Catalog (2481)

An elegant pair of long 18K gold earrings enhanced with floral shaded enamel plaques. The gold surfaces are intricately engraved to add a bit of sparkle. The earrings have nice movement when being worn. Each is stamped with French 18K marks.

• Origin: France, ca 1840
• Dimensions: 2-9/16" long from top of earwire
• Condition: excellent, no enamel damage, replaced earwires
• Weight: 8.3 grams

An elegant Edwardian 14K gold chain comprising bar links engraved in a delicate foliage pattern. The chain is completed with a hidden box clasp. This chain could be worn alone or suspending a single pendant or locket. It would also look fantastic suspending charms between the bar links. Marked 14K.

• Origin: America, ca 1915
• Dimensions: 16 1/2" long
• Condition: excellent
• Weight: 10.8 grams

A classic pair of Art Deco 18K gold and lapis cufflinks by Gaetan de Percin, the jeweler responsible for most of the classic Hermes jewelry designs in the 1930s and 40s. This design is from that era. The ends of the batons are set with lapis cabochons in the deep violet-blue color sometimes referred to as "Afghan". The connectors are slightly arched to draw the cuffs close together. Aside from Hermes, de Percin created jewelry for Carter, Van Cleef & Arpels, Tiffany, Chanel, Dior and Boucheron. The connects are stamped with de Percin's hallmark and the guarantee marks for 18K.

• Origin: France, ca. 1935
• Condition: excellent
• Dimensions: faces, 13/16" long
• Weight: 13.1 grams.

A vintage sterling silver figural jigger by Gorham, the sides marked off with enameled stoplights in green, yellow and red meant to signify "go," "caution," and "stop." Each light corresponds to the 1, 2-1/2, and 3-1/2 ounce markings on the jigger's bottom. The bottom is hallmarked by Gorham.

Origin: America, ca. 1950.

Condition: excellent. No dings. The enamel stoplights have excellent color. The jigger has been professionally polished.

Weight: 52.2 grams

A very pretty vintage 18K gold fob charm in the Venetian Etruscan style. The sides of the charm are set with a row of oval cut citrines bordered at the top and bottom with rows of pink tourmaline, moonstone, citrine and amethyst cabochons. Exposed areas of the gold surface are enhanced with ornate twisted rope and rosette decoration. Tested and guaranteed 18K.

• Origin: Italy, ca. 1955
• Dimensions: 7/8” wide; 1-1/2” long excluding jump ring
• Weight: 13.5 grams
• Approximate Total Gemstone Weight: 8.4 carats

A handsome pair of 14K gold double-sided cufflinks, the faces set with dark green jasper plaques. The gold has a soft “bloom” sometimes seen on jewels from the late 19th century. The jasper plaques are deeply colored, appearing nearly black except in bright light when the green comes through. Tested and guaranteed 14K.

• Origin: America, ca 1930
• Dimensions: faces, 19/32” x 9/16”
• Condition: excellent, all original
• Weight: 11.8 grams

A wonderful vintage 14K gold acrostic charm using the first letters of each of the gemstones ( Diamond/Emerald/Amethyst/Ruby/Emerald/Sapphire/Topaz) to spell out the secret message “Dearest”. Acrostic jewelry first appeared in the 18th century and remained popular, though somewhat uncommon, throughout the Victorian era. The gold is enhanced with bright-cut engraving a pattern like that seen on sundials. This piece was most likely intended for a charm bracelet, but it could easily be worn as a pendant. The back of the charm is engraved “3-17-59” and is marked “14K”.

• Origin: America, 959
• Dimensions: 1-5/8” corner to corner
• Weight: 7.3 grams

An elegant vintage Tiffany & Co. diamond ring from the "Vannerie" collection. The domed band is worked in a woven motif bisected with a slash of round brilliant cut diamonds. The diamonds are graded G/VVS2. The interior of the shank is marked "Tiffany & Co. 750 1989."

• Origin: America, 1989
• Dimensions: 5/8" wide at front tapering to 1/4" at back
• Finger Size: 8-1/4
• Weight: 13.3 grams
• Approximate Total Diamond Weight: .75 carat.
• Condition: excellent; typical surface wear at the back of the shank

A stunning pair of Art Nouveau 14K gold cufflinks by Carrington, the faces designed as dolphins stylized as sea monsters. The creatures are beautifully designed with detailed scales, fins and gaping mouths. The eyes are set with G/VS1 old mine cut diamonds. The faces are joined by oval connectors sufficiently long to fit through a thick cuff. The backs are stamped with Carrington’s 14K hallmark.

• Origin: America, ca. 1900
• Dimensions: faces, 3/4" x 7/16”
• Condition: excellent, sharp detail
• Weight: 14.3 grams
• Approximate Total Diamond Weight: .10 carat

A fine pair of 14K gold cufflinks set with high-domed amethyst cabochons by David-Andersen. The amethysts have deep, rich coloring and excellent clarity. David-Andersen is widely known for its enameled silver jewelry, but also made a very limited number of pieces in gold. Each cufflink is stamped “D-A 585”.

• Origin: Norway, ca. 1965
• Dimensions: faces, 1/2" diameter
• Condition: excellent, all original
• Weight: 11.7 grams
• Approximate Total Amethyst Weight: 21.42 carats

A very attractive pair of Art Deco cufflinks featuring sugarloaf cabochons of moss agate (“dendritic agate”) in simple 14K gold collet settings. The agates have a very nice pattern of wispy green inclusions against a creamy translucent background. The connectors are marked “14K” and have an unidentified maker’s mark.

• Origin: America, ca. 1925
• Dimensions: faces, 9/16” x 9/16”
• Condition: excellent, all original
• Weight: 11.0 grams

A handsome pair of late Victorian cufflinks worked in 18K yellow gold with platinum accents around oval bloodstone cabochons. The combination of metal colors against the deep blackish-green and red of the bloodstone is quite striking. The faces are attached with bar connectors. Tested and guaranteed 18K and platinum.

NOTE: Bloodstone is very difficult to photograph due to its dark coloration. Some of the photos shown here were backlit to show the translucency of the stones, but in normal lighting the appear opaque greenish-black with subtle red mottling.

• Origin: America, ca 1905
• Dimensions: faces, 3/4" x 9/16”
• Weight: 8.8 grams

A large and extremely rare 18K gold scenic locket depicting a detailed image of four passengers in an early automobile waving as an Antoinette monoplane with two passengers flies by. The car's headlights are set with rose cut diamonds. The detailed scene includes a flock of birds dispersed by the airplane, a plume of exhaust smoke behind the car, and another automobile with passengers and a village in the distant background. A female passenger leans from the side of the car, waving her handkerchief at the passing airplane. The bottom edge bears a signature, likely that of Holy Frères, partly hidden by the applied scalloped border. The interior retains the two original photo frames. The back cover is engraved with an ornate three-letter monogram and the date 7-12-1915 (December 7 in the European dating system). The bail is stamped for 18K.

• Origin: France or Switzerland, ca 1915
• Dimensions: 1 9/32" diameter
• Condition: excellent; a pinpoint ding to the back cover
• Weight: 8.4 grams
• Approximate Total Diamond eight: .03 carat

A rare 14K yellow gold Art Nouveau locket, the front cover depicting a Ford Model B automobile (1904-06). The headlights and the center of the grille are set with old mine cut diamonds sparkling as if truly lit up. The car is very finely detailed with excellent depth to the design, clearly showing the early right-hand drive and the fluted sides of the engine compartment. The back bears an ornate period three-letter monogram. Tested and guaranteed 14K.

• Origin: America, ca. 1905
• Dimensions: 1" diameter
• Condition: excellent; sharp detail; a couple of pinpoint dings to the back cover hidden among the monogram
• Weight: 5.0 grams
• Approximate Total Diamond Weight: .05 carat.

A wonderful Art Nouveau 14K gold ring in the form of two intertwined snakes surrounding an opal cabochon. The ornately coiled snakes are beautifully detailed. The opal has attractive play-of-color, with a preponderance of green and blue with sparks of red and orange. Tested and guaranteed 14K.

In the 19th century, snakes in jewelry symbolized eternal love. Jeweled snakes became particularly popular after Prince Albert gave Queen Victoria a snake ring for their betrothal, and remained popular throughout the century.

• Origin: America, ca. 1900
• Dimensions: 3/8" wide tapering to 1/16"
• Condition: excellent
• Finger Size: 7
• Weight: 3.1 grams

A sophisticated Edwardian ring featuring a rectangular cabochon of moss agate nestled in a 14K yellow gold filigree mounting. The quality of the piercing is superb. The moss agate is nicely transparent with intense deep green wisps that seem to float in the stone. Moss agate is a rather unusual gemstone selection for this style of setting, but the stone seems to have been a favorite of the designers at Larter, as we have seen several fine examples of its use in unexpected ways. The interior of the shank is stamped "14K" and has Larter's hallmark.

• Origin: America, ca. 1910
• Dimensions: 17/32" wide at crown, tapering to 1/16" at back of shank
• Finger Size: 6-1/4
• Condition: excellent; all original
• Weight: 3.9 grams.

A generously-sized 14K gold locket featuring the image of a young woman wearing a bandeau of old mine cut diamonds in her flowing hair that extends to the edges of the locket, appearing almost as cresting waves. The interior retains the original frame insert. Marked "14K".

• Origin: America, ca. 1900
• Dimensions: 1 1/4" diameter (excluding bail and jump ring)
• Condition: excellent, sharp detail; the back has a monogram removal
• Weight: 11.4 grams
• Approximate Total Diamond Weight: .09 carat

Edwardian 14K gold crescent moon pendant necklace set with round sapphires and pearls. The sapphires have a lovely medium blue color with just a hint of violet. The pearls are slightly button-shaped and have very pretty luster. In Victorian and early Edwardian jewelry, the crescent shape symbolized feminine power personified in the moon goddess Selene/Juno. Brides were often given a crescent pin to wear during their honeymoon. Tested and guaranteed 14K.

• Origin: America, ca. 1900
• Dimensions: pendant, 1-7/8" wide; overall necklace length, 18"
• Condition: excellent; converted from a brooch
• Weight: 3.4 grams
• Approximate Total Sapphire Weight: .62 carat.

An elegant 18K yellow gold ring set with a faceted amethyst by famed mid-century Brazilian designer Haroldo Burle Marx. The sculptural quality of the design is highlighted by the contrast of wire-brushed and polished surfaces surrounding the deep violet amethyst. The interior of the shank is fully signed "Burle Marx 18K" and has Brazilian hallmarks.

Burle Marx worked in Brazil, and his only international boutique was at the Watergate Hotel in Washington, DC. The Brazilian government commissioned him to make state gifts for Queen Elizabeth, Empress Nagako of Japan, Empress Farah Diba of Iran, Queen Margarethe of Denmark, Indira Gandhi, and many others. Among Hollywood royalty, he was a favorite of Merle Oberon and Natalie Wood.

Haroldo Burle Marx is well-known for jewels set with stones in "forma livre" (free-form) designs, but occasional pieces turn up with traditionally-cut stones. Some believe these designs were created in partnership with his brother, the noted landscape architect Roberto.

• Origin: Brazil, ca 1970
• Condition: excellent
• Dimensions: 1" wide at crown tapering 3/16" at the back of the shank
• Finger Size: 9
• Weight: 15.8 grams
• Approximate Gemstone Weight: 6.72 carats

A Georgian 15K gold gentleman's ring set with a hematite intaglio with a rare image from Greek/Roman mythology. We see the buff god Apollo in his horse-drawn chariot being led by Eros ("Cupid"), the god of love. This scene depicts the beginning of the tale of the water nymph Daphne.

Best know as god of the sun, Apollo was also the patron god of archers. One day, he mocked Cupid for the small size of the latter's bow and arrows. In revenge, Cupid shot Apollo with a golden-tipped arrow that would make Apollo fall in first with the first female he saw. Cupid shot Daphne with a lead-tipped arrow that would fill her with disdain for the first male she saw. Knowing she was nearby, Cupid taunted Apollo then flew toward Daphne's location with Apollo giving chase. The sun god immediately fell in love with Daphne and gave chase until the water nymph begged her father to save her, which he did by transforming her into a laurel tree. Apollo made the laurel tree his symbol, and as a last act of love for Daphne, used his powers of youth to transform the tree into an evergreen with eternally green leaves.

• Origin: England, ca. 1800
• Condition: excellent; all original
• Dimensions: intaglio, 1" x 3/4"
• Finger Size: 7-3/4
• Weight:15.6 grams

A fine 14K yellow gold locket, the front cover decorated with deep translucent guilloche enamel over an engine-turned background surrounded by a reeded border enameled in opaque white. The front is centered with an old mine cut diamond. The trefoil-shaped bail is an especially nice touch. The interior retains the original frame insert. The bail is marked for 14K and has an unidentified maker's mark.

NOTE: This locket was very difficult to photograph. The purple enamel is deeply saturated and looks quite dark viewed directly. When the light strikes at an angle, however, the translucency of the purple comes shining through to show the underlying enraving.

• America, ca. 1910
• Excellent condition; no enamel damage; no dings; no monogram
• Dimensions: 1 1/16" diameter (excluding bail)
• Weight: 6.3 grams
• Approximate Total Diamond Weight: .04 carat

A wonderfully detailed mallard duck, worked in multicolored 15K gold and green enamel flies across the finger in this Edwardian stickpin conversion ring. The feathers are beautifully worked in yellow, rose and green gold as well as a touch of platinum. The shank is 14K.

• Original stickpin, circa 1900
• Excellent condition
• 13/16" x 1/2"
• Size 7
• 2.3 grams

A large pair of 18K yellow gold Sputnik earrings by H Stern. The domes are bezel-set with round amethysts, citrines, aquamarines, peridots, green tourmalines, pink tourmalines and garnets. The Sputnik design was created in the 1950’s to highlight the range of colored gemstones available from Stern’s Brazilian mines. It later came to be called “Sputnik” for its resemblance to the spiky Soviet satellite launched in 1957. Each piece has a unique appearance depending on the specific colors of the stones and their arrangement.These earrings have particularly intense jewel tones. Tested and guaranteed 18K.

• Brazil, ca 1955.
• Condition: original clips were removed and replaced with 14K posts
• 15/16" diameter
• Approximate Total Gemstone Weight: 14.44 carats
• 10.2 grams.

A large 18K yellow gold Sputnik ring by H Stern. The dome is bezel-set with round amethysts, citrines, aquamarines, peridots, green tourmalines, pink tourmalines and garnets. The Sputnik design was created in the 1950’s to highlight the range of colored gemstones available from Stern’s Brazilian mines. It later came to be called “Sputnik” for its resemblance to the spiky Soviet satellite launched in 1957. Each piece has a unique appearance depending on the specific colors of the stones and their arrangement. The dome is tested and guaranteed 18K. The shank is a 14K replacement.

• Brazil, ca 1955.
• Conditions: excellent; replaced shank.
• Dimensions: dome, 1” diameter
• Size: 7
• Approximate Total Gemstone Weight: 7.79 carats.
• 6.6 grams

A lovely 14K gold pendant designed as a young woman's face captured in a crescent moon. She wears a large brimmed bucket hat with trailing ribbons in the style of the early 20s. In Victorian jewelry symbology, the crescent moon was a reminder of the moon goddess Selene (AKA Luna) and was often used to signal female empowerment. The reverse is marked "14K."

• America, ca. 1920
• Excellent condition; converted from an antique stickpin
• Dimensions: 7/8" x 7/8" excluding bail
• 2.7 grams

A large friendship token pendant or charm featuring a hand holding a gem-set bouquet. The design is presented against a stippled background outlined with an engraved border. The bouquet is set with a cabochon ruby, an emerald cut emerald and a brilliant cut sapphire. Jewelry featuring a hand and flower motif were usually given as tokens of affection or friendship in the Victorian era. The back is stamped “18K.”

• America, ca. 1900
• Excellent condition
• Dimensions: 1-1/8” diameter
• Approximate Total Gemstone Weight: ruby, .08 carat; emerald, .05 carat; sapphire, .05 carat.
• Weight: 7.8 grams.

A 14K gold Art Nouveau enameled violet and horseshoe pendant using the Victorian language of flowers to convey the sentiments "good luck" and "I'll always be true." The violet is centered with an old European cut diamond and the horseshoe is studded with seed pearls. The back retains the original pin and a folding, so the piece can be worn as a pin or pendant. The clasp is marked "14K."

• America, ca 1900
• Excellent condition; no enamel damage
• Dimensions: 13/16" x 7/8" excluding bail
• Approximate Total Diamond Weight: .05 carat
• 4.0 grams

This delightful Victorian Art Nouveau pendant and pin features a four-leaf clover nestled inside a crescent moon, both set with seed pearls. The clover is centered with a .2-carat old European cut diamond. The combination of a flower and a crescent in Victorian jewelry was intended to convey the sentiment "honeymoon" and they were often a gift from a groom to his new bride. The four-leaf clover, of course, conveyed good luck. The reverse retains the original folding bail and a pin that's hidden from view, so the piece can be worn in multiple ways. The clasp is marked "10K."

• America, ca. 1900
• Excellent condition; all original
• Dimensions: 1" diameter (excluding bail)
• Approximate Total Diamond Weight: .2 carat
• 4.1 grams.

A very fine pair of platinum, diamond and sapphire earrings in a classic line pattern. The brilliant round-cut diamonds graduate from .10 ct at the top to .20 ct at the bottom. The diamonds are finely matched at H color, SI1 to SI2 clarity, with good to very good cut. The modified-brilliant round-cut sapphires have a beautiful limpid medium violet-blue color, excellent brilliance and eye-clean clarity. Each stone is set in a fully articulated mounting with a pierced gallery. The earrings have screw posts. Tested and guaranteed platinum.

• Dimensions: 1-9/16" long
• Weight: 8.1 grams
• Approximate Total Gemstone Weight: diamond, 2.4 carats; sapphire, 1.22 carats

A heavy pair of 18K yellow gold baton cufflinks, the faces with Florentined engraving and bands of round rubies at either end. The rubies have nicely saturated, strongly purplish-red coloring and eye-clean clarity. The back batons are finished with reeded engraving. The toggle connectors are marked with French 18K gold import marks.

• Circa 1950
• Excellent condition
• Dimensions: longer batons, 27/32"
Weight: 14.8 grams
• Approximate Total Ruby Weight: .50 carat.

A nice quality and heavy 18K gold watch key enhanced with black enamel and seed pearls suspending a pair of foxtail chain tassels and a dog clip clasp. This was originally the cross bar and fob attachments for a Victorian watch chain. With the entire assembly attached to a necklace using the existing jump ring, the key and and tassels would make stunning "charms" and another charm of your choice could be attached to the dog clip. This last charm could be changed up depending on your mood! Stamped with French 18K gold marks.

• Origin: France, ca. 1890
• Dimensions: watch key, 1 1/2" long; longer tassel, 1 11/16"
• Weight: 7.9 grams.
• Condition: excellent.

A handsome pair of mid-century modern 14K gold and malachite cufflinks reminiscent of an Aztec design. The arch cabochons of malachite have very nice color n markings. The gold surfaces are stippled for added textural interest. The toggle backs are stamped "14k."

• Origin: America, ca. 1970.
• Dimensions: faces, 1 1/8" x 23/32"
• Weight: 18.0 grams.
• Condition: excellent

A wonderful Victorian 18K gold and jet watch chain that has been converted to a bracelet. The bracelet comprises variously-shaped baton and spherical beads. The original carved spherical watch fob and the crossbar dangle freely from the bracelet. The watch fob is carved in a stylized foliate pattern against a matte background. The spring ring is stamped "14K"; other elements are tested and guaranteed 14K.

• Era: ca. 1890
• Length: 7 3/8" (easily extended, if needed, with additional gold links).
• Condition: very good; one of the long beads has a 1/8" flake at one end and another long bead has a 1/16" flake at one end, but neither are easily visible without very close inspection.

A fine pair of vintage 18K gold flower-form earclips accented with diamonds and sapphires. The undulating petals are deeply cupped to create a realistic three-dimensional feel. Each earring is centered by a round brilliant-cut diamond surrounded by oval sapphires. The diamonds are graded as G/VVS2. The sapphires have fine pure blue coloring with excellent saturation. There are no marks, but there are inventory numbers. That, combined with the excellent workmanship and high quality stones, suggest the earrings are by a significant maker. The backs retain the original clips, but the posts have been removed. New posts can be added easily. Tested and guaranteed 18K.

• ORIGIN America, ca 1980
• DIAMETER 1 1/8"
• WEIGHT 27.2 grams
• APPROXIMATE TOTAL GEMSTONE WEIGHT diamond, .30 carat; sapphire, 4.90 carats
• CONDITION excellent; posts removed

A fine pair of Victorian 14K yellow gold tassel earrings. The foxtail chains are suspended from surmounts enhanced with foliate engraving, black taille d'epargne enameled borders and Etruscan ropetwist "ram's horns". The foxtail chains terminate in small gold balls. The earrings are a bit longer than most tassels and have a lot of movement when being worn. Tested and guaranteed 14K.

• ORIGIN America, ca 1880
• LENGTH 2 3/8" from tops of wires
• WEIGHT 12.3 grams
• CONDITION excellent; new 14K wires

A striking Modernist take on a traditional 18K gold floral brooch. The stark thorn-like arrangement, enhanced with Akoya pearls, has an almost brutalist style. The gold surfaces are stippled to create a matte texture that contrasts with the polished gold of the small ribbon at the base. The pearls are nice quality with ivory body color. The brooch looks equally stylish worn as a pendant. The back is stamped "18K" and has an unidentified maker's mark.

• ORIGIN America, ca. 1960
• DIMENSIONS 2 3/16" x 1 1/2"
• WEIGHT 10.2 grams
• CONDITION excellent