Catalog: Estate Jewelry: Cufflinks and Accessories (359)

A handsome pair of 14K yellow gold cufflinks in a classic diamond-shaped design completed with black onyx. The toggle backs are stamed "14K".

Origin: America, ca. 1980. Condition: excellent. Dimensions: 1" x 11/16". Weight; 10.0 gr.

An elegant pair of Victorian 18K yellow gold cufflinks, the baton faces very finely and ornately engraved in a foliate pattern. The faces are joined by chains. Tested and guaranteed 18K.

Ca. 1875. Condition: excellent, all original, sharp detail. Dimensions: faces, 11/16” long. Weight: 5.6 gr.

A very handsome pair of 18K yellow gold cufflinks, the faces formed from faceted rhodolite garnets of unusually large size centering old European cut diamonds. The purplish-red hue of the garnets contrasts beautifully with the gold mounting and the white diamonds (G, VS2). The backs are finished with toggles. The connectors are stamped with French marks for 18K gold and with the goldsmith's mark (entered in 1913) for the Parisian jeweler Leon Favrin.

Origin: France, ca. 1940. Condition: excellent. Dimensions: faces, 1/2" diameter. Weight: 7.9 gr. Approximate Total Gemstone Weight: rhodolite, 12.66 cts; diamond, .10 ct.

A classic pair of Art Deco double-sided cufflinks featuring high-domed cabochons of carnelian and aventurine quartz set simply in silver collets. The faces are joined with removable connectors. The color contrast of the gems is rather striking. The faces are marked “830”.

Scandinavia (excluding Denmark), ca. 1930. Condition: excellent. Dimensions: faces, 1/2” diameter. Weight: 7.5 gr. Approximate Total Gemstone Weight: carnelian, 9.72 cts; aventurine, 12.18 cts.

A nice, heavy pair of figural 14K yellow gold cufflinks, each of the faces designed as a golf bag with a selection of clubs. The cufflinks are finished with nice details such as the grooves on the irons and the textured surface of the bags. The faces are connected to an older style of toggle backs. The backs are stamped 14K.

Origin: America, ca. 1955. Condition: excellent, sharp detail. Dimensions: faces, 15/16” long. Weight: 9.2 gr.

A pair of vintage sterling silver cufflinks by Hermes. The double baton faces are engraved in a tree bark motif and are connected by chains. Each cufflink is signed “Hermes†and bears appropriate French silver marks. They are also stamped with the silversmith’s hallmark. This is an early design that hasn't been in production in 80 years or more.

Origin: France, ca. 1930. Condition: cufflinks, excellent; box, excellent. Dimensions: faces, 13/16†long. Weight: 14.9 gr.

A very uncommon pair of 14K yellow gold stirrup-style flip-up cufflinks, with one face of each set with a golf-themed reverse-carved Essex crystal. The golfers depicted in each crystal are wearing old-fashioned golf clothing. These are the first Essex cufflinks we’ve encountered in the flip-up style. The connectors are stamped “14Kâ€. They are likely by Krementz or Larter.

Origin: America, ca. 1930. Condition: excellent; no moisture damage or scratches to crystals. Dimensions: faces, 19/32†diameter. Weight: 11.5 gr.

A heavy pair of mid-century 14K yellow gold cufflinks, the rectangular faces edged in a border of channel-set rectangular cut synthetic rubies. The gold surfaces have a lightly, engraved Florentine finish ideal for monogramming. The toggle backs are marked "14K". Origin: America, ca. 1955. Condition: excellent, all original. Size: 7/8" x 5/8". Weight: 16.1 grams. Approximate Total Gemstone Weight: 3.78 carats.

A fine pair of 14K yellow gold cufflinks, the faces shaped as a convex curve of gold flanked on either side by square cut natural rubies. The superbly-matched rubies have excellent color and clarity, with no indications of heat or other treatment. The nature of the microscopic inclusions suggests Burma as the region of origin. We have seen a duplicate pair of these cufflinks, except set with sapphires, that were signed "Cartier NY". Cartier's New York store retailed jewelry made by various manufacturers such as Larter and Krementz. Sometimes they were marked with Cartier's retailer mark and sometimes not. Stamped "14K".

Origin: America, ca. 1940. Condition: excellent, all original. Dimensions: 17/32" x 3/4". Weight: 9.0 gr. Approximate Total Gemstone Weight: 1.92 cts.

A handsome pair of French silver Art Nouveau cufflinks, the faces decorated with a young woman against a spider web background. In Art Nouveau jewelry, the spider web motif was meant to symbolize entrapment and danger—in this case as a counterpoint to the maiden who suggests innocence. The outer edges of the faces follow the geometric shape of the spider web at the top, but are more rounded at the bottom of the design where the woman’s hair and clothing flows. The faces are connected with chains to torpedo backs engraved in a whiplash curve motif. The cufflinks are illegibly stamped with the maker’s mark.

Origin: France, ca. 1895. Condition: excellent, all original, very good detail. Dimensions: front faces, 9/16” diameter. Weight: 3.9 gr.

An extraordinarily fine pair of Larter 14K gold beanback cufflinks, the faces decorated with the image of a man with wildly flailing hair and grasping a blue sapphire in his mouth. The treatment of the hair and the choice of a blue stone suggests that the image represents the God of the Seas, Poseidon (Neptune). Alternatively, it could be Zephyrus, God of the West Wind. The sapphires have bright cornflower blue color and are have eye-clean clarity. The cufflinks are marked with Larter's hallmark.

Origin: America, ca. 1890. Condition: excellent, sharp detail, all original. Dimensions: faces, 15/32" x 1/2". Weight: 5.1 gr. Approximate Total Gemstone Weight: .14 ct.

A very fine and heavy pair of French 18K gold cufflinks in the Aesthetic taste. The faces are hand-pierced and patinated in a bronze-brown shade with darker highlights in the recesses. The gold surfaces are finished with a matte texture that accents the deep coloring. The center of each face is set with a blue sapphire cabochon of fine color. The faces are joined by chains. The maker’s mark is partly obscured, but we have seen the mark before (the goldsmith must have used a damaged punch, because his marks are always partially missing) on expertly-made heavy gold items with intricate piercing, often set with cabochon gemstones, from around 1880-1900. The cufflinks are fully stamped with French 18K gold marks.

Origin: France, ca. 1885. Condition: excellent; sharp detail; all original. Dimenions: larger faces, 13/16” x 1/2"; smaller faces, 13/16” x 5/16”. Weight: 8.4 gr. Approximate Total Gemstone Weight: .72 ct.

A classic pair of 18K yellow gold and sapphire cufflinks by Van Cleef & Arpels. The square faces are worked in a herringbone motif surrounding sugarloaf cabochons of blue sapphire. The smaller faces are hinged for ease in putting through a cuff. The sapphires have eye-clean clarity and are graded as medium dark, strong violetish-blue (vB6/5). The cufflinks are signed “Van Cleef & Arpels” and are stamped with French gold hallmarks, the master goldsmith’s mark registered to Georges Lenfant and the copyright date 1961.

Georges Lenfant was one of the most important Parisian jewelers of the 20th century, supplying pieces to Van Cleef, Cartier, Hermès and Mellerio. The French national prize for young jewelers is named for him and his son Jacques.

Origin: France, 1961. Condition: excellent, all original. Dimensions: larger faces, 1/2" x 1/2"; smaller faces, 13/32” x 13/32”. Weight: 18.3 gr. Approximate Total Gemstone Weight: 3.06 cts.

A very handsome pair of 18K yellow gold cufflinks by Tiffany & Co. The oval faces are inlaid with onyx and mother-of-pearl in a checkerboard design surrounded by a band of opaque blue champlevé enamel. The reflective, iridescent nature of the mother-of-pearl is particularly attractive against the black onyx. The connectors are stamped with the maker’s mark for Larter & Co., one of Tiffany’s primary suppliers of better men’s jewelry throughout the 20th century. The faces are marked “Tiffany & Co.”

Origin: America, ca. 1970. Condition: excellent. Dimenions: 3/4” x 9/16”. Weight: 18.4 gr.

A beautiful pair of double-sided 18K yellow gold cufflinks enhanced with Prussian blue guilloche enamel enclosed in a circle of opaque white champlevé enamel surrounded by a border of ornately engine-turned gold. The faces a joined by removable s-shaped connectors. The cufflinks are presented in their original fitted box, the interior gilt-stamped with the logo for Fontenay Smets Successeur. Each of the cufflink faces and the connectors are stamped with the master goldsmith’s mark for René Forget (act 1909-21), who produced the cufflinks for the house.

Eugène Fontenay was one of the most important French jewelers of the 19th century, creating numerous pieces for the Imperial family and for other important jewelry houses such as Boucheron. When he retired in 1882, Fontenay turned his business over to his assistant, Henri Smets and its name was changed to Fontenay Smets Successeur.

Origin: France, ca. 1910. Condition: excellent, no enamel damage. Dimensions: faces, 19/32” diameter. Weight: 8.8 gr.

A rare pair of mid-century haute couture cufflinks by Pierre Cardin. Each face comprises a carved jadeite bead simply mounted on a gold post. The backs are slightly arched gold bars. The jadeite beads are carved in a floral pattern and are done so in a way that they are carved completely through from one side to another. It’s likely that the cufflinks were constructed from an antique strand of jadeite beads. The jade has noticeable mottling in natural, strongly saturated shades of dark, medium and light green. The translucency is fair. Magnification and absorption spectra show no signs of dye. The connectors are signed “Pierre Cardin†and are fully hallmarked with French 18K marks. Pierre Cardin designed a very limited line of fine jewels in the 1950s and 60s. They were sold only at the couturier’s main store and are quite difficult to find now. Origin: Paris, ca. 1960. Condition: excellent, all original, no cracks or chips. Size: 1/2†diameter. Weight: 10.4 grams.

A classic pair of Edwardian 14K yellow gold cufflinks, the faces topped with platinum. The rectangular faces have canted corners and are decorated with engine-turned engraving. The solid connectors are marked “PL ON 14K”.

Origin: America, ca. 1915. Condition: excellent. Dimensions: 21/32” x 7/16”. Weight: 4.0 gr.

A wonderful pair of Edwardian 14K yellow gold enameled cufflinks, one face decorated with the image of an eagle and the other with an owl. This eagle and owl were often used in Victorian jewelry to depict day and night, a concept popularized with the rise of Japanese motifs in the 1870s. The faces are worked in the “basse-taille” enamel with detailed engraving of the gold base covered with a layer of enamel in a single grayish-green color. The varying depth of the carving creates complex shading in this single hue. The baton backs are worked in guilloche enamel in the same color. The quality of workmanship is superb. The cufflinks are signed “HC” with an eagle, but we do not know the maker. Tested and guaranteed 18K.

Origin: Europe, ca. 1905. Condition: excellent; very light wear to enamel surface visible at 10x magnification; no cracks or chips. Dimensions: faces, 3/4” x 1/2". Weight: 10.2 gr.