Catalog (2481)

A very handsome pair of 18K yellow gold cufflinks by Tiffany & Co. The oval faces are inlaid with onyx and mother-of-pearl in a checkerboard design surrounded by a band of opaque blue champlevé enamel. The reflective, iridescent nature of the mother-of-pearl is particularly attractive against the black onyx. The connectors are stamped with the maker’s mark for Larter & Co., one of Tiffany’s primary suppliers of better men’s jewelry throughout the 20th century. The faces are marked “Tiffany & Co.”

Origin: America, ca. 1970. Condition: excellent. Dimenions: 3/4” x 9/16”. Weight: 18.4 gr.

A lovely 18K yellow gold Sputnik ring by H Stern. The dome is bezel-set with round citrines, amethysts green and pink tourmalines, garnets and aquamarines. This design was created in the 1950s to highlight the range of colored gemstones available from Stern’s Brazilian mines. It came to be called “Sputnik” because of its resemblance to the spike Soviet satellite launched in 1957. Each piece has a unique appearance depending on the particular selection and placement of the gemstones. This particular example has a lot of medium-tone green. The inside of the shank is stamped for 18K gold and has Stern’s older hallmark.

Origin: Brazil, ca. 1955. Condition: excellent, all original. Dimensions: dome, 9/16” diameter. Finger Size: 5-1/2. Weight: 2.8 grams. Approximate Total Gemstone Weight: 1.46 cts.

A wonderful pair of Victorian earrings, each in the form of two entwined snakes. One snake has a oval ruby set in the top of its head and old mine cut diamond eyes, while the other has an old mine cut diamond head and cabochon ruby eyes. The gold surfaces are realistically engraved with scales. The rubies do not show indication of heat treatment and have bright pure red coloring. The diamonds are SI1 clarity and J/K color. Entwined snakes symbolized eternal love and became popular after Prince Albert gave Queen Victoria a betrothal ring in the form of snakes. Tested and guaranteed 18K.

Origin: Ca. 1880, probably France. Condition: excellent. Dimensions: 3/4" diameter (excluding wires); 1-1/4” long (from top of wire). Weight: 10.7 gr. Approximate Total Gemstone Weight: diamond, .3 ct; ruby, .3 ct.

A beautiful Art Nouveau bracelet worked in 18K yellow gold featuring oval blue sapphire cabochons accented with laurel wreath settings and alternating floral plaque links. The gold is very finely worked. The sapphires have medium dark, strong blue color (B6/5) and eye-clean clarity. They show no indications of heat treatment. The bracelet is completed with a concealed box clasp. The clasp is stamped with French gold hallmarks used outside Paris 1847-1919. The maker’s mark is partly obscured, but we have seen the mark before (the goldsmith must have used a damaged punch, because his marks are always partially missing) on expertly-made heavy gold items with intricate piercing, often set with cabochon gemstones, from around 1880-1900.

Origin: France, ca. 1890. Condition: excellent. Dimensions: 3/8” wide; 7 -1/4” long. Weight: 11.5 gr. Approximate Total Gemstone Weight: 2.6 cts.

A beautiful pair of double-sided 18K yellow gold cufflinks enhanced with Prussian blue guilloche enamel enclosed in a circle of opaque white champlevé enamel surrounded by a border of ornately engine-turned gold. The faces a joined by removable s-shaped connectors. The cufflinks are presented in their original fitted box, the interior gilt-stamped with the logo for Fontenay Smets Successeur. Each of the cufflink faces and the connectors are stamped with the master goldsmith’s mark for René Forget (act 1909-21), who produced the cufflinks for the house.

Eugène Fontenay was one of the most important French jewelers of the 19th century, creating numerous pieces for the Imperial family and for other important jewelry houses such as Boucheron. When he retired in 1882, Fontenay turned his business over to his assistant, Henri Smets and its name was changed to Fontenay Smets Successeur.

Origin: France, ca. 1910. Condition: excellent, no enamel damage. Dimensions: faces, 19/32” diameter. Weight: 8.8 gr.

A rare pair of mid-century haute couture cufflinks by Pierre Cardin. Each face comprises a carved jadeite bead simply mounted on a gold post. The backs are slightly arched gold bars. The jadeite beads are carved in a floral pattern and are done so in a way that they are carved completely through from one side to another. It’s likely that the cufflinks were constructed from an antique strand of jadeite beads. The jade has noticeable mottling in natural, strongly saturated shades of dark, medium and light green. The translucency is fair. Magnification and absorption spectra show no signs of dye. The connectors are signed “Pierre Cardin†and are fully hallmarked with French 18K marks. Pierre Cardin designed a very limited line of fine jewels in the 1950s and 60s. They were sold only at the couturier’s main store and are quite difficult to find now. Origin: Paris, ca. 1960. Condition: excellent, all original, no cracks or chips. Size: 1/2†diameter. Weight: 10.4 grams.

A lovely two-sided 18K gold and crystal photo locket by Parisian jeweler Charles Garnier. This style of locket became popular in the latter half of the 19th century and was revived from time to time up through the Edwardian era. NOTE: The pale green interior is used only for photographic purposes. The lockets were worn with a photograph showing from each side or with a single photograph on the front and a memento of some sort (a lock of hair or a pressed flower) on the back. The crystals are held in place with a gold border decorated in the bound-reed motif in the Louis XVI style. The bail is stamped with the maker’s mark for Garnier.

Origin: France, 1924-28. Condition: excellent, all original. Dimensions: 1-1/16” diameter (excluding bail and jump ring).

A classic pair of Edwardian 14K yellow gold cufflinks, the faces topped with platinum. The rectangular faces have canted corners and are decorated with engine-turned engraving. The solid connectors are marked “PL ON 14K”.

Origin: America, ca. 1915. Condition: excellent. Dimensions: 21/32” x 7/16”. Weight: 4.0 gr.

A lovely 18K yellow gold Sputnik ring by H Stern. The dome is bezel-set with round citrines, amethysts green and pink tourmalines, garnets and aquamarines. This design was created in the 1950s to highlight the range of colored gemstones available from Stern’s Brazilian mines. It came to be called “Sputnik†because of its resemblance to the spike Soviet satellite launched in 1957. Each piece has a unique appearance depending on the particular selection and placement of the gemstones. This particular example has a lot of medium-tone green. The inside of the shank is stamped “18Kâ€.

Origin: Brazil, ca. 1955. Condition: excellent, all original. Dimensions: dome, 7/8†diameter. Finger Size: 5. Weight: 5.3 grams. Approximate Total Gemstone Weight: 4.12 cts.

A lovely 18K yellow gold Sputnik ring by H Stern. The dome is bezel-set with round citrines, amethysts green and pink tourmalines, garnets and aquamarines. This design was created in the 1950s to highlight the range of colored gemstones available from Stern’s Brazilian mines. It came to be called “Sputnik” because of its resemblance to the spike Soviet satellite launched in 1957. Each piece has a unique appearance depending on the particular selection and placement of the gemstones. The inside of the shank is stamped “18K”.

Origin: Brazil, ca. 1955. Condition: excellent, all original. Dimensions: dome, 13/16” diameter. Finger Size: 7-3/4. Weight: 3.7 grams. Approximate Total Gemstone Weight: 3.59 cts.

A wonderful pair of Edwardian 14K yellow gold enameled cufflinks, one face decorated with the image of an eagle and the other with an owl. This eagle and owl were often used in Victorian jewelry to depict day and night, a concept popularized with the rise of Japanese motifs in the 1870s. The faces are worked in the “basse-taille” enamel with detailed engraving of the gold base covered with a layer of enamel in a single grayish-green color. The varying depth of the carving creates complex shading in this single hue. The baton backs are worked in guilloche enamel in the same color. The quality of workmanship is superb. The cufflinks are signed “HC” with an eagle, but we do not know the maker. Tested and guaranteed 18K.

Origin: Europe, ca. 1905. Condition: excellent; very light wear to enamel surface visible at 10x magnification; no cracks or chips. Dimensions: faces, 3/4” x 1/2". Weight: 10.2 gr.

A wonderful pair of Art Deco 18K yellow gold cufflinks by Ravinet d Enfert, probably retailed by Hermès. Each of the faces is crafted as a different suite in a deck of cards and is finished with red or black opaque enamel. The faces are connected with chains. Each cufflink is marked for 18K and with the maker’s mark for Ravinet d’Enfert. Like most other luxury houses, Hermès did not make their own jewelry, but retailed pieces designed and manufactured by Ravinet d’Enfert to their specifications. This pair of cufflinks is not signed Hermès, but was mostly likely sold through the Paris shop.

Origin: France, ca. 1930. Condition: excellent, no enamel damage, all original. Dimensions: 1/2" x 1/2” Weight: 7.1 gr.

A handsome pair of double-faced cufflinks set with turquoise in 14K yellow gold. The turquoise stones have fine color and nicely arranged matrix. The bar connectors are marked “14K” and have an unidentified maker’s mark “D”.

Origin: America, ca. 1910. Condition: excellent, all original. Dimensions: 5/8” x 3/8”. Weight: 8.3 gr.

A classic pair of Art Deco chrysoprase cufflinks set in 14K yellow gold. The chrysoprase have very good yellowish-green color and are cut in high-domed cabochons. The faces are connected by chains. Tested and guaranteed 14K.

Origin: America, ca. 1930. Condition: excellent, all original. Dimensions: 3/8” diameter. Weight: 7.1 gr.

An outstanding Victorian 14K yellow gold hinged bangle bracelet worked with a double buckle motif enhanced with opaque royal blue enamel and seed pearls. The buckle is further set off with a corset-lacing motif. The gold of the buckles is polished, but the bangle has the softer semi-matte finish of bloomed gold. The overall design is stately, yet not oversized. The interior is stamped "14K".

Origin: America, ca 1860. Condition: excellent, all original, one small pinpoint ding. Dimensions: bangle, 9/16" wide; buckle 1" wide; interior circumference, 6-3/4". Weight: 36.9 grams.

A very good set of sterling silver cocktail picks, the tops decorated with colorful enameled roosters. The use of the rooster (“cock”) motif in Art Deco barware was a play on the word “cocktail”. Each of the roosters is enameled in a slightly different colorway. The picks are presented in their original fitted case. Each is marked "Sterling Silver".

Origin: America, ca. 1925. Condition: all original, no enamel damage, box has significant wear. Size: 3” long. Weight: 10.8 grams.

An elegant pair of 1st standard (950/1000 pure) silver jiggers by Hermes in the form of tankards. Each is fully hallmarked by Ravinet D'Enfert, the company responsible for most of Hermès silver creations in the Deco era. The bottom of each is marked "Hermès Paris". The jiggers are accompanied by an Hermès drawstring pouch.

Origin: France, ca. 1930. Condition: excellent, no dings, no monograms. Dimensions: larger jigger, 3" tall; smaller jigger, 2-5/16" tall. Weight: 132.0 gr.

A sterling silver wine funnel in a classic Georgian design by the luxury English silversmith Asprey & Co. The upper rim is simply decorated in a beaded pattern. The strainer bottom is pierced in a starburst design. The piercing will strain out the larger sediments, and the funnel opens so a piece of muslin or a screen can be inserted to filter even the smallest sediments during decanting. The funnel is fully hallmarked by Asprey and bears the date letter for 1984.

Origin: England, 1984. Condition: excellent, no dings, no monograms. Dimensions: 3-7/16" diameter; 4-3/4" tall. Weight: 104.8 gr.

A very large and heavy sterling silver double jigger with a turned ebony handle by Quaker Silver Co. The cups are decorated with an ornate acanthus leaf and bead design reminiscent of Jensen and other Nordic designers of the early 20th century. The jigger is stamped with Quaker's hallmark.

Origin: America, ca. 1925. Condition: excellent, a couple of very tiny pinpoints along the rim of the smaller cup. Dimensions: 4-15/16" tall; 10-3/4"long. Weight: the silver portion is approximately 150.00 gr.

An Art Deco sterling silver handled double jigger by silversmith John Hasselbring (Brooklyn, NY). The angularity of the handle contrasts nicely with the traditional shape of the cups. Stamped with Hasselbring's hallmark.

Origin: America, ca. 1930. Condition: very good, a few pinpoints on handle and cups visible in strong, raking light; no monograms. Dimensions: 5-3/8" x 4-1/8". Weight: 78.7 gr.

A silver jigger engraved with the pennant of the Norwegian-American Lines and the name of the passenger liner SS Stavangerfjord. The ship was commissioned in 1917 and sailed until 1963. In 1964, it was anchored in Tokyo Bay for use a hotel during the Tokyo Olympics. This jigger is engraved "Olympiske Leker", indicating that it comes from the short time the liner was used during the games. The bottom is marked "S830". Origin: Norway, 1964. Condition: excellent, two tiny dings on the bottom edge (only visible from the bottom). Dimensions: 1-13/16" tall. Weight: 13.0 gr.

A silver jigger decorated with a raised ocean liner pennant enameled in the colors of the Norwegian-American Lines and engraved with the name of the passenger liner SS Stavangerfjord. The ship was commissioned in 1917 and sailed until 1963. In 1964, it was anchored in Tokyo Bay for use a hotel during the Tokyo Olympics. This jigger is engraved "Olympiske Leker", indicating that it comes from the short time the liner was used during the games. The bottom is marked "S830".

Origin: Norway, 1964. Condition: excellent, no enamel damage, no dings, no monograms. Dimensions: 2-1/16" tall. Weight: 15.6 gr.

A vintage sterling silver napkin ring, the front decorated with three bears, probably an allusion to the children's story, "Goldilocks and the Three Bears." The back is engraved "Tony" and the interior is stamped "Sterling".

America, ca. 1940. Condition: very good, light wear from polishing, no dings. Weight: 23.4 gr.

A lovely Christmas bouquet paperweight by Perthshire. The weight features a colorful bouquet of holly leaves, a red poinsettia and mistletoe surrounded by ring of red, white and green complex canes, all against an opaque snow white ground. The base is embedded with a signature/date cane. The paperweight is finished with 5/1 faceting.

Origin: Scotland, 1996. Condition: excellent, no roughnesses. Dimensions: 3" diameter; 2" high.

A very fine antique Baccarat glass paperweight featuring a Type III pansy and bud. A pair of dark purple petals and three amber petals with purple stripes and spots surround a central bull's-eye cane. The design is completed with bright, finely formed leaves and a bud. The paperweight is further enhanced with a star-cut base, and most unusually, fluted facets along the perimeter. This faceting pattern is very rare in antique Baccarat weight. This is one of the best Baccarat pansies we have seen.

Origin: France, ca. 1850. Condition: excellent, one small moon along the perimeter and extremely light surface abrasion on the dome. Dimensions: 3" diameter; 2-3/8" high.

An extraordinarily fine pair of 18K yellow gold double-sided cufflinks, the oval faces pave-set with round blue sapphires and round brilliant diamonds. The gemstones are of extremely high quality. The diamonds are graded as E/F color, VVS1 clarity and the sapphires as vivid, pure blue. The sapphires are set in black gold to further intensify the color. Each cufflink is marked "750" for 18K and is signed "Apogée". We have been unable to find any reference to this mark, but the cufflinks came from a private collection that was mostly by Cartier Buccellati, Bulgari, etc. These cufflinks are clearly of equal quality.

Origin: Continental Europe, ca. 1980. Condition: excellent. Dimensions: larger faces, 9/16" x 13/16"; smaller faces, 7/16" x 9/16". Weight: 21.2 gr. Approximate Total Gemstone Weight: sapphire, 2.74 cts; diamond, 1.0 ct.

A fine Art Nouveau 14K yellow gold bracelet designed as a chain of daisies. Each flower is centered by a mine cut diamond. Each plaque is pierced to delineate individual flower petals and the back of each plqaue is engraved in a matching pattern. The reverse engraving is a technique sometimes seen on very high-end French jewels of the period, but rarely on American pieces. The diamonds have bright color (G/H) and SI1 to I1 clarity. The back of the clasp is engraved with the date March 3, 1910.

Origin: America, 1910. Condition: excellent, sharp detail. Dimensions: 3/8" wide: 7-7/8" long. Weight: 19.8 grams. Approximate Total Diamond Weight: .50 ct.

A classic 14K yellow gold “Tree of Life” pin by Mikimoto. This design is an enduring classic available only from the higher-end Mikimoto boutiques. The pin is set with twelve cultured pearls, ranging in size from 3.99 to 5.42mm. The pearls are of exceptional AA quality, with cream body color and pronounced rose overtones. The luster is very bright and the surfaces are nearly blemish-free. The back is marked 14K and has Mikimoto’s oyster shell signature. At Mikimoto’s Place Vendome boutique in Paris, this pin is currently offered for approximately $1,500. Origin: Japan. Condition: excellent. Size: 1-3/8” x 1-1/8”. Weight: 6.0 gr.

A lovely 18K yellow gold Sputnik ring by H Stern. The dome is bezel-set iwth round citrines, amethysts, green and pink tourmalines, garnets and aquamarines. This design was created in the 1950s to highlight the range of colored gemstones available from Stern's Brazilian mines. It last came to be called "Sputnik" because of its resemblance to the spiky Soviet satellite of launched in 1957. Each piece has a unique appearance depending on the particular selection and placement of the gemstones. The inside of the shank has a worn hallmark. Tested and guaranteed 18K.

Origin: Brazil, ca. 1955. Condition: excellent, all original. Dimensions: dome, 1" diameter. Finger Size: 6-3/4. Weight: 6.9 grams. Approximate Total Gemstone Weight: 5.57 cts.

A classic 14K yellow gold and diamond tennis bracelet featuring 48 round diamonds separated by s-shaped gold bars. The diamonds are graded as J color, SI2 to I1 clarity. The clasp is marked "14K".

Origin: America, ca. 1980. Condition: excellent. Dimensions: 7" long. Weight: 7.5 gr. Approximate Total Diamond Weight: 1.0 ct.

A classic Victorian 14K yellow gold hinged bangle bracelet with black taille d’epargne enameling in a delicate floral pattern. Some lesser bracelets are enameled only on the front side, but this one has decoration in complimentary patterns to both front and back. The design is further highlighted by intricate bright-cut engraving that adds sparkle. The bracelet’s clasp mechanism has an 1870 patent date. Tested and guaranteed 14K.

Origin: America, ca. 1875. Condition: excellent, no enamel damage, no dents. Dimension: 5/8” wide; 6” interior circumference. Weight: 25.3 gr.

A rare and very interesting pair of flip-up stirrup cufflinks in 14K yellow gold by Carrington. Each end of the connectors are fitted with a green nephrite jade cabochon. This style was popularized by Cartier, and this is the only we’ve seen by the great American maker, Carrington. The use of nephrite is most unusual, as well, instead of the more common onyx or dark blue sapphire. Each cufflink is stamped with Carrington’s 14K hallmark.

Origin: America, ca. 1930. Condition: excellent, all original. Dimensions: faces, 7/16” x 7/16”. Weight: 7.3 gr. Approximate Total Gemstone Weight: 1.48 cts.

A 14K yellow gold and platinum flexible brickwork strap and buckle ring set with round diamonds and rubies. The buckle is fully functional, so the ring can be adjusted from size 5-3/4 to 10. The style of gem-setting, with the scalloped border, is bolder than many examples. The diamonds average I/J color and SI clarity. The rubies have nicely saturated purplish-red color. Tested and guaranteed 14K and platinum.

Origin: America, ca. 1935. Condition: excellent, all original. Dimensions: strap, 7/16” wide; buckle 11/16” wide. Finger Size: 5-3/4 to 10. Weight: 12.8 gr. Approximate Total Gemstone Weight: diamond, .40 ct; ruby, .50 ct.

An unusual mid-Century Taxco version of the classis sterling silver thimble jigger. Like most Mexican silver of the era, this piece has tremendous weight and a simple charm. The rim is engraved “Just A Thimbleful 1-1/4”. The bottom bears the hallmark of A. Dominguez and the Eagle stamp used in the late 1950s.

Origin: Mexico, ca. 1955. Condition: excellent, no dings. Dimensions: 1-11/16” tall. Weight: 41.4 gr.

A very attractive Retro 14K yellow gold and platinum ring, set with an old mine cut diamond flanked by a pair of round blue sapphires. The stones are set in very interesting mounting with a looping quality typical of Retro pieces. The diamond is I color, I1 clarity and the sapphires are graded as medium tone, moderately strong violet-Blue (vB5/4). Retro pieces set with sapphires are less common than those featuring ruby, citrine, amethyst, etc. The interior of the shank is stamped “585” for 14K.

Origin: Continental Europe, ca. 1935. Condition: excellent. Dimensions: crown, 3/8” x 3/4”. Finger Size: 7-1/4. Weight: 4.6 gr. Approximate Total Gemstone Weight: diamond, .23 ct; sapphire, .39 ct.

A very attractive and intensely-colored 18K yellow and white gold ring set with diamonds, rubies and a sapphire. The center stone, an oval mixed-cut blue sapphire, has outstanding, vividly saturated pure blue color and eye-clean clarity. The rubies are of similarly high quality. The two round brilliant-cut diamonds have H color and VS2 and SI1 clarity. The shank has a squared profile and two sizing beads, which can accommodate a range of finger sizes. The style of the ring would be appropriate for either a woman or man. The interior of the shank is marked “750” for 18K.

Origin: Continental Europe, ca. 2000. Condition: excellent. Dimensions: crown 3/8” x 3/4". Finger Size: using a mandrel, the ring measures a 6-1/2, but it fits my 8 finger perfectly; polishing out the sizing beads would increase the size a bit more. Weight: 11.1 gr. Approximate Total Gemstone Weight: diamond, .39 ct; ruby, .30 ct; sapphire, .29 ct.

An interesting sterling silver double jigger in an inverted cone shape. Interestingly, every surface is hand engraved in an ornate paisley-like pattern. The interior is marked “Sterling”.

Origin: America, ca. 1900. Condition: excellent, two small dings only visible from the interior. Dimensions: 4-1/16” tall. Weight: 47.1 gr.

An extremely fine pair of late Edwardian cufflinks by Krementz. Each face centers either a round blue sapphire or a round brilliant cut diamond with a frame of engraved yellow gold, surrounded by a band of opaque black champlevé enamel within an outer border of platinum worked in an acanthus leaf design. The diamonds are G color, VVS1 clarity. The sapphires have medium tone, vivid violetish-blue color (vB4/6). The connectors are stamped with Krementz’ hallmark and the backs of the faces are marked with serial numbers. Krementz made a wide variety of quality levels, and cufflinks of this sort would have been at the very top level, most likely retailed by Tiffany, Caldwell, and the like.

Origin: America, ca. 1910. Condition: excellent. Dimensions: 9/16” x 9/16”. Weight: 12.9 gr. Approximate Total Gemstone Weight: diamond, .26 ct; sapphire, .23 ct.

A very fine 14K yellow gold Art Nouveau locket, the cover decorated with a beautifully detailed depiction of the Viking god Odin, father of all gods and men. He is traditionally depicted wearing a helmet enhanced with horns and feathered wings. The locket retains its original glass insert. The back was never monogrammed. Tested and guaranteed 14K.

Origin: America, ca. 1900. Condition: excellent, sharp detail. Dimensions: 15/16” diameter.

A handsome man’s ring featuring a large lapis lazuli cabochon set in a 10K yellow gold mounting decorated at either side of the crown with a sword, shield and victor’s laurel wreath. The lapis has very good color with a bright smattering of attractive pyrite inclusions. The inside of the shank is marked “10K”.

Origin: America, ca. 1900. Condition: excellent, sharp detail. Dimensions: 3/4" wide at crown. Finger Size: 10. Weight: 9.8 gr.

An elegant pair of 18K yellow gold earclips, each featuring a cluster of round green tourmalines surrounded by a looping double border of gold. The tourmalines are have fine, saturated color, excellent cut and excellent clarity. The earrings are marked “18K”. The clips could easily be changed to posts.

Origin: America, ca. 1955. Condition: excellent. Dimensions: 3/4" diameter. Weight: 10.1 gr. Approximate Total Gemstone Weight: 4.9 cts.

A classic Victorian 14K yellow gold hinged bangle bracelet with black taille d’épargne enameling in scrolling floral pattern. The delicate enamel design is further accented with a stippled background that adds a sense of depth.

Origin: America, ca. 1865. Condition: excellent, no enamel damage, no exterior dents. Dimensions: 1/4" wide, 6-1/8” interior circumference. Weight: 9.5 gr.

A delicate Edwardian 14K yellow gold hinged bangle bracelet, the front half decorated with finely pierced platinum leafs nestled between collet-set square-cut blue sapphires. The stones have medium-light tone violetish-blue color that contrasts nicely with platinum leaves. The double-gallery style of the back of the bracelet maintains the delicate appearance of the bangle. The interior is stamped with un unidentified American maker’s mark.

Origin: America, ca. 1900. Condition: excellent. Dimensions: 1/4" wide, 7” interior circumference. Weight: 13.7 gr. Approximate Total Gemstone Weight: 1.4 cts.

A fine Victorian 18K yellow gold locket of modified kite shape in the Etruscan Revival style. The gold surfaces have a matte finish and are enhanced with a variety of ropetwist and beaded decorations in a sort of laced corset design. The back of the locket conceals a glass-covered compartment for a photo or hair. The locket door has a period “VBR” monogram.

Origin: America, ca. 1870. Condition: excellent, no dings. Dimensions: 1-1/4” x 2-1/16” long (including jump ring). Weight: 12.9 gr.

An attractive pair of late Victorian sterling silver cufflinks decorated with Classical medallion in the Shiebler style. The medallions depict a Greco-Roman youth and maiden. The edges are irregularly beveled to suggest antiquity. The faces are connected to baton-style backs decorated a simple foliate pattern. The connectors are marked “Sterling.”

Origin: America, ca. 1880. Condition: excellent, sharp detail. Dimensions: faces, 5/8” x 5/8”. Weight: 8.0 gr.

A beautiful pair of 18K yellow gold cufflinks, the faces decorated in a target motif of diamonds, rubies and platinum. The cushion cut rubies have nicely-saturated bright color that contrasts well with the old mine cut diamonds at the centers. Chains connect the faces to platinum and gold torpedo backs, each set with a small rose cut diamond. The faces are marked “18” and have an unidentified European hallmark.

Origin: Continental Europe, ca. 1900. Condition: excellent. Dimensions: 9/16” diameter. Weight: 8.2 gr. Approximate Total Gemstone Weight: diamond, .08 ct; ruby, .62 ct.

An unusual 18K yellow gold pendant in the Sputnik design by H Stern. Most examples of Sputnik jewelry are set with multi-colored gemstones, but occasionally a piece turns up with a single color—in the case amethyst. The design was created in the 1950s to highlight the colored gemstones available from the Stern mines in Brazil. It later earned the nickname “Sputnik” for its resemblance to the spike Soviet satellite launched in 1957. Tested and guaranteed 18K.

Origin: Brazil, ca. 1955. Condition: excellent. Dimensions: 3/4” diameter. Weight: 2.4 gr. Approximate Total Gemstone Weight: 2.51 cts.

A heavy and generously-sized Venetian Etruscan crown-shaped fob charm set with large oval green chalcedony cabochons and pearls. Exposed areas of gold are decorated with twisted wirework and rosettes. The chalcedony has very intense, slightly bluish-green coloring and the pearls have excellent luster with rose overtones. The charm is stamped with a pre-1968 Florentine goldsmith’s mark.

Origin: Italy, ca. 1955. Condition: excellent. Dimensions: 1-3/8” x 1-1/4” x 1-1/2”. Weight: 25.0 gr.

A very handsome pair of 18K yellow gold barbell cufflinks, the ends formed from lapis spheres carved in a traditional braided knot pattern. The gold connectors are decorated with a twist motif. The lapis has a evenly-distributed dark violetish-blue color. Tested and guaranteed 18K.

Origin: America, ca. 1980. Condition: excellent. Dimensions: 1-3/8” long; beads, 11mm diameter. Weight: 9.0 gr.

A mid-Century frosted glass cocktail shaker by the Federal Glass Co. The shaker is decorated with a colorful scene of dancing Native Americans with teepees and smoke signals in the background.

Origin: America, ca. 1950. Condition: excellent, all original, no chips or cracks. Dimensions: 10" tall.

An exquisite Art Deco platinum pendant in the form of a rose set with old mine cut, old European cut, single cut and pear cut diamonds. The design is delicately worked in a sort of stencil effect, the negative spaces between diamond-set areas appearing as the veins of leaves or the deeper recesses of the rose blossom. The center of the rose is set with a .96-ct pear shaped diamond, H/VVS2. The smaller diamonds are well-matched in the H range SI clarity. A diamond-set leaf-shaped bail completes the design. The mounting is stamped with European platinum marks.

Origin: Europe, possibly Poland, ca. 1925. Condition: excellent. Dimensions: 1-3/4" x 1-3/16". Weight: 9.4 gr. Approximate Total Diamond Weight: 4.6 cts (.96 ct pear).

A very rare French first standard silver (950/1000 pure silver) tastevin, the bottom bearing the coat of arms of the Confrerie des Chevaliers du Tastevin. The arms depict St. Vincent, patron saint of winemakers. The body is further decorated with the traditional raised "perles" for highlighting the reflections in the wine and recessed "cupules" and elongated "godrons" intended to concentrate the color during tasting. The handle is worked in the snake motif traditional in Burgundian tastevins. The rim is stamped with an unidentified silversmith's mark.

The Confrerie was established in 1934 to promote the wines of Burgundy. Modeled on Medieval guilds, membership in the Confrerie is strictly controlled and is open only to sponsored candidates. A tastevin bearing the arms of the Confrerie could only have belonged to a member. Tastevins used by the Confrerie come in a few different variations, with this being the rarest and most prized.

Origin: France, ca. 1935. Condition: excellent, light wear to coat of arms consistent with age, a minor ding to one cupule. Dimension: 3-1/16" diameter (excluding handle). Weight: 91.6 grams.

A sterling silver vermouth dispenser in the form of a watering can. These were made by Boardman and retailed primarily at Cartier's flagship store in New York and by Tiffany. This particular example was retailed by Schroth's jewelers in Montville, NJ. When tipped, the dispenser lightly sprinkles just a drip of vermouth into the glass for the perfect martini. The bottom is marked “Sterling” and is signed “Schroth”.

Origin: America, ca. 1955. Condition: excellent. Size: 3-1/8” tall. Weight: 49.7 grams.

A superb and witty pair of 14K yellow and rose gold cufflinks in the shape of a cocktail glass. The bowl and foot are worked in yellow gold and the stem in pink gold. Looking inside the bowls, there's a little surprise--bright coral cherries with rose gold stems! These are possibly the most unique Deco figural cufflinks we have found. Each cufflink is stamped with a variation of the Carter, Gough & Howe hallmark.

Origin: America, ca. 1925. Condition: excellent, all original. Dimensions: bowl, 9/16" diam; foot, 3/8" diam; 11/16" tall. Weight: 7.9 gr.

A magnificent Art Deco 18K white gold ring set with a 1.49-ct Burmese ruby surrounded by round diamonds. The ruby has a pure, vivid red color and eye-clean clarity. There are no indications of heat or other treatment. The back of the mounting is enhanced with a pierced gallery and geometric engraving. The diamonds are G-H color, SI clarity. Tested and guaranteed 18K.

NOTE: We are also presenting matching earrings (Item #1306948).

Ca. 1925. Condition: excellent. Dimensions: crown, 1/2" x 1/2". Finger Size: 5-1/4. Weight: 2.7 gr. Approximate Total Gemstone Weight: ruby, 1.49 cts; diamond, .54 ct.

A magnificent pair of Art Deco 18K white gold earrings set with diamonds and Burma rubies. The oval brilliant cut rubies have pure, vivid red color and good clarity. The do not show indication of heat or other enhancement. The rubies are surrounded by a border of round diamonds intersected by a double band of diamonds on either side of the ruby. These hang freely from a surmount fashioned by a trilliant cut diamond suspending round diamonds set into a triangular plaque echoing the shape of the trilliants. The mountings have a double gallery and the backs surrounding the ruby drops are engraved in a geometric pattern. The .21-ct trilliants are graded as E color, SI1 clarity and the smaller diamonds are G-H color, SI1-I1 clarity. Tested and guaranteed 18K.

NOTE: We are presenting the matching ring (Item #1306951).

Ca. 1925. Condition: excellent. Dimensions: length, 1-3/8"; maximum width, 1/2". Weight: 4.5 gr. Approximate Total Gemstone Weight: ruby, 2.5 cts; diamond, 1.74 cts.

A handsome pair of 14K yellow gold cufflinks, the heavy oval faces gypsy-set with variously cut fancy colored sapphires. One cufflink features a medium-tone blue sapphire in a radiant cut, flanked by two round brilliant cut sapphires—one a pale greyish-blue and the other an orangy-yellow. The other cufflink has a pale blue oval sapphire flanked by a pair of vivid blue round sapphires. The faces are connected to toggle backs. The cufflinks are stamped "14K" and also have an unidentified maker's mark.

Origin: America, ca. 1990. Condition: excellent. Dimensions: 5/8" x 3/8". Weight: 12.8 gr. Approximate Total Sapphire Weight: 1.26 cts.

A fine modernist 18K yellow gold ring by Burle Marx set with an intricately carved amethyst in the "forma livre" (free form) style. Haroldo Burle Marx was particularly known for his use of large gemstones, often fashioned by carving or tumbling rather than faceting, a technique he invented in 1948. The amethyst's deep purple color beautifully contrasts with the gold, which is worked with florentined engraving typical of Marx's pieces. Tested and guaranteed 18K. Marx did not always sign his pieces; this ring was either unsigned or the signature was removed when the ring was resized at the back of the shank.

Marx worked in his native Brazil, and his only international boutique was at the Watergate Hotel in Washington, DC. He was chosen by the Brazilian government to create gifts for visiting heads of state and their wives, including Empress Nagako of Japan, Empress Farah Diba of Iran, Queen Margarethe of Denmark and Prime Minister Indira Gandhi of India. He was also a favorite jeweler of Natalie Wood and Merle Oberon. One of his most important commissions was a gem-encrusted cross for Pope John Paul II.

Origin: Brazil, ca. 1965. Condition: excellent, the ring has been sized at the back of the shank. Finger Size: 8. Dimensions: crown, 1" x 9/16"; shank tapers to 3/16" at the back. Weight: 15.3 gr.

An extraordinary pair of Art Deco earrings featuring faceted onyx rings suspended from platinum and yellow gold surmounts set with rose cut diamonds. Each onyx ring encloses a platinum element with rose-cut diamonds set in a foliate pattern and further suspending a prong-set old European cut diamond. All the parts are fully articulated, so the earrings have a lot of movement. The platinum is finely millegrained. The center diamonds are I color, SI2 clarity. The earrings retain their original level backs. The earrings are stamped with French gold and platinum marks that were used for goods imported from the U.S.

Origin: America, ca. 1920. Condition: excellent. Dimensions: 1-7/8” long; 1” wide. Weight: 8.1 gr. Approximate Total Diamond Weight: .40 ct.

An extremely rare 18K yellow gold bracelet in the Sputnik design by H Stern. The domes are bezel-set with round amethysts, aquamarines, citrines, green tourmalines, pink tourmalines and garnets. The design was created in the 1950s to showcase the range of colored gemstones available from Stern’s mines in Brazil. It later came to be called “Sputnik” because of its resemblance to the spiky Soviet satellite launched in 1957. Each piece has a unique appearance that relies on the particular selection and placement of the gemstones. The design was made in earrings, pendants, charms, rings, brooches and bracelets, with bracelets being by far the most uncommon. Marked 18K.

Origin: Brazil, ca. 1955. Condition: excellent, needs a new safety catch. Dimensions: 5/8” wide; 7-1/4” long. Weight: 21.2 grams. Approximate Total Gemstone Weight: 8.44 carats.