Catalog (2481)

Lovely cut glass powder jar with a silver lid. The finial is a beautifully-detailed strawberry. The edges of the lid are decorated with classical bound reeding. The lid is also monogramed "FC". Hallmarks are European and the silver content is 916/1000.

Origin: Europe, ca. 1910. Condition: excellent. Size: 3-3/4" diam.; 4" tall.

Lovely Louis XVI style sterling silver fish slice. The elegant spade-shaped matte vermeil blade is engraved with the crossed quiver and torch design originally popular in the late 18th century. The blade and handle are marked by the maker, Pot & Cie., and the handle is marked with a French silver hallmark.

Origin: France, ca. 1890. Condition: very good; a bit of discoloration on the blade and very light wear on the handle. Size: 12-1/2" long.

Art Deco style sterling silver cake comb, used to serve spongy cakes such as angel food. The pattern would blend nicely with many of the Jensen designs. Marked "Web Sterling Handle."

Origin: Philadelphia, PA, 1950-65. Condition: excellent. Size: 11" long.

Victorian brass figural picture frame in the form of a medieval knight's shield with a halbeard and lance. Cut from heavy-gauge brass, this frame shows great originality and design sense. The back has a hinged easel.

Origin: England, ca. 1880. Condition: excellent. Size: 8" x 5".

Outstanding Victorian figural picture frame in the form of a map of Australia! The metal is very heavy gauge and the coloring is white (I believe it is constructed of white brass with a yellow-tinted lacquer). The detail is superb, including outlines of rivers, the political boundaries (Western Australia, Northern Territory, South Australia, Queensland, New South Wales, and Victoria), and the locations of cities (Perth, Adelaide, Melbourne, Sydney, and Brisbane).

The reverse side is stamped "R. Golding/Rd. No. 30/Tasmania". The back has an easel which is removable for hanging on the wall with the attached hook.

Origin: Tasmania, Australia, late 19th century. Condition: excellent, with some wear to lacquer around edges. Size: 8" x 6-1/4".

A matching frame (missing the glass) is also available.

Very rare Imperial Russian silver child's fork with vermeil and engraved floral decoration. In fact, I've never before seen a piece of Russian children's flatware. The maker's hallmark on the back is slightly obscured by the design, but the assayer's mark (AA/1895), the standard mark (84), and the city mark (Moscow) are very clear.

Origin: Moscow, 1895. Condition: mint. Size: 4-3/4" long.

Stunning 2nd Empire pink opaline glass chalice with gilt and enamel decoration. The outside surface has a matte finish except along the lip, the foot rim and the knop rim, each of which is decorated with gilt lines. The primary decoration, however, fills nearly the entire surface with built-up layers of gilding accented with black enamel. The base has a slightly concave polished pontil.

Origin: France, possibly Baccarat, ca. 1840. Condition: glass has three tiny flakes (1 is 1/8"; 2 are 1/16") flakes on the inside edge of the top rim; the primary decoration is completely intact, gilt lines along rims show 20% wear. Size: 6" tall.

1924 watercolor painting of Red Mountain, California, by listed artist Arthur J. Hammond (signed and titled lower left). This is a beautiful work employing soft desert colors in shades of blues, greens, and purples.

The frame is not comtemporary to the piece.

Hammond was born in Vernon, Connecticut in 1875 but lived mostly in Rockport, Massachusetts.

Listed in

• AskART.com's "The Artists Bluebook: 23,000 North American Artists", 2000
• P.H. Falk's "Who Was Who In American Art: 1564-1975", 1999, p. 7433
• the National Academy of Design's "Annual Exhibition Record: 1901-1950", 1990, p. 622
• Falk's "Dictionary of Signatures & Mongrams", 1988, p. 556
• G.B. Opitz' "Mantle Fielding's Dictionary of American Painters, Sculptors, et. al.", 1986, p. 1081
• Falk's "Who Was Who in American Art: Artists Active 1898-1947", 1985, p. 707
• Opitz' "Dictionary of American Artists", 1982, p. 372
• P. & H. Samuels' "Encyclopedia Artists American West", 1976, p. 549
• D.T. Mallett's "Index of Artists", 1948, p. 811.

Sight size 11"x8-3/4". Condition: excellent, although it appears to have two 3/4" paint runs immediately above the roof of the house (visible in the enlargement); more vivid and brightly colored than it appears in the photographs.

We will soon be offering another oil painting of a Rocky Mountain scene by Hammond.

4 hand enameled cocktail glasses featuring colorful roosters. Unlike most rooster glasses, these do not depict a cock fight--so none of the glasses has a dead chicken on it!

The glasses have gilding along the rims and around the feet. Very colorful!

Origin: American, ca. 1930's. Condition: excellent condition, except the gilding has a bit of wear and one glass has a tiny nick at the edge of the foot. Size: 3-5/8" tall.

Lovely 3-tier chintz cake stand in a unknown pattern. The bottom of each piece is marked in blue/green "B/Royal Tudor Ware/Barker Bros. L'td/England" along with a crown. The stem is brass. The whole stand is approximately 12-1/2" tall. The plates are approximately 10", 8" and 6" in diameter. Mint condition--even the gilding around the edges of the plates. Ca. 1920's.

Rare four-lobed copper bowl decorated in painted enamel. The decoration pictures three ancient Chinese warriors in a landscape. Like nearly all enamelware, this piece has suffered from the ravages of time, but the fine detail of the decoration and the rarity of the form more than compensate for the condition.

Origin: China, late 18th century. Condition: numerous chips and cracks, particularly along edges. Size: 4-1/2" diam., 2-1/8" high.

Terrific Battersea-style enameled gin bottle/decanter label. The enamel is applied over metal and has polychrome floral decoration. The chain is brass.

Origin: probably English, ca. 1900. Condition: excellent. Size: 2.5" x 1/5".

Terrific enameled sherry bottle/decanter label. The enamel is applied over metal and has polychrome floral decoration. The chain is brass.

Origin: probably English, ca. 1900. Condition: excellent. Size: 2.5" x 1/5".

Rare Staffordshire spaniel head bank. The spaniel is highlighed with copper lustre spots and a copper luster neck chain/padlock.

Origin: England, last quarter 19th century. Condition: Mint, except for 3/8" flake on the bottom of the foot rim (not visible from the top or side); appropriate glaze crazing for the age. Size: 4-1/4" tall.

Figural majolica tobacco humidor in the form of a ball player. The piece is decorated in beautiful, rich colors under the shiny tin glaze. The base is impressed "10830II" and is also painted with the decorator's mark.

Origin: Continental, probably the Low Countries, France or Germany, ca. 1900. Condition: Mint. Size: 6" tall.

Porcelain decanter in the shape of a bellhop, complete with his ring of keys, decorated with overglaze red, black and pink enamels. The bottom is marked "Germany" and also has a decorator's mark.

Origin: Germany, ca. 1920. Condition: Light glaze crazing; a small chip on the cap and three small flakes at the bottom edge are visible in the photos (all could be easily repaired). Size: 9-1/2" tall.

Stunning set of four enameled cocktail glasses, almost certainly by Moser. The quality of the glass is superlative. The enameled rooster motif is magnified through the thick glass of the base, so that it looks quite large from inside the bowl (it might be a bit frightening after drinking an entire martini!) The bowls are lightly paneled and are edged in a thin line of gilding.

One glass has a flake at the bottom edge (see photo) and two pinpoint roughnesses along the top rim. Another has a couple of pinpoint roughnesses underneath the bottom edge (not noticeable from the top).

3-1/2" tall.

These are certainly among the finest cocktail glasses we've seen and would look great with a classic cocktail shaker featuring a rooster motif.

These lovely sterling silver spoons are in a Colonial Revival pattern, simply decorated with a shell at the tip of the handle. The backs are stamped with the high-end retailer's name "Bigelow, Kennard & Co." of Boston, indicating a date before 1922. The backs of the handles also have a monogram "T" in a style that would point to ca. 1890-1900, and the mark 925/1000 which would also support that date range.

Although the maker is unknown, it is very similar to a number of patterns called "Shell" that were made by virtually all the more important silver manufacturers at the time (Gorham in 1890; Reed & Barton in 1900; Towle in 1889; Frank Smith in 1890; Mt. Vernon in 1865; and Lunt in 1888). It appears most similar to Frank Smith's version, but would work nicely with any of these or other Colonial Revival patterns.

Excellent condition. 8.5" long.