Catalog (2141)

Exceptional American coin silver melon spoon in the Grecian taste. Although simply marked "Coin" this spoon could easily be the work of Gorham, Coles, or other makers of similar repute. The matte finished bowl is decorated with repousse lobes highlighted with bright cut engraving; the handle solely with bright cut engraving.

Origin: America, New England or Mid-Atlantic region; circa 1860. Condition: excellent; no monogram. Size: 8.25" long.

Fascinating watercolor set in the form of a 1930's automobile with working wheels. The top lifts to reveal containers for paints and water; an area for mixing; and a storage compartment for brushes. The back of the car is embossed "Betel Motor Car/Patent No. 75086/Open & Close Type/BF".

Origin: England, circa 1930. Condition: some budding young artist decided to decorate the car with some black paint, which could be removed by polishing the brass; the surface is untouched; no dents or missing parts. Approximately 10" x 5" x 3.75" high.

Lovely Edo period porcelain plate with underglaze blue decoration of a shoreline with an outcropping of pine trees on a cliff, a flock of birds, a small village of huts, and three mountain peaks; the edge decorated with blossoms against a dark blue background. The reverse is conservatively decorated with simple brush strokes. The body is very white and of fine quality, the glaze is equally fine, slightly tinted and with a smoth orange peel texture. The sides of the plate are slightly ridged to create a lobed effect.

Origin: Japan, late 18th/early 19th century. Condition: virtually mint, the very slightest of knife scratching to the glaze surface. Size: 9" diameter; 1.25" high.

Wonderful 7-piece toleware spice set comprised of a handled tray, four spice tins, and two spice tins with sifter tops. Two of the regular tin lids are decorated with a red and yellow pomegranate design; one has a red, yellow and green strawberry design; and one has a red, yellow and green tulip and flower design. The sifter lids are simply decorated with yellow and red arcs. The sides of all the tins are decorated with a squiggly yellow line, as are the sides of the tray. The handle of the tray is decorated with green foliage.

Origin: American, probably central Pennsylvania, 19th century. Condition: excellent; all the tins have wear to the lower third where they rub against the sides of the tray; all original finish with appropriate alligatoring; the lid of one tin is a bit loose, but all the others are very tight. Size: tray--5.5" x 8" x 4" tall; tins--2-7/8" tall x 2-5/8" diam.

Set of 12 extraordinarily rare sterling silver lobster forks by Puiforcat. Both the handles and the blades are silver and are fully hallmarked with the 1st standard mark, the maker's mark and the town mark. The handles are simply decorated with acanthus leaves and beading. France, circa 1900. Excellent condition; no monogram. Size: 6-5/8" long.

Cast iron boot scrape in the form of a Scottie in its original blue paint. The two long spikes that hold the boot scrape in the ground are marked "Copyrighted 1927 By Household Patent Co. Morristown, PA." The company made a variety of metal products such as weather vanes and boot scrapes. Excellent condition; about 5% paint loss; the back side has remnants of old fabric-based adhesive tape that could be removed. 10" wide; 15.5" tall.

Elegant sterling silver sauce pan with a turned mahogany handle and a matching sterling underplate. The bottom of both pieces are hallmarked for Fisher Silversmiths of Jersey City, NJ. Circa 1940. Excellent condition; no monogram. Underplate: 5.75" diameter.

Six elegant Victorian fruit or desert knives with mother of pearl handles and sterling silver ferules with triple-banded decoration in a vine motif. The scimitar-shaped blades are silverplate and are marked "A. Stinnells Co., Inc." American, circa 1890. Excellent condition; one blade has a very small spot of wear to the plating. 6" long.

Wonderful figural sterling silver child's spoon especially for Easter. The handle is decorated with two chicks recently hatched from their eggs above the word "Easter" and an Easter lily. Interestingly, the teardrop shape of the bowl is that used in Victorian times for egg spoons. The back is marked by Durgin and also by D. Low of Salem, MA (maker of the famous Salem Witch spoon). Circa 1890. 4.5" long. Excellent condition, including intact gilding on the interiors of the cracked eggs.

Terrific chair mat or small round rug hooked in a pattern of two white cats with large blue eyes and big red bows against a field of blue-grey surrounded by a burgundy and black double border. Hooked on a burlap foundation with wool and cotton. Very good condition, except for some discoloration and wear to the black border. 15" diameter. American, probably New England, 19th century.

Fabulous figural silverplated shellfish server. Of the highest quality, this piece is formed as two mussel shells flanking an oyster shell, with a double strap handle reminiscent of seaweed. The bottom is marked with a "N & W" hallmark, along with the pattern number "424" and the registry number "333221" indicating a date of 1899.

Origin: England, 1899. Condition: virtually mint. Size: 11" x 11" x 5-1/4" high.

Early Staffordshire porcelain saucer decorated with bright polychrome enamels and pink luster arranged in a very pretty wreath pattern. The body is very slightly molded into lobes along the edges.

Origin: England, c. 1840. Condition: good; a small crow's foot on the back side and a small bite to the bottom rim. Size: 5-5/8" diam.

John C. Moore period Tiffany & Co. sterling silver child's fork decorated with the nursery rhyme "Cock Robin & Jenny Wren." The fork shows the likeness of Mr. Robin wearing a tuxedo and Ms. Wren demurely peeking over her fan. The back is marked "Tiffany & Co. Sterling". The back also bears the letter M designating manufacture between the years 1875 and 1891.

Condition: excellent; usual wear to outer tines; no monogram. Size: 6-1/4" long.

Six sterling silver demitasse spoons in their original velvet- and silk-lined fitted case. The spoons bear full hallmarks for Sheffield, 1934, along with design registry numbers for 1918 and the maker's mark for Mappin & Webb. One of England's leading silversmiths, Mappin & Webb is the official silversmith and jeweler to England's royal family. The inside of the box's lid is marked with their logo.

The spoons are in mint condition; the box has slight wear on the inside lid. Spoons are 4-1/2" long.

Gorgeous sterling silver pickle fork in a lovely Art Nouveau pattern featuring wild roses trailing assymetrically down the handle. The design continues onto the back of the fork, as well. The elegance of the detailing is simply stunning even the thorns are visible. Excellent condition; no monogram. The reverse is marked "Sterling/Pat. 1903" and has the maker's mark for the Baird-North Co. of Salem, MA. Excellent condition, no monogram. 5-13/16" long.

Sterling silver berry spoon in Knowles' 1900 "Lexington" pattern. Simplicity of decoration is the rule, so that the ribbed bowl with its bright matte gilding is the focal point.

Origin: America, c. 1900. Condition: near mint, no monogram, gilding intact. Size: 7" long.

Lovely sterling silver lettuce fork in Whiting's 1896 "Dresden" pattern. The ornate design of flowers and shells compliments the elegant shape of the piece.

Iceberg lettuce, developed at the end of the 19th century, was the first leafy vegetable that would keep long enough to be transported from farms to larger cities. Consequently, lettuce was a very elegant and costly food at formal dinners.

Origin: America, c. 1900. Condition: excellent, no monogram. Size: 9-1/4".

Sterling silver berry spoon in Towle's 1884 "Arlington" pattern. This rare pattern featured a different repousse design on each piece of the service. The gilt spade-shaped bowl is engraved with climbing roses growing on a trellis. This decoration is especially interesting.

The pattern is named after Robert E. Lee's plantation, "Arlington". Union troops buried their dead in Mrs. Lee's rose garden as a spiteful act, and unwittingly created Arlington National Cemetary.

Origin: America, c. 1880s. Condition: excellent, gilding intact, no monogram. Size: 6-7/8" long.

Painted cast iron horsehead nameplate by Hubley, intended for use on a stable door, probably at a racetrack or horse farm. Two screws are meant to hold an engraved nameplate to the horseshoe. This would make a great name plate on the front door of a home.

Origin: America, c. 1920. Condition: excellent, less than 5% paint loss. Size: 8" x 4" x 3" deep.

Painted cast iron dog paperweight, probably by Hubley.

Origin: America, c. 1920. Condition: good, about 10% paint loss. Size: 1-5/8" tall.

Painted cast iron paperweight, probably by Hubley.

Origin: America, ca. 1920. Condition: very minimal paint loss (less than 5%). Size: 1-5/8" tall.

High quality porcelain tea saucer in a most unusual design incorporating polychrome fantasy flowers with pink luster, probably made for the American market. The body is a typical Regency style with tall, sharply angled sides. Origin: England, c. 1800-1820. Condition: mint. Size: 5-5/8" diam.; 1-1/4" high.

High quality porcelain tea saucer in a most unusual design incorporating polychrome fantasy flowers with pink luster, probably made for the American market. The body is a typical Regency style with tall, sharply angled sides.

Origin: England, c. 1800-1820. Condition: mint. Size: 5-5/8" diam.; 1-1/4" high.

Staffordshire pottery cup and saucer decorated in a rare combination of rococo brown transfer reserves with pink luster roses. The earthenware body is molded in a swirled pattern.

Origin: England, c. 1850. Condition: mint. Size: saucer, 5" diam.; cup 2-1/4" tall, 3" diam. (not including handle).

Superb gilt bronze figural inkstand depicting a still pond afloat with water lilies. Separately cast lily pads float just above the surface of the bronze "water", three buds in various stages of development rise above the leaves, and the whole is topped off by a fabulous full-blown waterlily inkwell with a honeybee finial. One of the buds serves as a pen holder. The "pond" is raised on three feet cast in the form of salamanders so fully detailed that their coiled bodies are visible only when the inkstand is turned upside down.

Origin: probably English or French, c. 1870. Condition: excellent; some minor pitting from the corrosive inks; the glass insert is missing; some of the details show very nice green patination. Size: 12-1/2" x 8-1/2" x 3-1/2".

Lovely bar pin in lapiday-cut banded agate. The strong malachite green color is very unusual and striking. The mountings are gold filled. The back retains the original "C" clasp and tube hinge.

Origin: Scotland, mid 19th century. Condition: small flakes on the back sides of three corners (only faintly visible from the front when inspected closely). Size: 2-1/4" long.

Stunning single-vase epergne in blue opaline glass. The deeply ruffled edges of the trumpet vase contrasts with the gentler ruffle of the lower bowl. The coloring is particularly nice.

Origin: probably France, possibly England, c. 1840. Condition: the very bottom of the trumpet is broken off, but when the trumpet is in place, the break is below the juncture with the lower bowl and no problems are visible (there is a remote possibility that this damage was in the making); otherwise excellent. Size: 8-3/4" tall; 7" diam.

Lovely Art Deco quadruple strand necklace composed of white seed beads flanking two lapis lazuli hemispheres alternating with three rings of channel-set paste.

Origin: American, ca. 1925. Condition: excellent. Size: 15" long.

Sterling silver and 14 karat gold bangle bracelet, set with three pearls and three rubies, each mounted in yellow gold. The gems are set equidistant from one another. The pearls are deeply lustrous and have a fine, faint pink tint. The pear-shaped rubies are also of good color and clarity. The pearls are 6mm in diameter; the rubies are approximately 4mm x 2mm. Ca. 1950's.

Excellent squat Rookwood vase with raised decoration featuring large three-leaf clovers and flowers. The flowers, particularly, are molded in fairy high relief, so that the glaze is thinner over the tips of the petals, creating lovely shading. The glaze is shiny, but with an orange peel texture, and is colored a medium chocolate brown. The bottom is marked with Rookwood's impressed mark and the date letters "XLV", the pattern number "6352" and the decorator's number "23" scratched into the glaze.

Origin: American, 1945. Condition: mint; no glaze crazing. Size: 5" diam.; 3-1/2" tall.

Lovely glass paperweight button featuring a swirled pink and white rose set off by three green leaves and adventurine on an opaque white ground.

Origin:Possibly Charles Kaziun, Brockton, Mass., ca. 1950s but more likely Czechoslovokia, 1920's. Charles Kaziun produced this same style paperweight button with 4 leaves instead of three and with a looped wire shank without a shankplate. Condition: mint. Size: 7/16" diam.

Outstanding early South Jersey glass paperweight enclosing a frit design of an eagle with an American flag and the words "The American Fire Philadelphia A.D. 1810." I'm not sure if this refers to a fire department or a fire insurance company. The detailing, especially the feathery delicacy of the eagle's wings, is very nice. The glass is very good quality and the design achieves very nice magnification because of its placement low in the crown. The bottom is flat with a polished pontil mark.

Origin: Southern New Jersey (Millville area), possibly Whitall Tatum Co., ca. 1900. Condition: the crown has one relatively small moon and the typical surface wear found on weights of this age (interestingly, most of this wear is around the periphery of the weight and not directly over the design); the bottom has the usual wear and somebody's etched initials (J.M.B.). Size: 3-1/4" diam.

Outstanding American late Classical mirror framed in solid well-figured mahogany with a gilt applied composition border of bellflowers. The gilding has a particularly rich patina. The glass is old and 1/4" thick, but probably not original, and has dulled to a very nice patina. The plate is backed with a wood panel that is covered with paper. The nails holding the plate in place have been replaced.

Origin: America, probably mid-Atlantic region, ca. 1840. Condition: all original surfaces; the tip of one bellflower is broken off; crackling of composition elements appropriate to age. Size: 14.5" diameter.

Staffordshire Red Riding Hood & The Wolf figure decorated in red, green, blue, black, pink, yellow and brown enamels.

Origin: Staffordshire, England, ca. 1850. Condition: some scratching to the overglaze red enamel (mostly at her elbow and along the edges of her bonnet), otherwise excellent. Size: 4" tall.

These porcelain inkwells were made as an advertising novelties for Carter's Ink in 1914. This example has nicely painted details and crisp modelling. The bottom is marked "Made In Germany." Excellent condition. 3.75" tall.

Unusual Victorian copper ladies' button-up boot. The Victorians often placed these along their mantles for purely decorative purposes. Most examples are made of brass, but this piece is entirely copper. Another nice touch is the applied scalloped pattern along the front edge of the boot and the white brass buttons.

Origin: England or America, ca. 1880. Condition: excellent. Size: 5" tall.

Nice Victorian brass ladies' lace-up boot. This example has holes drilled to represent the holes for laces. The Victorians often placed these along their mantles for purely decorative purposes.

Origin: England or America, ca. 1880. Condition: excellent, light scratching near the toe. Size: 4.5" tall.

Terrific pair of sterling silver sugar tongs dating to the reign of George III. The design (made by cutting reflective facets in the silver) is very nicely executed on this quality piece, and unlike many Georgian tongs, these are quite heavy.

The tongs are marked with the lion passant and the script hallmark "GS" for George Smith, entered in London in 1782. Since the tongs bear no other marks, they were probably made to order and the duty was never paid.

No monogram and in excellent condition. 5-5/8" long.

Hand carved giltwood letter "G", unusual for being an italic letter and for the sides having contrasting black sand paint decoration. Gilt letters and numbers from 19th century trade signs have great graphic appeal and offer a fun opportunity to try to put together your name or initials.

Origin: American, 19th century. Condition: very good, all original surface, 40% wear to the black paint along the sides. Size: 7-3/4" high.

Hand carved giltwood letter "C". Gilt letters and numbers from 19th century trade signs have great graphic appeal and offer a fun opportunity to try to put together your name or initials.

Origin: American, 19th century. Condition: excellent, all original surface. Size: 6-1/4" high.

Hand carved giltwood letter "O". Gilt letters and numbers from 19th century trade signs have great graphic appeal and offer a fun opportunity to try to put together your name or initials.

Origin: American, 19th century. Condition: excellent, all original surface. Size: 7-3/4" high.

Lovely blown flint glass sugar bowl or covered comport in a panel design, the molded bell-shaped lid rising to a pointed finial. The bottom has a polished pontil. The glass is of heavy weight and good clarity.

Origin: American, possibly Sandwich or Cambridge, ca. 1840. Condition: the bowl has one 1/8" flake under the bottom rim and another of the same size on the edge of the bottom rim; the top has one 1/2" shallow flake underneath the rim and some general roughness around the edges of the rim. Size: 5" diam.; 7" tall.

This rare Canton covered oval dish (unfortunately, minus its cover) is the finest quality Canton wear, with excellent, crisp underglaze blue decoration. The sides are decorated with floral sprays.

Origin: Canton, China, ca. 1825. Condition: excellent; glaze rubs on the edges; one small glaze bite on the underside of the rim. Size: 9.75" x 8" x 2.25".

Attractive and unusual Victorian inlaid wood stereographgraphoscope. When the lid is raised and a stereograph is inserted in the holder, the viewer looks through the magnifying portal for a realistic three dimensional view.

Origin: probably English, ca. 1850. Condition: very good, although there is some chipping of the veneer along the edges. Size: 5.25" x 3.25" x 1".

Stunning Victorian bronze picture frame, the border inset with gold velvet completely encrusted with gold thread embroidery of twining vines and flowers. The easel back is covered in gold moire silk.

Origin: probably French, ca. 1890. Condition: excellent; some staining on the back side. Size: outer--2.5"x3.25"; sight--1.5"x2.25".

Fabulous brass and copper picture frame in the Aesthetic Japonaise style. The basketweave pattern of the brass frame is detailed with raised copper decorative elements that include a crane standing in a stream, bamboo and cherry blossoms. The back has an easel. The frame is 3.5" x 2.75". The oval opening with glass is 2.25" x 1.5". Circa 1870.

Lovely sterling silver berry spoon dating from the reign of Queen Victoria. The gilt bowl is finely and elegantly decorated with a repousse pattern featuring grapes, pomegranates and apples. Both sides of the handle are decorated with bright-cut floral engraving. Clearly hallmarked for Birmingham, 1870 with the sovereign's head and the maker's mark "FE" in conjoined circles.

Origin: Birmingham, England. Condition: excellent; no monograms or removals. Size: 8-5/8" long.

A pair of sterling silver berry spoons of the finest quality dating to the reign of George III. The quality of the repousse and bright cut decoration is beyond compare. The design of the bowl includes cherries, applies, pomegranates and foliage. The backs are clearly hallmarked for London, 1800 and for the maker Thomas Wallis. Excellent condition; no monograms or removals. 9" long.

English sterling silver berry spoon dating from the reign of George III. The lobed bowl is decorated with repousse apples, berries and foliage; the handle with bright cut engraving, both added later in the 19th century. (We are also offering another berry spoon by a different silversmith and with a slightly different shape, but with identical decoration. Certainly the two spoons were decorated by the same engraver and repousser.) No monograms or removals. The reverse is clearly hallmarked for London, 1812 and the maker's mark "IL" is possibly that of James Lloyd. Excellent condition; the vermeil bowl has faded to a faint lemon color. 8-5/8" long.

English sterling silver berry spoon dating from the reign of George III. The lobed bowl is decorated with repousse apples, berries and foliage; the handle with bright cut engraving, both added later in the 19th century. (We are also offering another berry spoon by a different silversmith and with a slightly different shape, but with identical decoration. Certainly the two spoons were decorated by the same engraver and repousser.) No monograms or removals. The reverse is clearly hallmarked for London, 1811 and an unidentified maker "SA". Excellent condition; the vermeil bowl has faded to a faint lemon color. 8-1/2" long.

Early Chinese export Rose Medallion porcelain condiment dish. The details are very finely painted and vibrantly colored. China, ca. 1860's. Excellent condition; the gilding along the top edges is worn away; no chips or cracks. 3-1/8" x 2-3/8" x 11/16".

Early Chinese export Rose Medallion porcelain condiment dish. The details are very finely painted and vibrantly colored. China, ca. 1860's. Excellent condition; the gilding along the top edges is mostly worn away; no chips or cracks. 3-1/8" x 2-3/8" x 11/16".

Early Chinese export Rose Medallion porcelain condiment dish. The details are very finely painted and vibrantly colored. China, ca. 1860's. Excellent condition; the gilding along the top edges is worn away; no chips or cracks. 3-1/8" x 2-3/8" x 11/16".

Oil on masonite painting "Autumn in the Rockies" by Arthur J. Hammond (sgnd l.r.). This work uses bright autumnal colors muted with browns and greys. The broad, heavy strokes give the work a post-Impressionist look. The painting was acquired along with two others, both dated 1924, hence the dating of this work.

The back is marked in pencil in the artist's hand, "Autumn in the Rockies/Arthur J. Hammond/Rockport, Massachusetts." A later label in another hand reads, "Arthur J. Hammond/Am. b. Vernon Conn. 1875/1934 Rockport, Mass./Mallett's Index/Am. Art Annual 1933."

Listed in

AskART.com's "The Artists Bluebook: 23,000 North American Artists", 2000

P.H. Falk's "Who Was Who In American Art: 1564-1975", 1999, p. 7433

the National Academy of Design's "Annual Exhibition Record: 1901-1950", 1990, p. 622

Falk's "Dictionary of Signatures & Mongrams", 1988, p. 556

G.B. Opitz' "Mantle Fielding's Dictionary of American Painters, Sculptors, et. al.", 1986, p. 1081

Falk's "Who Was Who in American Art: Artists Active 1898-1947", 1985, p. 707

Opitz' "Dictionary of American Artists", 1982, p. 372

P. & H. Samuels' "Encyclopedia Artists American West", 1976, p. 549

D.T. Mallett's "Index of Artists", 1948, p. 811.

Board size 12"x16". Condition: blacklight examination reveals no inpainting or other repairs; the frame is contemporary to the painting and shows appropriate wear.

Six 17th century style sterling silver coffee spoons in the original velvet and satin lined box. The finials are in the shape of globe artichokes. Each spoon is fully hallmarked for London, 1946. Both the spoons and the box are in mint condition. Spoons 4" long.

A simply wonderful piece of English royalty memorabilia. A sterling silver replica of the English throne and the anointing spoon rest atop a replica of the velvet pillow upon which the crown is carried in procession at the coronation of English monarchs at Westminster Abbey. Both the throne and anointing spoon bear full hallmarks for the coronation year 1910 in the City of Birmingham. The maker's mark is "L&S." Both sterling pieces also bear a registry number. 2" tall; 2.5" square.

Beautiful striped agate mounted in sterling silver and gold. The back of the mounting is silver and the top edges are gold. There are no hallmarks, so the brooch is probably American or a custom-made English piece. It retains its original clasp. 1.25"x1.5"

Rectangular black laquered snuffbox enhanced with mustard- and red-painted decoration on all six surfaces. The inside of the lid is engraved "Alexr C. Stark/Paterson, NJ". American, ca. 1830. Excellent condition, showing slight surface wear where Mr. Stark (obviously a right handed gentlemen) placed his thumb to open the box.

Colorful thread box, the hinged top decoupaged with playing cards. Both the inside lid and the bottom have labels proclaiming "Brook's Soft Finish is the Perfection of Sewing Thread."

Origin: America, ca. 1900. Condition: very good, some crackling of finish. Size: 5" x 4" x 2".

Lacquer tobbaco or snuff box with faux tortoise finish and brass Maltese cross inlay on the lid.

Origin: England, ca. 1820. Condition: good; some crackling and scratching of lacquer surface; one 1/2" and one 1/8" flake on the bottom. Size: 3-1/2" diam.; 1-5/8" tall.