is either English or Bohemian.

Origin: probably American, ca. 1850. Condition: the stopper has a 1/8" flake at the very top and a few small roughnesses at the high points around the periphery, some discoloration to the interior, otherwise excellent. Size: 14-1/2" tall.

Flint EAPG ale goblet in the "Colonial" pattern, probably by the Boston & Sandwich Glass Company. The goblet has a very attractive, narrow form. Nice clarity.

Origin: America, ca. 1850. Condition: no chips or cracks, a scratch on the bottom interior of the bowl, normal frosted wear on the bottom. Size: 6-3/8" tall.

Flint EAPG goblet in the "Washington" pattern produced by the New England Glass Company. The clarity is excellent.

Origin: America, ca. 1860. Condition: no chips or cracks, normal frost wear on base. Size: 5-13/16" high.

Early 20th century Dutch harbor scene by Gerard Wiegman (1875-1964). The painting depicts a large cargo ship moored at harbor and surrounded by a variety of smaller ships, fishing boats and tugs. The sky is painted in moody shades of grays that echo the colors of the dark smoke rising from the other large ships in the background. This choice of coloring suggests the obvious industrial nature of this unidentified harbor. The paint was primarily applied with broad brushstrokes, but a thicker impasto suggests the business and confusion on the deck of the ship. The perspective is quite deep and suggests a great deal of forward movement. Signed lower right “G. Wiegman”. The painting is framed in a mid-century carved giltwood frame.

Though not Jewish, Gerard Wiegman was forced to escape Holland at the beginning of the Nazi invasion. He smuggled a small number of paintings out with him. Both this painting and the other harbor scene we are offering were among the paintings he smuggled out and kept for his own collection. Eventually, he settled in upstate New York, where he lived until his death. This painting was acquired from the family of the artist.

Origin: Holland, ca. 1930. Condition: excellent surface, one puncture repair near both upper corners. Size: canvas, 22" x 31"; frame, 27-3/4" x 36-1/4".

Early 20th century Dutch harbor scene by Gerard Wiegman (1875-1964). The painting depicts a large cargo ship moored at harbor and surrounded by a variety of smaller ships, fishing boats and tugs. The sky is painted in moody shades of ochres and grays that echo the colors found in the water. This choice of coloring suggests the obvious industrial nature of this unidentified harbor. The impasto lends nice texture and depth. Signed lower right “G. Wiegman”. The painting is framed in a mid-century giltwood frame with a linen liner.

Though not Jewish, Gerard Wiegman was forced to escape Holland at the beginning of the Nazi invasion. He smuggled a small number of paintings out with him. Both this painting and the other harbor scene we are offering were among the paintings he smuggled out and kept for his own collection. Eventually, he settled in upstate New York, where he lived until his death. This painting was acquired from the family of the artist.

Origin: Holland, ca. 1930. Condition: excellent. Size: canvas, 19” x 27”; frame, 24” x 31-3/4”.

A fine pair of sterling silver sugar tongs in the classic “Kings” pattern. The design is very nicely worked and the tongs are generously sized. The inside of the tongs are fully hallmarked for London, 1837. They also bear the William IV duty mark. This mark, used in conjunction with the 1837 date mark, was used for only 22 days before being changed to the Victoria duty mark. The maker’s mark is that of either William Barber or William Barrett II.

Origin: England, 1837. Condition: excellent, sharp detail, no monogram. Size: 6” long. Weight: 59.0 grams.

A pretty pair of Dresden porcelain candlesticks with traditional hand-painted floral decoration. Dresden candlesticks are rather uncommon. The squared bases are intricately pierced and decorated with flowers and gilt highlights. The columns are similarly decorated. Bobeches separate the columns from the candle sockets. The bobeches are original and have not been repaired, but at some point, a previous owner decided to paint her own flowers on the bottom sides of the bobeches and to add more gilding along the rim. Each candlestick is marked by an unidentified maker in underglaze blue, and is also marked "Dresden Germany".

Origin: Germany, ca. 1920. Condition: excellent with alternations as noted above. Size: 9-1/2" tall.

A lovely pair of hyacinth vases in teal blue glass. The classic shape is slightly conical with a widely flaring rim for resting the bulb over the water. These vases are especially attractive because of their rich color. Forcing hyacinths and other bulbs to bloom indoors was something of a Victorian passion that continued well into the 20th century.

Origin: America, ca. 1900. Condition: excellent, no chips or cracks. Size: 7" tall.

Very nice Imperial Russian peacock blue pressed glass tea box. Glass tea caddies are difficult to find in this color. The design features fans, strawberry diamonds and Russian cane motifs. The box is bound with silverplated mountings and a lock. The box was almost certainly made by the “OtyM.F. Atelier”. Locked tea boxes were a holdover from earlier days when tea was a precious commodity that had to be kept safe from marauding servants.

Origin: Russia, ca. 1900. Condition: very good, some roughnesses along the bottom edge; normal wear to the plating. Size: 4-7/8” x 3-7/8” x 4-1/8”.

A very good 14K yellow gold brooch featuring an enameled four-leaf clover. The clover's petals are beautifully detailed with enamel decoration and are centered with a prong-set round brilliant cut diamond of very fine quality. The clover is surrounded by a chunky round gold border. The back retains the original pinstem and clasp, and is hallmarked by Krementz.

Origin: America, ca. 1930. Condition: excellent; no enamel damage; a tiny ding on the outer edge of the circle. Size: 1-11/16" diameter. Weight: 10.5 grams. Approximate Total Gemstone Weight: .08 carat.

Intensely colored amethyst glass inkwell finished with a gilt brass collar. The severe cubic form is relieved by canted, curved corners. The base is acid-stamped "Made In Czecho-Slovakia", indicating a date between the World Wars.

Origin: Czechoslovakia, ca. 1930. Condition: excellent, all original, no chips or cracks. Size: 2" x 2" x 2".

A very handsomely decorated set of 12 sterling silver demitasse spoons. The handles are finely decorated with a cast and pierced stylized bellflower. The swirling character of the finial design nicely contrasts with the more angular line of the lower handles and the oval bowls. The backs are fully marked with Swedish hallmarks for 830 silver, including the town mark for Norberg.

Origin: Sweden, ca. 1940. Condition: excellent, all original, no monograms. Size: 4-1/16" long. Weight: 92.0 grams.