Catalog: Estate Jewelry: Cufflinks and Accessories (359)

A very rare pair of Victorian 14K gold bean-back cufflinks, the round faces depicting a young man and woman in Renaissance dress. The face with the man is marked “Romeo” near the border and the lady is marked “Juliette.” Note the French spelling of her name. These same medals occasionally appear in French jewels of the period. Lacking very many good Art Nouveau designers here, American designers sometimes commissioned Parisian jewelers to make certain elements such as the faces of these cufflinks that were later assembled in the U.S. as completed piece of jewelry. At others times, they simply copied the French version. The sharpness in the design, including the lightly stippled background texture, confirms that the faces were made by the original artist in Paris. The connectors are marked with Bippart, Griscom & Osborne’s 14K hallmark.

• Origin: faces, France, ca 1903; remainder, America, ca 1905
• Condition: very good, sharp detail, a small seam separation on one connector bar that doesn't detract from the appearance or utility
• Dimensions: 9/16" diameter
• Weight: 6.4 grams

An elegant pair of 18K yellow gold Art Nouveau cufflinks set with rose and single cut diamonds. The cufflinks have a classic design of whiplash curves typical of Art Nouveau jewelry. They are worked in both slightly matte bloomed and polished textures for added interest. The torpedo backs are connected by wired bridges. The cufflinks are stamped with French import marks, apparently those used for temporary admission into the country so they could be displayed at one of the international design salons around the turn of the 20th century.

• Origin: Continental Europe, ca 1900
• Condition: excellent
• Dimensions, faces, 3/4" x 13/32”
• Approximate Total Diamond Weight: .66 carat
• Weight: 6.5 grams

A handsome pair of French stirrup-form 18K gold cufflinks formed as interlocking ropetwist links. The cufflinks open at the pointed end and are very easy to put on and remove. Each is stamped with French 18K gold marks and with an unidentified master goldsmith’s mark (“RC” with a bird).

• Origin: France, ca 1965
• Condition: excellent
• Dimensions: 15/16” x 27/32”
• Weight: 13.3 grams(/li>

A heavy pair of 14K gold cufflinks, the faces decorated with a sort of shield-shaped device against a stippled background. The influence of the Art Nouveau aesthetic can be seen in the assymetrical design of the shields. The semi-matte finish of the stippling contrasts nicely with the more polished shield. The backs marked "14K" and have Kirby's hallmark.

• Origin: America, ca. 1890
• Condition: excellent
• Dimensions: 11/16" x 1/2"
• Weight: 9.8 grams

A pair of classic Art Nouveau 14K gold bean-back cufflinks, the faces with repousse decoration depicting a long-haired maiden. The long hair and star-set old European cut diamonds discreetly hide any of her naughty bits. The connectors are stamped “14K.”

• Origin: America, ca 1900
• Condition: excellent, sharp detail
• Dimensions: faces, 3/4" x 9/16”
• Weight: 4.4 grams
• Approximate Total Diamond Weight: .06 carat

A handsome, classic pair of Edwardian cufflinks by Larter. Worked in 14K yellow gold, the double-sided cufflinks feature faces of carved mother of pearl centered with cabochon sapphires. The mother of pearl shows nice play of color with rose and green overtones that nicely accent the blue sapphires. The connectors are stamped with Larter’s 14K hallmark.

• Origin: America, ca 1915
• Condition: excellent
• Dimensions: faces, 17/32” diameter
• Weight: 5.7 grams
• Approximate Total Sapphire Weight: 1.32 carat

A handsome pair of 14K gold bean-back cufflinks, the oval faces decorated with dogs, their tails straight and one paw lifted “pointing” in classic hunting pose. The gold surfaces have slightly matte finish. The backs are stamped with Carrington’s 14K mark.

• Origin: America, ca. 1900
• Condition: excellent, sharp detail, no dings
• Dimensions: faces, 13/16” x 9/16”
• Weight: 7.1 grams

A handsome pair of 18K yellow gold cufflinks by Tiffany & Co. set with square cut sapphires. The cufflinks are fashioned in a sort of modified belt buckle motif. The sapphires have very good uniform color and show no indication of heat treatment. The backs are stamped Tiffany & Co. and also have the manufacturing jeweler’s mark for Larter.

• Origin: America, ca. 1940
• Condition: excellent
• Dimensions: 9/16” x 11/16”
• Weight: 13.2 grams
• Approximate Total Sapphire Weight: 1.0 carat

A handsome pair of 9K yellow gold toggle-back cufflinks, the faces depicting fox heads encircled by horseshoes. The foxes have citrine eyes. All elements are very nicely detailed. The backs are stamped with 9K gold hallmarks, the maker’s mark for Cropp & Farr, and the date mark for 1966.

• Origin: England, 1966
• Condition: excellent
• Dimensions: faces, 5/8” x 9/16”
• Weight: 9.6 grams

A fine pair of French Art Nouveau 18K gold cufflinks, the faces depicting a mythological dragon with a scaly body and feathered wings. The cufflinks are very finely detailed. The back are stamped with French 18K gold marks.

• Origin: France, ca. 1890
• Condition: excellent
• Dimensions: faces, 9/19” diameter
• Weight: 9.8 grams

A very fine pair of 14K gold cufflinks set with rubies by Carrington for Tiffany & Co. The square faces feature rounded gold ridges typical of “tank” jewelry from around 1935, flanked by rows of square cut rubies. The rubies are unheated and have inclusions typical of stones from the Mogok region of Burma. The rubies are beautifully matched and have strong red coloring with slight purplish overtones. The faces are joined by bar connectors. Each face is stamped with Carrington’s 14K gold mark, and each of the connectors is stamped Tiffany & Co. Much of Tiffany’s better-quality jewelry was manufactured by the great Newark jewelers such as Carrington. Sometimes, pieces are marked only by Tiffany, and other times they are marked by Tiffany and the manufacturer.

• Origin: America, ca 1935
• Condition: excellent, all original
• Dimensions: faces, 1/2” x 1/2"
• Weight: 17.2 grams
• Approximate Total Gemstone Weight: 2.32 carats

A superb pair of 14K yellow gold bean-back cufflinks by Carter, Gough & Co., the faces decorated with a representation of Sandro Botticelli’s “Birth of Venus.” The jeweler took a few liberties with Botticelli’s design by having the goddess walking atop roiling waves rather than standing in a scallop shell, and fully baring her breasts instead of modestly covering them with her own flowing hair. The bean backs are designed with a swirling pattern that mimics the waves of the front faces. The connectors are stamped with Carter, Gough’s 14K hallmark.

• Origin: America, ca 1900
• Dimensions: faces, 13/16” x 1/2"
• Weight: 6.7 grams

A nice pair of vintage 18K yellow gold cufflinks in the flip-up stirrup style popularized by Cartier in the late 1940s. The circular ends are enhanced with engraved decoration. One end of each cufflink folds for ease in putting them through a cuffhole. The ends of the connectors are set with cabochon rubies. Tested and guaranteed 18K gold.

• Origin: probably American, ca. 1950
• Condition: excellent
• Dimensions: faces, 5/8" diameter
• Weight: 13.2 grams
• Approximate Total Gemstone Weight: .6 carat.

A handsome pair of double-faced cufflinks, the platinum faces engraved in a basketweave pattern bordered with a ring of white champleve enamel. Each face is centered with a 10-point diamond (J color/SI2 clarity) in a mix of old European and modern brilliant cuts. The faces are joined with arched gold connectors. The connectors are stamped for 18K and the platinum parts are tested and guaranteed platinum.

• Origin: likely Switzerland, ca 1955
• Condition: excellent
• Dimensions: faces, 5/8” diameter
• Weight: 14.6 grams
• Approximate Total Diamond Weight: .40 carat

A very handsome and heavy pair of double-sided 18K gold cufflinks, the oval faces decorated with stripes of engine-turned engraving and translucent royal blue guilloche enamel. The faces are joined by chains. Both the faces and the individual chain links are fully marked for Sheffield, 1905 and have an unidentified maker’s mark.

• Origin: Sheffield, England, 1905
• Condition: excellent, no enamel damage
• Dimensions; faces, 3/4” x 9/16”
• Weight: 11.0 grams

A classically elegant six-piece dress set worked in abalone mother-of-pearl, 14K yellow gold, platinum, and seed pearls. The cufflinks are double sided, with oval abalone plaques surrounded by engine-turned platinum borders. Each face is centered with a small seed pearl. The abalone has very fine luster with a nice play of green, rose, and a little orange flashes when caught in direct light. The four matching shirt studs have round faces. Each piece is stamped with Larter's hallmark. The set is sold in an old, though not original, leather-covered dress set box.

• Origin: America, ca. 1915
• Condition: excellent
• Dimensions: cufflinks, 3/4" x 1/2"; studs, 1/2" diameter.
• Weight: 15.7 grams.

A vintage pair of 14K gold double-sided cufflinks, the faces set with blue sapphires by Tiffany & Co. The faces are engraved in a geometric rayed pattern for a little extra sparkle. The faces are joined by bar connectors, one of which is marked “Tiffany & Co.” Tested and guaranteed 14K.

• Origin: America, ca. 1950
• Condition: excellent
• Dimensions: 5/8” diameter
• Approximate Total Sapphire Weight: .60 carat
• Weight: 14.1 grams

A heavy pair of mid-century double-sided cufflinks, the faces woven from gold rope. The overall look is similar to the Parisian work of Georges Lenfant. The back faces are smaller for ease in putting them through the cuff. The faces are joined by figure-8 connectors stamped “14K.”

• Origin: America, ca. 1965
• Condition: excellent
• Dimensions: larger faces, 1/2” x 1/2" x 1/2”; smaller faces 3/8” x 3/8” x 3/8”
• Weight: 23.4 grams

A fun vintage 14K yellow gold tie bar by Richardson & Co. in the form of a baseball bat. Figural tie bars, often doubling as money clips, were popular from the 1930s to the 50s. They were often sporting themes, such as skis, golf clubs, and fishing rods, but this is the first baseball bat we’ve seen. The back is stamped “14K” and also has Richardson’s hallmark.

• Origin: America, ca. 1940
• Condition: excellent
• Dimensions: 2-5/8” long
• Weight: 4.8 grams

An elegant pair of Art Deco 18K gold cufflinks decorated with geometric engraving and champleve enamels in opaque red and black. Each cufflink is hallmarked for 18K gold and has the master’s goldsmith’s mark (illegible).

• Origin: France, ca. 1925
• Condition: excellent, no enamel damage
• Dimensions: 9/16” diameter.
• Weight: 8.1 grams

n superb pair of Aesthetic period 18K yellow gold and ruby double-sided cufflinks. The faces are decorated in a swirling pattern pinwheel-type pattern faintly suggestive of the curling limbs of an octopus. Each face is centered with an intensely colored natural ruby. The faces are joined with figure-eight connectors. The back of each face is stamped “18K” and with the unidentified maker’s mark “O.W.S’S.S”.

• Origin: America, ca. 1900
• Condition: excellent, all original
• Dimensions: 5/8” x 1/2"
• Weight: 13.2 grams

A terrific pair of Art Deco double-sided cufflinks in 14K yellow and white gold by Harvey Avedon. The front faces feature a white gold circle engraved in a pattern of off-center concentric circles surrounded by a yellow gold border. The yellow gold back faces are decorated in a matching pattern of concentric circles. The design is typical of the strong geometric motifs used by Avedon from the late 1940s on. He was a maker of fine cufflinks, lighters and other men's accessories. Avedon was featured by many upscale retailers including Tiffany & Co.The connectors are marked “Avedon” and “14K”.

• Origin: America, ca. 1940
• Condition: excellent, all original
• Dimensions: faces, 3/4” diameter; back faces, 9/16” diameter
• Weight: 20.5 grams

Handsome pair of vintage 14K yellow gold cufflinks, the elongated diamond-shaped faces set with cabocochon-cut blue sapphires. The stones have excellent, bright color. The faces are lightly textured in a starburst pattern emanating from the sapphires toward the faceted edges. The fronts are attached with solid connectors to the toggle backs. The connectors are marked "585" for 14K.

Origin: Continental Europe, ca. 1950.

Condition: excellent, all original.

Size: 5/8" x 7/8".

Weight: 5.0 grams.

Approximate Total Gemstone Weight: .62 carat.

A very handsome pair of 14K yellow gold and onyx cufflinks with a matching tie pin by K. Uyeda. The oval onyx faces are topped with oval, gold pyramids. The gold surfaces are intricately decorated with engine-turned engraving in a basketweave pattern. The connectors are marked in the traditional Japanese manner, "K14". The set is presented in its original velvet and silk box from K. Uyeda. Located in Tokyo's Imperial Hotel, Uyeda is one of Japan's most exclusive jewelers, and all their products are of the very finest quality. The catch on the tie pin is not gold.

Origin: Japan, ca. 1980.

Condition: excellent, all original.

Size: cufflink faces, 5/8" x 1/2"; tie pin, 1/2" diameter.

A nice pair of mid-century 14K yellow gold cufflinks set with blue sapphire cabochons. The rectangular faces are engraved in a sunburst pattern, with one end rolled over. A round cabochon sapphire is set in to each end of the opening created by the rolled edge. The stones have fine slightly violet-blue color and good clarity. The backs have toggle closures. The cufflinks are not signed, but are almost certainly by either Larter or Krementz. Marked "14K".

Origin: America, ca. 1950. Condition: excellent. Size: 7/8" x 5/8". Approximate Total Gemstone Weight: .76 ct. Weight: 10.2 gr.

A very nice pair of 18K yellow gold baton cufflinks, the batons worked with engraved reeding and each bound in a diagonal slash of gold with a hand-stippled surface. The baton faces are hinged so they can lie tightly against the cuff. The connectors are marked “18K Cherny”.

Origin: America, ca. 1960. Condition: excellent. Size: faces, 7/8” long. Weight: 10.6 gr.

A fine pair of vintage 18K yellow gold cufflinks in the "stirrup" style popularized by Cartier in the late 1940s. The cufflinks are constructed from a solid bar, finished at each end with interlocking arches. By pulling on the ends, the arches can be unfolded for each in putting the cufflinks through the cuff holes. Then, a simple flip up causes the arches to hold the fabric tightly together. Cufflinks of the sort are seen in a number of variations, but this is a particularly handsome pair. The bars are marked with French 18K gold hallmarks, and also with an unidentified maker's mark "GP".

Origin: France, ca. 1955. Condition: excellent, all original. Size: faces, 3/4" x 9/16". Weight: 11.5 grams.

A fine pair of Victorian bean-back cufflinks, each oval face set with a round color-change sapphire flanked by a pair of old European cut diamonds. The sapphires change from blue in sunlight to violet in incandescent light. One stone exhibits a more pronounced color change than the other. This is normal because of the difficulty in matching a pair of stones for size, clarity and color under varying lighting conditions. The diamonds are fine quality with bright color. The gold surfaces have the softly-bloomed matte texture prized in the Art Nouveau era. The bean backs have original bright-cut monograms. Marked “14K” and with an unidentified American maker’s mark.

Origin: America, ca. 1900. Condition: excellent. Size: 5/8” x 1/2”. Weight: 5.5 grams. Approximate Total Gemstone Weight: sapphire, .44 ct; diamond, .12 ct.

A nice pair of vintage 14K yellow gold rectangular cufflinks, each face engraved in a starburst pattern emanating from a bezel-set round diamond. The diamonds are I/J color, VS2 clarity. The backs are marked 14K.

Origin: America, ca. 1950. Condition: excellent. Size: 11/16” x 1/2”. Weight: 7.9 grams. Approximate Total Diamond Weight: .06 ct.

A handsome pair of vintage 14K yellow gold cufflinks by Tiffany & Co. The round faces are accented with sunburst engraving and are centered by round mixed-cut blue sapphires. The sapphires are very slightly greenish-blue in color, with dark tone and moderately strong saturation. They have excellent clarity. The toggles are marked “14K” and the toggles are marked “Tiffany & Co.”

Origin: America, ca. 1950. Condition: very good, light abrasions to the faces consistent with normal use. Size: 3/4" diameter. Weight: 15.6 grams. Approximate Total Gemstone Weight: .65 ct.

A terrific pair of 14K yellow gold cufflinks, each fashioned as a pair of ridged spheres topped with round sapphires. The gemstones have a nice medium-light violet-blue color that contrasts nicely with the gold. Tested and guaranteed 14K.

Origin: America, ca. 1940. Condition: excellent. Size: 3/4" x 7/16". Weight: 6.4 grams. Approximate Total Gemstone Weight: .392 carat.

A classic, heavy pair of Art Deco 14K yellow gold cufflinks, the oval faces finished in a simple reeded platinum border. Each face is centered with an old European cut diamond (G/H; VVS2). The backs are marked “Gold & Plat” (tested 14K) and have the maker’s mark for Carrington.

• Origin: America, ca. 1920
• Condition: excellent
• Dimensions: faces, 11/16” x 15/32”
• Approximate Total Diamond Weight: .32 carat
• Weight: 13.0 grams

Colorful Victorian silver gilt double-sided cufflinks featuring beautifully patterned malachite cabochons. The gilt silver borders are finished in a classic laurel wreath design. The removable connectors are marked for 800 silver.

• Origin: Continental Europe, ca. 1880
• Condition: excellent, original gilding intact
• Dimensions: 5/8" wide

A very attractive pair of double-sided cufflinks fashioned as oval mother-of-pearl discs centered with small seed pearls and enclosed in an opaque white enamel border, all set in yellow gold. White cufflinks such as these would originally have been worn only with white tie, but today they are particularly elegant with shirts in darker colored fabrics. The connectors are marked “14K” and have the maker’s mark for Larter & Sons.

• Origin: America, ca. 1910
• Condition: excellent, no enamel damage
• Dimensions: 1/2" x 3/4"
• Weight: 10.9 grams

An unusually heavy pair of Edwardian 14K yellow gold cufflinks, the faces worked in an intricate engine-turned design. The faces are actually round, but the designed makes them appear octagonal. The backs are marked “14K” and have an unidentified maker’s mark.

• Origin: America, ca. 1910
• Condition: excellent
• Dimensions: faces, 9/16” diameter
• Weight: 11.1 grams

A handsome pair of 14K gold double-sided cufflinks, the faces set with round cabochon almandite garnets. The stones are not foiled, and have an usually bright color without the typical brownish or orangey overtones usually seen in almandite. The connectors are stamped “14K.”

• Origin: America, ca. 1900
• Condition: excellent
• Dimensions: faces, 7/16” diameter
• Approximate Total Garnet Weight: 15.16 carats
• Weight: 7.5 grams