Catalog: Antiques: Decorative Art: Ceramics: English: Pottery (27)

Very nice dark blue Staffordshire transferware plate in the “Bear” pattern from the “Quadruped” series by Hall. The plate depicts a river otter catching a salmon in the central reserve, surrounded by shield-shaped reserves depicting (from top going clockwise) a hedgehog and a mole, a pair of rabbits, a seal, and a civet and genet. All of the animals are based on illustrations by Caesar Ibbetson that appeared in John Church’s 1805 “A Cabinet of Quadrupeds.” The back is stamped “I Hall Quadrupeds”.

Origin: England, 1814-32. Condition: very good, a shallow 3/8” glaze nick to the rim at the 2 o’clock position. Dimensions: 8-3/7” diameter.

A nice stoneware ewer in an unusual form by Doulton Lambeth. The bulbous body is decorated with raised flowers and foliage against a cobalt blue ground, while the foot and long tapering neck are finished in a simple pattern of incised rings highlighted with chocolate brown borders. The inside of the foot is stamped with the mark used 1891-1902 and also with the artist's mark which appears to be a conjoined "JH", "HL" or possibly just an ornate "H". There is also an assistant's mark, "b".

Origin: England, ca. 1895. Condition: no chips or cracks. Size: 11-5/8" tall.

A delightful and very rare Staffordshire ironstone puzzle jug by Elsmore & Forster. The sides are decorated with colorful scenes of a cockfight below the lip, while the sides feature large images of the famed circus clown “Cashmore”. The foot, rim and handle are highlighted with red stripes. The interior has a hidden siphon system that causes the contents to spill when the jug is tipped, unless the pourer covers the small air hole on the inside of the handle. The base is marked with Elsmore & Forster’s underglaze stamp.

Origin: England, ca. 1860. Condition: excellent, no chips or cracks. Size: 8-7/8” tall.

A wonderful Victorian ironstone footed fruit compote decorated in an underglaze blue floral pattern. Distinctly Asian in flavor, the pattern depicts prunus blossoms and peonies surrounded by rocky outcroppings, foliage and hovering butterflies. The edges are finished in a diaper border. Either end has a leafy handle, heavily accented with gilding similar in style to that found on Old Paris porcelains. The overall shape and use of gilding suggests an early date. The bottom is marked with F. Morley & Co.’s underglaze stamp.

Origin: England, ca. 1845. Condition: excellent, no chips or cracks, there are three small glaze misses near the upper rim, original gilding intact. Size: 12-1/2” x 9” x 5-5/8” tall.

A very nice pair of Staffordshire spaniels highlighted with gilt decoration. Each dog wears a collar with a padlock and a chain. The muzzles are decorated with pink and black overglaze enamel, and the eyes are set with glass eyes. Both have the whimsical "Joan Crawford" eyebrows. Spaniels with glass eyes, although a bit later than some of the other Staffordshire figures, are difficult to find.

Origin: England, ca. 1890. Condition: excellent, no damage, one dog has a slightly open seam on top of the ear that is original to the making. Size: 8-1/2" x 3-1/4" x 9" tall.

A lovely Staffordshire pottery inkwell and quill holder in the form of a swan. The wings are painted vivid shades of pink with black and gilt accents. The bird rests on a colorful "confetti" nest. The hole in the swan's back served as the inkwell, while the two holes in the front were to hold quills. This swan is a particularly colorful example.

Origin: England, ca. 1840. Condition: excellent, no damage. Size: 3" x 2" x 3-1/4".

A nice Staffordshire inkwell or quill holder in the form of a recumbent deer. The naive painted decoration almost makes it look as if she's wearing a little black hat. The doe is posed on a white base molded as a rocky outcropping. The base is highlighted with a burnished gilt line.

Origin: England, ca. 1850. Condition: excellent, no damage. Size: 4-3/4" x 2" x 4".

A nice early Staffordshire pottery child's cup decorated with a transfer scenes of children playing leap frog on one side and "peg top" on the other. The black transfer is highlighted with red overglaze enamel. The cup is accented with a molded foot and a strap handle. Teh glaze has the slight bluish tint found in Staffordshire pottery of this period.

Origin: England, ca. 1850. Condition: normal crackling to glaze, a few small flakes at the rim and two tight hairlines. Size: 2-3/4" tall.

A wonderful Staffordshire pottery cow creamer standing on a oval base. The cow is decorated with rust spots on the white background and the horns are gilt. The oval base is decorated as a grassy outcropping. Cow creamers were very popular in the early 19th century and were produced by a number of potters in Staffodshire, Wales and southern Scotland. This example is from the Staffordshire region.

Origin: England, ca. 1850. Condition: excellent, no damage. Size: 6-3/8" x 3" x 4-3/4".

Rare large ironstone platter in the Imari taste with a cobalt blue border by G.L. Ashworth, the successor to Mason’s. The platter’s rim is unusually decorated with reserves showing Japanese ladies with parasols and floral elements surrounded by gilding. The central design shows an Asian-themed still life including peonies, lotus blossoms, pagodas, etc. The back is printed with Ashworth’s mark, is impressed “Real Ironstone China”, and has a decorator’s mark.

Origin: England, ca. 1870. Condition: excellent; no chips, cracks or discoloration; light wear to gilding along edges. Size: 15-7/8” x 12-5/8”.

Very nice Staffordshire transferware plate in the “Lion” pattern from the “Quadruped” series by Hall. The plate is very finely decorated in underglaze blue with four reserves depicting zebras, goats, deer and horses, surrounding a central reserve depicting a lion. Unmarked.

Origin: England, 1820-30. Condition: excellent, no chips or cracks, light discoloration on back (easily removed). Size: 10” diameter.

Very fine early Staffordshire child's cup decorated with a pair of colorful roosters. The design was hand-colored over a rudimentary sepia-colored transfer. The pearlware glaze has a wonderful lustre. The bottom edge of the cup is decorated with a molded border.

Origin: England, ca. 1830. Condition: excellent, no chips or cracks, light glaze crazing in interior bottom. Size: 2-7/8" tall; 3-1/8" diameter excluding handle.

Extremely rare early Staffordshire pearlware pot decorated with three hand-colored transfer prints of King William III at the Battle of the Boyne. This was one of the earliest of the Staffordshire transfer patterns celebrating the Kings and Queens of England. This design is sometimes captioned "No Surrender" and depicts King William defeating the ousted James II and the French troops who were trying to restore England to Catholic control. This form, either a waste bowl or a flower pot is also quite uncommon. The top and bottom rims are decorated with molded beading highlighted wtih gilding.

Origin: England, ca. 1830. Condition: excellent, staining to the interior, bright colors. Size: 5-3/8" diameter at top; 3-5/16" high.

Very rare Staffordshire pottery child's plate with an ABC rim surrounding a hand-colored transfer print of a railroad steam engine emerging from a tunnel. The plate is very colorful and is highly desirable because of the train decoration.

Origin: Staffordshire, England, ca 1895. Condition: very good, two very tight hairlines about 1" long, a couple of potting and painting flaws. Size: 7-1/2" diameter.

Extremely rare relief-molded jug by the Sandford Pottery in Wareham, Dorset. This jug was designed to honor the contributions of volunteers during the Crimean War (1853-56). The sides of the jug are decorated with a procession of a soldier, a sailor, a marine and a Scots Highlander. Under the lip is a representation of a young Queen Victoria. Above the foot is impressed "Our Army & Navy & Brave Volunteers". The coloring is very rich and the majolica glaze very deep and glossy. The design was registered on September 28, 1860. Sandford Pottery was a small firm and only produced three relief-molded jugs. The jug is listed in "Relief-Moulded Jugs: 1820-1900" by R.K. Henrywood.

Origin: England, circa 1860. Condition: excellent, no chips, or cracks. Size: 10-5/8" tall.

Very good Staffordshire pottery inkwell in the form of a country cottage beside a tree populated by a mother bird and her nest of young. A Dalmatian watches the birds from the ground. The cushion base is accented with a gilt line.

Origin: England, circa 1860. Condition: very good, normal glaze crazing; some ink discoloration to base, no chips or cracks. Size: 4-7/8" x 2-1/16" x 4-3/4" tall.

Fantastic pottery double-handled urn decorated in an underglaze blue floral transfer and clobbered with overglaze iron red, yellow and purple pigments. The effect is much like chintz china, but with stronger coloring. The bottom bears the mark used by Cauldon Potteries from 1905 to 1920. The form and size of this vase, combined with its rich coloring, makes for a truly stunning piece of Staffordshire pottery.

Origin: Staffordshire, England, circa 1913. Condition: mint. Size: 13-1/4” tall.

Wonderful pottery candlestick decorated in an underglaze blue floral transfer and clobbered with overglaze iron red, yellow, and purple pigments. The effect is much like chintz china, but with stronger coloring. The bottom is marked with the registration number indicating the piece was designed in 1913 and bears the mark used by Cauldon Potteries from 1905 to 1920. It is also marked "Grip", probably referring to the very uncommon form. It is a very unusual and striking pattern.

Origin: Staffordshire, England, ca. 1913. Condition: mint. Size: 6-1/4” tall; base, 2-3/4” x 4”.