Catalog (2179)

A delightful Imperial Austrian silver brooch set with three reverse-carved Essex crystals by the Imperial jeweler Georg Adam Scheid. The domed pin is finely engraved in a basket-weave motif and is pierced by three Essex crystals, each depicting a lap dog, perhaps a Pekingese. The dogs are well carved and colored, with tiny blue bows under their chins. The crystals never had a mother-of-pearl backing like those produced in England and France. Except in France, Essex crystals were not widely used in Continental European jewelry. The back retains the original extended pinstem and c-clasp. The hinge is stamped with Imperial Austrian hallmarks for 800 silver and with Scheid’s hallmark. The brooch retains its patina, but could be polished if desired.

Origin: Austria, ca. 1880. Condition: all original, silver is excellent, some wear to the paint on the crystals. Dimensions: 1-1/16" diameter. Weight: 8.3 gr.

A very good Art Nouveau man's wedding ring worked in 14K yellow gold. The front of the shank is hand-chased in an ornate scrolling pattern that cradles three old European cut diamonds in bezel settings. The design is elegant, yet not too feminine. The diamonds are very good quality, graded in the setting as G/H color and VS1 clarity. The inside of the shank is engraved "Feb 1st 1918" and is marked for 14K gold.

Origin: America, 1918. Condition: excellent, minor wear at the back of the shank. Finger Size 9. Dimensions: 1/4" wide in the front, tapering to 3/32" at the back. Weight: 5.3 grams. Approximate Total Diamond Weight: .30 carat.

A lovely pair of classic Victorian earrings in the Etruscal Revival style featuring free-hanging drops of rich violetish-blue drops of lapis lazuli. The 15K yellow gold mountings are enhanced with twisted wire and bead decoration. The lapis is of the finest Afghan quality, with even color and only one tiny fleck of pyrite. The wires are marked "15 Ct".

Origin: England, ca. 1860. Condition: excellent, all original. Dimensions: length from top of wire, 1-3/4".

A colorful Venetian Etruscan fob charm worked in 18K yellow gold and set with six emerald cut amethysts. The gold surfaces are covered with ornate ropetwists, rosettes and beading. The shape—sort of an elongated barrel—is unusual and shows off the richly-colored amethysts to good advantage. The jump ring is marked 750 for "18K".

Origin: Italy, ca. 1955. Condition: excellent. Dimensions: 1-1/4" x 1" x 3/4". Weight: 13.5 gr. Approximate Total Gemstone Weight: amethyst, 14.1 cts.

A handsome pair of double-sided 14K yellow gold cufflinks adorned with engine-turned engraving in a star pattern enclosed within opaque blue champleve enamel borders. The connectors are stamped with the mark for Strobell & Crane (Newark).

Origin: America, ca. 1920. Condition: excellent, no enamel damage. Dimensions: faces, 5/8" diameter. Weight: 8.1 gr.

A whimsical Retro 18K yellow gold, amazonite and ruby brooch in the form of a stork. The turquoise coloring of the amazonite against the red of the ruby eye is very attractive. The use of amazonite is unusual, but the color and texture are evocative of a bird's plumage. This piece could easily be updated to become a pendant instead of a pin. The reverse is stamped with French 18K gold marks.

Origin: France, ca. 1935. Condition: excellent. Dimensions: 1-5/8" x 1-1/16". Weight: 5.1 gr. Approximate Total Gemstone Weight: amazonite, 4.93 cts; ruby, .05 ct.

An imposing Victorian butterfly brooch of exceptional quality and grand dimensions, the fore- and hindwings studded with rose cut diamonds set in silver-topped 18K gold and bordered with oval cabochon rubies set in gold. The thorax is formed of a round opal and the abdomen is a large squarish cabochon pink tourmaline. The design is completed with diamond antennae and emerald eyes. The opal has excellent fire with a good deal of orange and green in the flashes of light. The rubies outlining the wings have medium-light color and are well-matched to the large tourmaline forming the butterfly’s abdomen. The back of the brooch shows masterful à jour work with well-finished piercing to allow light through the stones. The back also retains the original gold pinstem and c-clasp that can be removed with a gold screw assembly. The brooch most likely originally had a comb attachment so the butterfly could be worn in the hair. The brooch is stamped with French gold hallmarks.

Origin: France, ca. 1875. Condition: excellent. Dimensions: 2” x 2-7/8”. Weight: 27.2 gr. Approximate Total Gemstone Weight (by estimation and formula): diamond, 2.39 cts; ruby, 14.26 cts; tourmaline, 6.87 cts; opal, .97 cts.

An elegant English sterling silver, cut glass and bakelite cocktail pick set. Each of the pics terminates in a red bakelite cherry. The silver is hallmarked for John Grinsell & Sons, Birmingham, 1933.

Origin: England, 1933. Condition: very good, a few very tiny roughnesses can be felt with the fingertips (but not seen) along the edge of the glass. Dimensions: 4" diameter; 4" tall.

A classic sterling silver wine coaster with a turned mahogany base. The walls are simply decorated with vertical piercing and the front is engraved with the crest and motto of Scotland's Melville clan, an ancient family from whom author Herman Melville was descended. Tested and guaranteed sterling silver.

Origin: America, ca. 1900. Condition: very good, a few small dings to the underside of the bottom edge. Dimensions: 5" diameter; 1-1/2" tall.

Very nice dark blue Staffordshire transferware plate in the “Bear” pattern from the “Quadruped” series by Hall. The plate depicts a river otter catching a salmon in the central reserve, surrounded by shield-shaped reserves depicting (from top going clockwise) a hedgehog and a mole, a pair of rabbits, a seal, and a civet and genet. All of the animals are based on illustrations by Caesar Ibbetson that appeared in John Church’s 1805 “A Cabinet of Quadrupeds.” The back is stamped “I Hall Quadrupeds”.

Origin: England, 1814-32. Condition: very good, a shallow 3/8” glaze nick to the rim at the 2 o’clock position. Dimensions: 8-3/7” diameter.

A vintage sterling silver figural jigger by Alvin, the sides marked off with enameled stoplights in green, yellow and red. Each light is accompanied by the words “Go,” “Caution” and “Stop.” The bottom is hallmarked by Alvin.

Origin: America, ca. 1960. Condition: excellent; no dings, monograms or enamel loss. Dimensions: 2-1/2” tall. Weight: 35.4 gr.

A stunning enameled 14K yellow gold pendant/brooch and matching earrings by Krementz. The flowers and leaves are expertly worked in the iridescent translucent enamel characteristic of the best pieces from Newark. The violets are centered with small pearls. The pendant/brooch is stamped with Krementz' 14K mark.

• Origin: America, ca. 1915
• Condition: excellent, no enamel damage
• Dimensions: brooch, 1-7/16" x 1-7/16"; earrings, 1-3/8" long from top of wire x 3/4". Weight: pendant/brooch, 9.8 gr; earrings, 6.0 gr

A vintage sterling silver vermouth dispenser in the form of a syringe by Gorham. These were called “Martini Spikes” when sold by Gorham in the 1960s. The functioning plunger allows vermouth to be drawn up into the syringe and then dispensed in precisely-calibrated medical dosages into your favorite cocktail. The syringe originally cost $10. The syringe is accompanied by an illustrated instruction card and the original fitted box.

Origin: America, 1967-70. Condition: excellent, no monograms or dings. Dimensions: 6-1/4” long. Weight: 2.3 gr.

A sterling silver vermouth dispenser in the form of a watering can by Cartier. When tipped, the dispenses sprinkles a drip or two of vermouth into the glass for the perfect martini. The bottom is marked “Cartier Sterling.” These cans were made specifically for Cartier’s New York store.

Origin: America, ca. 1950. Condition: very good, a very minor ding on the bottom rim and on the spill guard at the top. Dimensions: 3” tall. Weight: 51.2 gr.

A vintage sterling silver figural jigger by Gorham, the sides marked off with enameled stoplights in green, yellow and red. Each light corresponds to the 1, 2-1/2 and 3-1/2 ounce markings on the jigger’s bottom. The bottom is also hallmarked by Gorham.

Origin: America, ca. 1950. Condition: excellent; no dings, monograms or enamel loss. Dimensions: 2-7/16” tall. Weight: 51.7 gr.

An extremely fine Victorian tiger claw bracelet mounted in 20K gold filigree. Tiger claws were popular souvenirs of visits to India, especially after Queen Victoria took the title “Empress of India” in 1876. They were sometimes set into jewelry in England or America, but also in India. This bracelet is mounted in the traditional Indian style of ornate filigree work. The claws are finely matched in terms of color and size and are in excellent condition. Tiger claw bracelets are difficult to find, especially at this quality level. The clasp is stamped with an unidentified maker’s mark. Tested and guaranteed 20K.

Origin: India, ca. 1880. Condition: excellent. Dimensions: 1-1/8” wide; 7-1/4” long. Weight: 29.6 gr.

NOTE: This item cannot be shipped outside the United States or to the state of California.

A lovely 18K yellow gold locket, the front cover enhanced with ornate engine-turned engraving in a sunburst pattern with laurel leaf borders. The front cover is centered with a blue sapphire cabochon with rich coloring. The locket’s back cover is more simply decorated with engine-turned stripes. Even the interior edges, which are hidden from view, are engraved in a foliate pattern. The locket is suspended from its original laurel leaf jump ring that matches the border of the front cover. The interior retains both of the original portrait frames. The overall style is typical of French or Russian jewelry at the end of the 19th century, but it is unmarked. Tested and guaranteed 18K.

Ca. 1900. Condition: excellent, all original, sharp detail. Dimensions: 1-3/16” diameter (excluding jump ring). Approximate Sapphire Weight: .24 cts. Weight: 10.3 gr.

A rare large 18K yellow gold, diamond and ruby love pendant ("medaille d'amour") enclosed in a halo of bright red rubies. The medal has a rebus spelling out "Plus qu'hier, moins que demain" ("More than yesterday, less than tomorrow"), a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of "Cyrano de Bergerac") in 1889. The word "plus" is symbolized by a plus sign set with five single-cut diamonds and the word "moins" is symbolized by a minus sign set with two rectangular cut synthetic rubies.

In 1907, the Lyonnais jeweler Alphonse Augis created a love token based on the poem. This example, signed with "A. Augis", in one of the more ornate versions with a crepe de chine textured background enclosed in a scalloped frame set with brilliant round cut synthetic rubies. The fairly large size is perfect to be worn as a necklace, but could also be worn on a very chunky charm bracelet. The pendant is stamped with French 18K gold marks, and with Augis' signature and marker’s mark.

Origin: France, ca. 1955. Condition: excellent, no engraving on reverse. Dimensions: 1-5/16" diameter (excluding bail). Approximate Total Gemstone Weight: diamond, .05 ct; synthetic ruby, 3.08 cts. Weight: 9.9 gr.

A handsome pair of French 18K yellow gold cufflinks, the faces comprising white jasper chalcedony carved into quadrants and enhanced with rope-twist gold bindings. The faces are connected by chains to barbell backs. The jasper chalcedony has a very attractive translucent milky white color with a tinge of bluish-gray (the photographs seem to have a more pink tint). Each cufflink is stamped with French 18K gold marks and with an illegible maker's mark.

Origin: France. Dimensions: 9/16" x 9/16". Weight: 11.3 gr.

A classic pair of French 18K yellow gold cufflinks in a variation of the "mors de filet" or "snaffle" design originally created for Hermès by Gaetan de Percin. Each of the flip-up ends is pierced in a diamond-cut design. De Percin's design was very popular and served as the basis for a number of closely related designs. These cufflinks are stamped with French 18K marks, an unidentified goldsmith’s mark and the notation for "breveté", indicating that the design was patented.

Origin: France, ca. 1940. Condition: excellent, all original. Dimensions: faces, 5/8 x 11/32". Weight: 12.7 gr.

A rare 18K yellow gold love token medallion by the Lyonnais jeweler best known for his “Plus qu’hier, moins que demain” médailles d’amour. This medal, depicts a crowing rooster standing on land gazing out over the sea toward the rising sun while diamond-set stars are still in the sky. The text “Ni vous sans moi, ni moi sans vous” means “Neither you without me, nor me without you” and is taken from a telling of the legend of Tristan and Iseulde by the 12th century lyric poet Marie de France written while she was at the English court of Henry II and Eleanor of Aquitaine.

Augis created this design at the outbreak of World War I in 1914. The rooster is a traditional symbol of the French republic, so the medal held a double meaning of patriotism (in the sense of “Neither France without you, nor you without France”) and inseparable love as soldiers went to war. Certainly, one can imagine a young soldier presenting this medal to his wife or girlfriend.

The pendant is signed “A Augis” and is stamped with his master goldsmith’s mark.

Origin: France, ca. 1914. Condition: excellent, sharp detail, never monogrammed. Dimensions: 13/16” diameter (excluding bail). Diamond Weight: 025 ct. Weight: 6.2 gr.

An elegant second standard (800/1000 pure silver) French tastevin. Rather than the typical "perles" and fluted "godrons", the bowl of this tastevin is decorated with repousse grape leaves and berries in the 18th century style. This treatment is sometime see in tastevins made by Parrod, one of the most influential makers of tastevins in the 19th and early 20th centuries. The handle is in the tradition form of two entwined snakes grasping an apple in their mouths, thought to remind drinkers of temptation and sin. The tastevin is fully hallmarked and has an illegible maker's mark.

France, ca. 1925. Condition: excellent, sharp detail. Dimensions: 3-1/4" x 4-1/4" x 1". Weight: 53.5 gr.

A spectacularly fine, museum-quality Victorian figural watch fob worked in 18K yellow gold and platinum depicting Aesop's fable "The Fox and the Grapes." The seal shows the fox's head, jaws agape, straining to reach a juicy cluster of grapes that are just barely out of reach. Every tiny detail of the fox's fur, teeth, tongue is beautifully worked, as are the leaves and distinct individual berries making up each cluster of grapes. The leather strap is enhanced with three additional grape elements.

The seal surface is worked in platinum engraved through to the underlying gold. The crest is that of the Scottish clan Irwin (variously spelled Irvine, Irving, etc.) with the first two words of the family motto, "Sub Sole Sub Umbra Virens."

The Albert swivel clasp is stamped with a French goldsmith's mark, but it's likely that fob is English and the swivel clasp is an addition from the 1920s. The metals are tested and guaranteed as 18K gold and platinum.

Origin: probably England, ca. 1875. Condition: excellent, all original with the likely exception of the swivel clasp. Dimensions: fob length, 1-5/8"; overall length (including Albert clasp), 5-3/4". Weight: 48.9 gr.

A stunning Georgian 18K gold textured chain necklace suspending a graduated series of nineteen carved hardstone hearts. The colorful stones include lapis lazuli, moonstone, opal, carnelian, moss agate, porphyry, chrysoprase, banded agate, jasper and more. Stones such as these would have been mined in many different parts of the globe, and wearing a necklace of such "specimens" would have indicated wealth as well as a certain curiosity and intelligence about the world. The heart theme expressed the sentimental side of Georgian jewelry. The chain is entirely handmade and is fastened with the original barrel clasp decorated with beading in the Etruscan manner. Tested and guaranteed 18K.

Origin: France or England, ca. 1800. Condition: very good, several of the hearts have minor roughnesses to the edges consistent with two centuries of wear. Length: 16-3/4". Weight: 19.0 gr.

A spectacular demi-parure comprising a pair of earrings and a pendant/brooch worked in 14K yellow gold and set with Persian turquoise. The earrings have round surmounts decorated with applied bead and ropetwist decoration in the Etruscan Revival taste suspending ornately geometrical elements set with square turquoise cabochons. The pendant is made to match and has a bail that remains hidden when worn as a brooch. The turquoise is very well-matched. Tested and guaranteed 14K.

Origin: America, ca. 1865. Condition: excellent, one stone at the bottom of the pendant has darkened to green (typical of Victorian turquoise). Dimensions: earrings, 2-7/8" long from top of earwire; pendant/brooch, 3" x 1-1/4". Weight: 39.6 gr.

An intriguing pair of 18K yellow gold cufflinks, the faces set with triangular cabochons of labradorite. In bright lighting conditions, the stones exhibit the unusual play of bluish-greenish color desired in labradorite. The color seems to emanate from within the stones and float on the surface over the gray and cream body color. Each of the cufflinks is stamped with French 18K marks and an unidentified goldsmith's mark (S.Cie. with an anvil).

Origin: France, ca. 1950. Condition: excellent. Dimensions: faces, 5/8" x 5/8". Weight: 17.4 gr.

A very nice 14K yellow gold man's ring set with a rectangular carnelian plaque with canted corners. The gold surfaces are entirely covered with an hand-engraved foliate design. The gemstones in rings of this type were sometimes engraved with the owner's coat of arms, but this example has never been engraved. The stone's color and the overall impressive size of the ring make this a particularly nice example. The interior is marked 585.

Ca. 1900. Condition: excellent, sharp details. Dimensions: 3/4" wide at crown, tapering to 1/4" at the back of the shank. Finger Size: 9. Weight: 17.4 gr.

A nice 18K gold Sputnik ring by H Stern. The dome is bezel-set with nineteen round citrines, amethysts, pink and green tourmalines, peridots, aquamarines and garnets. This is the first time we've seen a blue tourmaline in a Sputnik ring. The design was created in the 1950s to highlight the range of colored gemstones available from Stern's Brazilian mines. It later came to be called "Sputnik" for its resemblance to the spike Soviet satellite launched in 1957. Each piece has a unique appearance depending on the specific colors of the stones and their arrangement. This ring has unusually saturated colors, particularly in the green tourmalines and garnets. The shank is stamped "18K".

Origin: Brazil, ca. 1955. Condition: excellent. Finger Size: 7-1/2. Dimensions: dome, 7/8" diameter. Weight: 4.9 gr. Approximate Total Gemstone Weight: 4.81 cts.

A lovely 18K yellow gold hinged bangle bracelet in the Edwardian style, set with a row of fifteen well-matched oval brilliant cut blue sapphires in graduated sizes, flanked at either end with small rose cut diamonds. The sapphires have very nice medium-tone violetish-blue coloring with very good clarity. There are no indications of heat treatment. The bracelet is stamped with Italian hallmarks in use 1944-1968.

Origin: Alessandria, Italy, ca. 1950. Condition: excellent. Dimensions: 7/32" wide; 6-1/2" circumference. Approximate Total Gemstone Weight: sapphhire, 4.35 cts; diamond, .10 ct. Weight: 17.6 gr.

A very nice, heavy pair of classic double-sided cufflinks, each oval face set with old mine cut diamonds. The design is simple enough for the cufflinks to be worn during the day, but there's enough sparkle for evening wear, too. The diamonds are G-J color, VS1 to SI2 clarity. The cufflinks are fully hallmarked 18K, Birmingham and 1919. They also bear the marker's mark for B. H. Joseph & Co. (1865-1929).

Origin: Birmingham, England, 1919. Condition: excellent. Dimensions: 1/2" x 11/16". Approximate Total Diamond Weight: .72 ct. Weight: 13.0 gr.

A handsome pair of double-sided 14K yellow gold cufflinks set with oval lapis lazuli cabochons. The stones have even, deeply-saturated violetish-blue color. The backs are marked "585" for 14K and also have an unidentified European maker's mark "MO."

Origin: Continental Europe, ca. 1930. Condition: excellent. Dimensions: 1/2" x 11/16". Weight: 12.9 gr.

A handsome man's ring worked in 14K yellow gold and featuring a saddle cut lapis cabochon. The mounting is engraved in the angular foliate style typical of Egyptian Revival jewelry of the 1920s. The color of the gold is bright yellow, with perhaps a slight tinge of green, that nicely accents the rich colors of the lapis. The interior of the shank is stamped "14K" and also has an unidentified maker's mark.

Origin: America, ca. 1930. Condition: excellent; nice detail. Dimensions: 7/16" wide, tapering to 1/8" at the back of the shank. Finger Size: 12. Weight: 7.6 gr.

A lovely Art Nouveau locket worked in 14K yellow gold depicting a poppy blossom and buds. In the Victorian language of flowers, the red poppy represented "consolation," certainly an apt choice for a locket that might hold a portrait. The interior of the locket retains both of the original frames and glass covers. The jump ring is marked "10K", but the locket is tested and guaranteed as 14K.

Origin: America, ca. 1900. Condition: excellent; sharp detail; the back cover appears to have had a monogram removed. Dimensions: 1-1/8" diameter. Weight: 6.9 gr.

A pretty Art Nouveau 10K yellow gold locket by Elias Rees & Son, depicting a young woman surrounded by a bower of flowers. The back cover bears a period monogram, nicely worked in ornate Art Nouveau script. The interior retains the original frames and glass covers on both sides and is hallmarked by Rees.

Origin: America, ca. 1915. Condition: excellent; nice detail. Dimensions: 1" diameter (excluding bail and jump ring). Weight: 5.8 gr.

An elegant Victorian 10K yellow gold locket depicting a curving branch of poppies with a small star-set old mine cut diamond to one side. The reverse has a period monogram. Tested and guaranteed 10K gold.

Origin: America, ca. 1900. Condition: excellent. Dimensions: 1" diameter (excluding bail). Weight: 4.2 gr.

A delightful and very rare Victorian pin depicting a woman's "safety bicycle". With a chain drive connected to the back wheels and structural supports that left room for petticoats, these bicycles gave women unexpected freedom. Susan B. Anthony claimed that bicycling "had done more to emancipate women than anything else in the world." This pin is worked in silver gilt and set with rose cut Bohemian garnets. The detailing is very nice. The back of the pin retains its original clasp and extended pinstem.

Ca. 1890. Condition: excellent. Dimensions: 1-5/16" x 13/16". Weight: 2.9 gr.

A handsome and colorful pair of reverse-carved Essex crystal cufflinks set in 14K yellow gold. The faces feature color fly fishing lures in shades of red white and black against mother-of-pearl backgrounds. The front faces are attached by bar connectors to simple gold backs that are original to the cufflinks. The backs have never been monogrammed. The connectors are marked "14K."

Origin: America, ca. 1910. Condition: excellent; no chipping or damage to the crystals. Dimensions: front faces, 19/32" diameter.

A pair of Art Deco 14K yellow gold cufflinks, the faces with engine-turned engraving of extraordinary quality. Each face depicts a sailboat in the foreground with a small sailboat in the background, the design completed with waves, birds in the sky and a lighthouse atop a rocky coastline. The faces are joined by gold chains. Each face is stamped "14K" and has an unidentified maker's mark.

Origin: America, ca. 1930. Condition: excellent; sharp detail. Dimensions: larger faces, 3/4" diameter; smaller faces, 5/8" diameter. Weight: 19.7 gr.

A handsome pair of 14K yellow gold cufflinks in the "etrier" style originally popularized by Cartier. The design was meant to suggest a horsebit. When worn, only the circles are visible. The circles are finished with a twisted rope design. Most cufflinks of this style were made by French jewelers, and it is unusual to find an American pair in 14K gold. Stamped with an unidentified maker's mark.

Origin: America, ca. 1930. Condition: excellent. Dimensions: faces, 5/8" diameter. Weight: 10.9 gr.

A stunning pair of 14K yellow gold cufflinks, the double faces set with bright red garnet cabochons. Unlike many garnet cufflinks, the stones have bright coloring without the brownish overtones that are typical of garnets. The backs are stamped 14K and are signed by Sansbury & Nellis.

Origin: America, ca. 1925. Condition: excellent. Dimensions: 9/16" x 7/16". Weight: 7.4 gr. Approximate Total Gemstone Weight: 9.2 cts.

A fine large 18K yellow gold Venetian Etruscan fob, bracelet charm or pendant set with oval amethysts and pearls in a crown shape. The gold surfaces are enhanced with twisted wire, rosettes and beading. The amethysts have very good, even coloring in an appealing medium-violet shade. The pearls have nice luster and rosy overtones that compliment the color of the amethysts. The bail is marked for 18K gold.

Origin: Italy, ca. 1960. Condition: excellent. Dimensions: 1-1/4" x 1" x 1-1/4" (excluding bail). Weight: 18.4 gr. Approximate Total Gemstone Weight: 20.5 cts.

A wonderful late Victorian 14K yellow gold animal pin in the form of an English bulldog. The details are finely worked right down to the studded dog collar. The back is marked 14K and retains the original pinstem and clasp. A small folding bail could easily be added for wear as a pendant.

Origin: America, ca. 1900. Condition: excellent; all original; sharp detail. Dimensions: 7/8" x 11/16". Weight: 6.2 gr.

A fine late Victorian 14K yellow gold animal pin in the form of an owl sitting on a branch. The details of the feathers and tree bark are beautifully rendered. The eyes are set with two small garnet cabochons. The back retains the original pinstem and clasp. The back is stamped "14K" and also has an unidentified maker's mark. This piece could be worn as a pin or suspended from a chain as a pendant.

Origin: America, ca. 1900. Condition: excellent; all original; sharp detail. Dimensions: 1-1/4" x 5/8". Weight: 7.1 gr.

A stunning cut double-overlay white/cranberry/clear cologne bottle, mostly likely by the New England Glass Company. The broad base is slightly footed and decorated with opaque white casing cut in a classic foral vine pattern to a transparent rose-cranberry base. The panel-cut tapered neck is enhanced with a faceted applied ring. The open-top tulip-form stopper has a long knopped neck and white/cranberry panel cutting on the petals. The concave base is polished.

Origin: America, 1850-70. Condition: a 1/16" flake on an upper edge of the stopper visible on careful examination in raking light. Dimensions: 3-3/4" wide; 6-1/2" high.

A heavy classic belcher chain link necklace in 12K yellow gold. The chain is heavy and solid enough to suspend any of the heavier Victorian lockets or large pendants. It also looks stylish worn simply as a chain. The lobster claw clasp is a replacement and is 14K. The chain itself tests 12K.

Origin: England, ca. 1900. Condition: excellent. Length: 22-5/8" long. Weight: 17.7 grams.

An elegant yellow gold ring featuring a rare blue-to-violet color-change sapphire surrounded by seed pearls, converted from an antique stick pin. The sapphire has extremely fine clarity and excellent cut, but the best part is the marked change of color depending on lighting conditions. The stone appears a vibrant violet shade in incandescent light and royal blue in daylight. The sapphire and pearls are elegantly backed with a hand-pierced gallery. The setting is 15K (marked), and the ring shank is 18K.

Origin: the original stick pin was English, ca. 1870. Dimensions: crown, 3/8" diameter. Finger Size: 6-1/2. Approximate Sapphire Weight: .47 ct. Weight: 2.3 gr.

A lovely 14K yellow gold flower pin enameled in elegant shades of lilac and cream by Bippart, Griscom & Osborn. The five petals are nicely undulating around a central pearl, and a gold stem peaks out at the bottom. The back is stamped with Bippart's 14K gold mark.

Origin: America, ca. 1910. Condition: good; a few expert touch-ups along the edges. Dimensions: 1" x 1". Weight: 7.5 gr.

A nice pair of sterling silver cufflinks with an subtle Art Deco engraved floral motif. The solid connectors are joined to hinged backs. Each connector is stamped with Polish sterling marks and an unidentified maker's mark.

Origin: Poland, ca. 1986 (the pattern is likely from the 1920s). Condition: excellent; sharp detail; unpolished. Dimensions: 13/16" x 1/2". Weight: 10.6 gr.

An exceptionally fine French 18K yellow gold ring in the form of a lion's head flanked by a pair of winged griffins that coil around the finger. The lion grasps a round blue sapphire it its jaws. The sapphire has rich coloring and is deeply saturated. The design is entirely hand-chased and pierced. The ring is signed, but is only partly legible "CU**R." It is also marked with the master goldsmith's stamp "AP" and with the French 18K mark. Mythological subjects such a griffins were very popular in French jewelry just before the onset of the Art Nouveau era, and this is very fine example.

Origin: France, ca. 1880. Condition: excellent, sharp detail. Finger Size: 9-1/2. Dimensions: 9/16" wide at front, tapering to 1/4" at back. Approximate Total Sapphire Weight: .36 ct. Weight 11.4 gr.

An elegant pair of 18K yellow gold knot-style cufflinks set with blue sapphires by Boucheron. The four-lobed faces are formed by a rope-motif tied in an ornate knot. Each lobe features a bright blue round sapphire. The sapphires have eye-clean clarity and medium blue color. The faces are joined by solid connectors to toggle backs decorated in a complementary twisted rope design. Each cufflink is signed "Boucheron Paris" and has appropriate serial numbers, 18K marks and the master goldsmith's mark.

Origin: France, ca. 1980. Condition: excellent. Dimensions: 5/8" x 5/8". Approximate Total Gemstone Weight: sapphire, 1.17 cts. Weight: 14.1 gr.

A nice 18K gold Sputnik ring by H Stern, the dome bezel-set with nineteen round citrines, amethysts, pink and green tourmalines, garnets and aquamarines. This design was created in the 1950s to highlight the range of colored gemstones available from Stern's Brazilian mines. Each piece has a unique appearance depending on the particular selection and placement of the stones. The gems in this ring tend toward richer autumnal colors with a lot of garnet-red, gold and medium-dark green. Stamped with an early Stern mark and "750" for 18K gold.

Origin: Brazil, ca. 1955. Condition: excellent, all original. Dimensions: dome, 7/8" diameter. Finger Size: 6-1/2 to 6-3/4. Weight: 4.6 gr. Approximate Total Gemstone Weight: 4.96 cts.

A particularly attractive large Italian 18K yellow gold fob charm in the Venetian Etruscan style. The lantern-shaped charm is set with four large blue chalcedony oval cabochons. The use chalcedony is rather unusual in these pendant/charms and the rich blue color is especially nice against the gold. NOTE: The blue in the photos are more intense than the actual subtle violet-blue color of the stones. The gold surfaces are enhanced with applied rosettes, beading and twisted wire decoration. Tested and guaranteed 18K.

Origin: Italy, ca. 1960. Condition: excellent. Dimensions: 15/16" x 1-1/2". Weight: 11.7 gr.

An impressively large 18K yellow gold Venetian Etruscan fob charm or pendant in a crown shape set with large oval amethysts enhanced with smaller round amethysts. The gold surfaces are enhanced with twisted wire, rosettes and beading. The amethysts have very rich, deep violet coloring. Marked “750” for 18K.

Origin: Italy ca. 1960. Condition: excellent. Dimensions: 1-3/8” x 1-1/8” x 1-3/8” (excluding bail). Weight: 25.2 gr. Approximate Total Gemstone Weight: 27.29 cts.

A wonderful figural fob seal depicting England’s patron St. George defeating the dragon. The design is worked primarily in silver, but the horse’s bridle, the dragon’s dorsal ridge and the saint’s spear and shield are worked in yellow gold. The gold base encloses a flat malachite that was never engraved. Tested and guaranteed sterling silver and 18K gold.

Origin: probably England, ca. 1860. Condition: very good, some light dings on the mounting around the stone consistent with age. Dimensions: 1’ x 5/8” x 1-1/16”. Weight: 15.9 gr.

Presented in its original box, a lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday less than tomorrow”), a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. The word “plus” is symbolized by a plus sign set with rose cut diamond and the word “moins” is symbolized by a minus sign set with rectangular synthetic rubies.

In 1907, the Lyonnais jeweler Alphonse Augis created a love token based on the poem. This example, signed by Augis’ initials, is in one of the more ornate versions with a crepe de chine textured background enclosed in a elegant floral border. The use of a single cut diamond, and the Augis initials indicates that this is an earlier example. The size is perfect as a pendant on a delicate chain or as a charm on a bracelet. Fully marked with 18K gold marks, and Augis’ maker’s mark.

The pendant is presented in its original silk moire book-shaped box. The interior is printed with the excerpt from Gérard’s poem. These boxes are incredibly rare.

Origin: France, ca. 1935. Condition: excellent. Dimensions: 11/16” x 1-1/16” (from top of bail). Weight: 3.7 gr. Approximate Total Gemstone Weight: diamond, .01 ct; ruby, .07 ct.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday less than tomorrow”), a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. The word “plus” is symbolized by a plus sign set with rose cut diamond and the word “moins” is symbolized by a minus sign set with rectangular synthetic rubies.

In 1907, the Lyonnais jeweler Alphonse Augis created a love token based on the poem. This example, in a streamlined modern style with a hidden bail, is in one of the rarest versions. Fully marked with 18K gold marks, and Augis’ signature and maker’s mark.

Origin: France, ca. 1970. Condition: excellent; the marks on the bottom edge of the pendant in the second photo are lighting reflections only. Dimensions: 3/4” x 3/4”. Weight: 3.8 gr. Approximate Total Gemstone Weight: diamond, .01 ct; ruby, .07 ct.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday less than tomorrow”), a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. The word “plus” is symbolized by a plus sign set with rose cut diamond and the word “moins” is symbolized by a minus sign set with rectangular synthetic rubies.

In 1907, the Lyonnais jeweler Alphonse Augis created a love token based on the poem. This example, signed by Augis, is in one of the more ornate versions with a crepe de chine textured background enclosed in a lovely floral border. The use of a rose cut diamond, the Augis signature and the patent mark indicates that this is an earlier example. The size is perfect as a pendant on a delicate chain or as a charm on a bracelet. Fully marked with 18K gold marks, and Augis’ maker’s mark.

Origin: France, ca. 1925. Condition: excellent. Dimensions: 5/8” x 15/16” (from top of bail). Weight: 2.9 gr. Approximate Total Gemstone Weight: diamond, .01 ct; ruby, .05 ct.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday less than tomorrow”), a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. The word “plus” is symbolized by a plus sign set with rose cut diamond and the word “moins” is symbolized by a minus sign set with rectangular synthetic rubies.

In 1907, the Lyonnais jeweler Alphonse Augis created a love token based on the poem. This example, signed by Augis, is the classic version with the crepe de chine textured background enclosed in a plain border. The use of a rose cut diamond and the Augis signature indicates that this is an earlier example. The size is perfect as a pendant on a delicate chain or as a charm on a bracelet. Fully marked with 18K gold marks, and Augis’ maker’s mark.

Origin: France, ca. 1940. Condition: excellent. Dimensions: 9/16” x 7/8” (from top of bail). Weight: 1.7 gr. Approximate Total Gemstone Weight: diamond, .01 ct; ruby, .04 ct.

A fine cold-painted Vienna bronze eagle of the highest quality and unusually large size. The painted decoration is wonderfully complex and detailed. The bronze is marked "Austria" under the tail feathers. We have seen this exact bronze with Franz Xavier Bergmann marks.

Origin: Austria, ca. 1900. Condition: excellent, only the faintest paint nicks are the tips of a few features and beak. Dimensions: 9-1/4" x 6-1/2" x 5-1/4" high.

A rare pair of 18K yellow gold earclips in the Sputnik style by H Stern. The domes are bezel-set with round amethysts, citrines, aquamarines, green and pink tourmalines, and garnets. This design was created in the 1950s to highlight the range of colored gemstones available from the mines of Stern's native Brazil. It later came to be called "Sputnik" for its resemblance to the spiky Soviet satellite launched in 1957. Each piece has a unique appearance that relies on the particularly selection and placement of the gemstones for its overall look. This pair has strong, saturated mid-tone autumnal colors. Each earring is marked for 18K and also has the early maker's mark for H Stern. Origin: Brazil, ca. 1955. Condition: no dings or chips to stones. Dimensions: 11/16" diameter. Weight: 6.2 grams. Approximate Total Gemstone Weight: 3.34 cts.