Catalog: Estate Jewelry: Cufflinks and Accessories (386)

Edwardian 18K gold and platinum cufflinks set with diamonds. The front faces are fashioned as spheres, the top half worked in platinum and the lower half in gold. The top of sphere features a bezel-set old European cut diamond. The back faces are designed as a crossbar set with diamonds, the ends terminating in smaller spheres, each set with a diamond. The appearance is very attractive, with a little sparkle but an overall masculine appeal. The backs are marked with unidentified Continental hallmarks.

Origin: Continental Europe, ca. 1910. Condition: excellent. Size: spheres, 3/8" diameter; bars, 3/4" long. Weight: 7.4 gr. Approximate Total Diamond Weight: .70 ct.

Interesting vintage pair of 14K yellow gold cufflinks, the faces set with detailed medallions depicting a Native American above black onyx plaques. The edges are finished in a classic ropetwist motif. The backs are marked "14K."

Origin: America, ca. 1950. Condition: very good, sharp detail; the toggle mechanism on one link is slightly bent, but does not affect functionality and is not visible when being worn. Size: 15/16" diameter. Weight: 20.25 grams.

An extremely rare pair of 22K yellow gold cufflinks designed by the famous surrealist painter Salvador Dali. Inspired by his hero, Louis XIV, Dali minted a limited number of his own gold coins in 1966. The artist called his gold coin the "Dali d'or" after the "Louis d'or" coins created for the French king. The coins were minted in four sizes and values, and Dali occasionally used them to pay debts he owed to friends.

In 1967, a year after creating the money, Dali collaborated with the luxury jeweler Piaget to create a line of jewelry incorporating the remaining coins. Dali d'or jewels are quite rare, but can be found as watches, pendants, earrings, brooches and cufflinks.

Like the royal coins, Dali's personal coins featured his likeness along with that of his wife, Gala, on the front. Their faces are surrounded by laurel leaves, fleurs-de-lys and eggs, the last element a recurring symbol of rebirth in Dali's works. The same motifs are repeated on the back, but without the faces and in an even more surrealistic design. Each coin is signed and dated by Dali and is incised with its edition number. The coins used for this pair of cufflinks are #1495 and #1499.

The toggle findings are worked in 18K gold and are signed "Piaget".

Origin: Spain and France, 1967. Condition: excellent, sharp detail. Size: 1" diameter. Weight: 35.8 grams.

An extremely rare pair of 18th century silver double-faced cufflinks set with old European cut colorless paste gemstones. The crystals are held in place in traditional cut-down settings typical of the period and the faces are joined with the quatrefoil connector almost always seen on this type of cufflink. The backs of the crystals are foiled in silver to provider a brighter appearance. Cufflinks such as these are usually broken up into two pairs of earrings, so it is quite uncommon to find a pair in original condition.

Origin: England, ca. 1780. Condition: excellent, original patina. Size: 17/32” diameter.

An attractive pair of mid-century 14K gold cufflinks, the faces divided diagonally into contrasting triangles. On each face, one triangle is deeply ribbed, while the smooth portion features a gypsy-set diamond. The angularity of the design makes for a very modernistic appeal. The diamonds are graded as J/I2. The backs are marked “14K”.

Origin: America, ca. 1955. Condition: excellent. Size: 5/8” x 1/2”. Weight: 10.8 gr. Approximate Total Diamond Weight: .10 ct.

An outstanding pair of antique 18K yellow gold cufflinks set with diamonds and rubies in the "Japanesque" style produced by Tiffany & Co. for a very brief period following the opening of Japan to western trade in the 1850s. Pieces in this style were wildly popular and always drew from traditional Japanese natural motifs, in this case chrysanthemum blossoms. Each slightly-domed face is ornately worked in a series of overlapping petals, centering old European cut diamonds and cushion cut rubies. The prongs holding the gemstones are fashioned as tiny flower petals--an element not visible except under magnification. The diamonds are estimated at H color and VS1 clarity, while the rubies are strongly-saturated medium-dark, slightly purplish-red in color. The rubies show no signs of heat treatment and are likely Burmese in origin. The faces are joined by chain links, and the backs are marked "Tiffany & Co." in the old style. Tested and guaranteed 18K.

The chrysanthemum was a symbol reserved exclusively for the use of the Japanese emperor and his immediate family. As a further nod to the Japanesque style, Tiffany chose to use gemstones in shades of red and white--the official colors of the Meiji Imperial dynasty.

Origin: America, 1877-1883. Condition: excellent, all original. Size: 5/8" diameter. Weight: 11.4 grams. Approximate Total Gemstone Weight: diamond, .172 ct; ruby, .367 ct.

A very rare pair of heavy 18K yellow gold cufflinks by Tiffany & Co. designed as coiled dolphin-like sea monsters. The scales are highlighted with translucent blue champleve enamel and the eyes are set with cabochon rubies. The cufflinks are hinged and clasp together by inserting the creature's tail into its own jaws. The interior of each cufflink is marked "Tiffany 18K". There is no designer mark, but the work is very similar in style, quality and aesthetic to the designs created by Jean Schlumberger and Donald Claflin in the 1960s.

Origin: America, ca. 1968. Condition: excellent, a 1/32" nick to the enamel on one cufflink. Size: 1" x 1-18". Weight: 21.6 grams.

A very good pair of Victorian 14K yellow gold cufflinks, each face in the form of an owl's head complete with bright ruby eyes. The gold is finely detailed and the rubies are natural and of high quality. Tested and guaranteed 14K.

Origin: America, ca. 1900. Condition: excellent. Size: 1/2" x 1/2". Weight: 6.7 grams.

A very rare pair of 18K yellow gold cufflinks designed by Soren Georg Jensen for the firm founded by his father, Georg Jensen. Designed in 1962, during his first year as the firm's artistic director, these cufflinks are a clear example of the stripped-down, modernist sculptural direction the younger Jensen wanted to pursue. Jensen's gold jewelry is considerably rarer than silver, and was often retailed by Jensen at ten times the price of the same design in silver. The cufflinks are appropriately hallmarked and have the design number "1091".

Origin: Denmark, ca. 1965. Condition: excellent, no monogram. Size: 11/16" diameter. Weight: 17.4 grams.

A stunning pair of 18K yellow gold cufflinks by one of Italy's greatest 20th century jewelry artists, Nino D'Antonio Germano. Germano was born into an important family of Roman jewelers in 1926 and came of age during World War II. He was inspired by designs from antiquity, and his pieces often feature ancient Greek, Roman and Etruscan grotesques, masks and other elements. He was principally a sculptor, but made a very small amount of jewelry using the lost wax method of casting. This process is self-destructive and assures that every piece is nearly unique. Original pencil sketches of his jewelry designs are included in the artist's catalogue raisonne "Nino D'Antonio Germano Studio Catalogue Book" (transl, S. Brecker). The quality of the design and its execution is first-rate. The gold surfaces are acid washed to achieve the softly bloomed texture found in ancient jewels. The backs are signed "Germano" and are marked "750" for 18K gold.

Origin: Italy, ca. 1960s. Condition: excellent. Size: 3/4" diameter. Weight: 11.8 grams.

A delightful pair of Victorian 10K yellow gold cufflinks, each in the form of a canoe. The bow of each is set with a 4-pt old mine cut diamond (I1 clarity/K color). The canoes are fully three-dimensional and each has three seats in the interior. Marked "10K".

Origin: America, ca. 1890. Condition: excellent. Size: 3/4" x 1/4". Weight: 5.0 grams. Approximate Total Diamond Weight: .08 carat.

A very attractive pair of Napoleon III 18K yellow gold cufflinks, the canted square faces studded with round mixed-cut rubies and old mine cut diamonds. The rubies are in the finest color-range, with strongly saturated, very slightly purplish-red hue. The nature of the inclusions in the stones suggests they are Burmese in origin. The diamonds are of similarly fine quality. The gold surface has a very subtle texturizing treatment that suggests moiré silk. The connectors are marked with a variety of French 18K hallmarks, including that of the guarantee office in Nancy and the “tete de Mercure” mark used 1840-1879.

Origin: France, ca. 1870. Condition: excellent. Size: 1/2” x 1/2”. Weight: 10.4 grams. Approximate Total Gemstone Weight: ruby, .128 ct; diamond, .112 ct.

A very attractive pair of Victorian 14K yellow gold bean-back cufflinks finished in the softly bloomed “Russian” finish popular in pieces from the Art Nouveau era. The oval faces are simply finished with a beaded border and are star-set with small round brilliant cut rhodolite garnets. The stones have a very pleasing strongly purplish-red hue, easily mistaken for ruby. The backs are marked “14K”.

Origin: America, ca. 1900. Condition: excellent. Size: 3/4” x 9/16”. Weight: 6.8 grams.

A nice pair of oval-faced cufflinks worked in platinum over 18K gold, each face set with a 4-pt single-cut diamond and a 4-pt square step cut blue sapphire. The stones are set on the bias and are highlighted with raised platinum bars that are slightly polished to contrast with the matte finish of the surround platinum background. The faces are connected by chains to gold torpedo backs. Tested and guaranteed platinum and 18K.

Origin: probably continental Europe, ca. 1920. Condition: excellent, all original, one of the torpedo backs has a small ding on the side. Size: 5/8” x 15/32”. Weight: 4.5 grams. Approximate Total Gemstone Weight: diamond, .08 carat; sapphire, .08 carat.

A nice pair of 14K yellow gold cufflinks in the form of horse stirrups. The toggle backs are marked “585” and “Germany 14Kt” and have the maker’s mark “MV”.

Origin: Germany, ca. 1960. Condition: excellent. Size: 3/4” x 5/8”. Weight: 9.0 grams.

Of the thousands of cufflinks we’ve handled over the years, this is the first pair of Art Nouveau bean-back cufflinks we’ve ever seen that have a matching design worked on both the primary face and the bean back. The 14K yellow gold links are worked with a repousse design of a maiden wearing an ornate headdress filled with the scrolls and whiplash curves typical of Art Nouveau design. The connectors are hallmarked by Krementz and are marked “14K”.

Origin: America, ca. 1900. Condition: excellent, all original, sharp details. Size: large faces, 3/4” x 9/16; small faces, 1/2” x 3/8”. Weight: 5.2 grams.

An interesting and massive pair of 22K yellow gold cufflinks, each formed as a square plaque comprising four large curb links arranged around a central bead. The backs are attached to heavy chains to baton backs. Each cufflink is stamped with unidentified hallmarks. Tested and guaranteed 22K. Ca. 1950. Condition: excellent, one baton back has been replaced. Size: 1” x 1”. Weight: 18.8 grams.

A superb pair of Austrian Art Deco cufflinks, worked in 18K yellow gold. The round faces are centered with moonstone cabochons surrounded by round mixed-cut rubties. The moonstones have fine bluish color and strong adularescence that contrasts beautifully with the richness of the rubies. The rubies are natural and show no signs of heat treatment. The stones are graded as medium-dark, vivid strong purplish red with eye-clean to slightly included clarity. The faces are joined by chains to baton-style backs. The combination of moonstone and ruby was particularly popular during the first quarter of the 20th century, but it's rarely seen with an effect as pleasing as this. Both cufflinks are hallmarked with Austrian hallmarks used in the provinces near Dresden from 1922 until 1925.

Origin: Austria, 1922-25. Condition: excellent. Size: 17/32" diameter. Weight: 10.9 grams. Approximate Total Gemstone Weight: moonstone, 3.4 cts; ruby, 1.43 cts.

A very fine five-piece 14K yellow gold and sapphire dress set by Van Cleef & Arpels. Each piece is fashioned as a reeded baton circled by a collar of channel-set blue sapphires. The sapphires are of superb slightly violetish-blue color, with medium tone and vivid saturation. One baton on each cufflink is hinged for ease in putting them through the cuff. Each shirt stud is signed "VCA NY", and is stamped with the serial number and "14K". The cufflinks are marked only "14K". Van Cleef employed several jewelers to manufacture their designs during this era, and it's not uncommon to find sets in which not every piece is marked by VCA.

Origin: America, ca. 1940. Condition: excellent. Size: cufflinks, large faces, 15/16" long; small faces, 7/8" long; studs, 9/16" long. Weight: 24.8 grams. Approximate Total Sapphire Weight: 2.37 carats.

A fantastic set of cufflinks and three shirt studs worked in rock crystal set in 14K yellow gold and studded with emeralds, rubies and sapphires. The double-faced cufflinks feature matte-finished flattened oval cabochons of rock crystal centered with collet-set ruby, emerald and sapphire cabochons. The shirt studs are round rock crystal cabochons set with matching center stones. The center stones are of exceptionally fine quality with intensely saturated color and eye-clean clarity. The gold mountings are stamped "14K".

With boutiques in Vienna, Zurich and New York, Demner is one of the world's most exclusive vintage jewelry dealers. They are known for uncovering high quality pieces in uncommon designs. This set is presented in a leather, silk and velvet fitted box imprinted with Demner's logo.

Origin: America, ca. 1920. Size: cufflink large faces, 5/8" x 1/2"; studs, 11/32" diameter. Approximate Total Gemstone Weight: emerald, .29 ct; ruby, .30 ct; sapphire, .30 ct.

A very desirable and rare pair of 18K yellow gold and seashell double-sided cufflinks by de Grisogono, one of the world's most creative high-end jewelers. These cufflinks feature beautiful small seashells banded in brown and ivory simply set on gold backgrounds. The faces are joined by chains. The backs of the cufflinks are marked for 18K, are dated for 1995, and are also stamped with de Grisogono's trademark and signature.

Established in 1993, de Grisogono quickly took the jewelry world by storm and its pieces are now coveted along those from the most luxurious jewelry makers in the world. The firm designs many pieces in animal themes, and is particularly well known for its range of cufflinks.

Origin: Switzerland, 1995. Condition: excellent, all original. Size: larger faces, 11/16" x 7/16".

A superb pair of Art Deco 18K yellow gold cufflinks, the front faces decorated with champleve translucent red and opaque black enamels around central reserves of engine-turned engraving in a herringbone pattern. The geometric design of the enamel work is distinctively Art Deco. The red enamel is built up in a thick application to create the appearance of three-dimensional jewels. The backs are designed as faceted batons with tapered ends. The faces are connected by removable connectors. The cufflinks bear multiple 18K import marks for various European countries-Austria, France & England.

Origin: Europe, ca. 1920. Condition: excellent, no enamel damage. Size: 5/8" x 3/8". Weight: 6.2 grams.

A nice pair of vintage 18K yellow gold stirrup cufflinks. Unlike most stirrup cufflinks that have a rounded triangular shape, this pair has a severe angled shape that heightens the Art Deco appeal of the design. This type of cufflink was first popularized by Cartier in the late 1940s and remained popular in France through the mid-century. The surfaces are decorated with bright-cut engraving. Each cufflink is fully hallmarked with French "tete d'aigle" hallmarks for 18K and with an unknown maker's mark.

Origin: France, ca. 1960. Condition: excellent. Size: 3/4" x 1-1/8" x 9/32" wide. Weight: 9.3 grams.

A very fine pair of double-sided cufflinks by Seaman Schepps. Each of the faces is made from a single emerald that has been tumbled rather than faceted, and then set in a framework of curling gold wirework. The setting is substantial, yet its delicacy allows the rich green color and internal characteristics of the emeralds to take center stage. Schepps was among the earliest of American jewelry designers to use cabochon and tumbled stones as primary gemstones. Even after 50 years, his colorful designs still seem completely contemporary. Each cufflinks is marked for 18K gold and is signed with Schepps’ hallmark. The cufflinks are accompanied by their original Schepps packaging. These links originally retailed for $5,500.

Origin: America, ca. 2005. Condition: excellent, all original. Size: faces approximately, 9/16” x 7/16”. Weight: 10.8 grams. Approximate Total Gemstone Weight: 37.48 carats.

A very fine pair of double-sided cufflinks by Seaman Schepps. Each of the faces is made from a single blue sapphire that has been tumbled rather than faceted, and then set in a framework of curling gold wirework. The setting is substantial, yet its delicacy allows the rich violet-blue color and internal characteristics of the sapphires to take center stage. Schepps was among the earliest of American jewelry designers to use cabochon and tumbled stones as primary gemstones. Even after 50 years, his colorful designs still seem completely contemporary. Each cufflinks is marked for 18K gold, is signed with Schepps’ hallmark and has the design serial number. These links originally retailed for $5,500.

Origin: America, ca. 2005. Condition: excellent, all original. Size: faces approximately, 5/8” x 1/2”. Weight: 12.6 grams. Approximate Total Gemstone Weight: 34.0 carats.

An elegant pair of Edwardian 14K gold and platinum double-sided cufflinks by Tiffany & Co. The round faces are set with plaques of black mother of pearl within engraved platinum borders. The faces are centered by natural seed pearls. The mother of pearl has strong iridescence, primarily in rose shades, against the silvery gray body color. Black mother of pearl is much less common than the lighter colors and creates a striking effect. The bright-cut engraving of the platinum borders adds a touch of sparkle. The backs of the faces are signed “Tiffany & Co.” and are marked “14K” and “Plat & Gold”.

Origin: America, ca. 1900. Condition: excellent. Size: 9/16” (15 mm) diameter. Weight: 9.3 grams.

A vintage pair of cufflinks, the faces constructed of banded agate carved in the shape of antique pistols. The stones are nicely matched and have attractive markings in shades of orange, caramel and cream. The silver mountings are marked “Sterling”.

Origin: America, ca. 1950. Condition: excellent, no chips to agate. Size: 1-1/8” x 7/16”.

A phenomenal and very heavy Art Deco dress set comprising a pair of double-faced cufflinks and three matching shirt studs. The faces have a slightly rounded triangular outline and are trisected by raised bands of channel-set square step-cut blue sapphires. The points where the sapphire bands meet are collet-set with brilliant round cut diamonds. The visual effect is reminiscent of airplane propellers. The natural sapphires have medium-dark, vividly saturated, slightly violetish-blue color. The diamonds are estimated at G color, VVS clarity. The platinum surfaces have a slightly matte finish. Each face is stamped "10% Irid/90% Plat". The spring mechanism on the backs of the studs are 14K white gold.

Origin: America, ca. 1925. Condition: excellent. Size: cufflinks, 5/8" x 5/8"; studs, 1/2" x 1/2". Weight: 42.89 grams. Approximate Total Gemstone Weight: diamond, .90 carat; sapphire, 2.75 carats.

A classic pair of vintage 14K yellow gold cufflinks by Larter. The oval faces are collet-set with black onyx plaques inlaid with gold reserves decorated in a Florentine finish. The gold inlays are star-set with round brilliant cut diamonds of nice quality. The toggle backs are stamped with Larter’s hallmark and are also marked “14K”.

Origin: America, ca. 1960. Condition: excellent. Size: 3/4” x 9/16”. Weight: 12.5 grams. Approximate Total Diamond Weight: .1 ct.

A nice pair of Art Deco cufflinks, the faces fashioned from carved rectangular plaques of strongly-colored chrysoprase with faceted edges. The stones have nice translucency. The faces are attached by solid connectors to the heavy bar backs. The backs are marked “14K”.

Origin: America, ca. 1930. Condition: excellent. Size: 5/8” x 1/2". Weight: 5.5 grams.

An extremely rare pair of period Art Deco 18K gold cufflinks by Cartier in the "Trinity" pattern. This is the same pattern now more frequently called the "rolling ring". The design is made up of white, yellow and rose gold bands that seem to intertwine. The cufflinks have a hinged closure that's invisible when they're being worn. Although the "Trinity" design is still one of Cartier's most popular designs, the line was created in the 1920's and the cufflinks haven't been in production since the early years. Each is marked with the French "tete d'aigle" hallmark for 18K gold, Cartier's maker's mark and Paris signature, and a serial number. The interior of one link has a minutely engraved monogram "FM" and the year " '30".

Origin: Paris, ca. 1930. Condition: excellent, all original. Size: 1" diameter; 9/32" wide. Weight: 18.8 grams.

An extremely fine pair of Art Deco cufflinks worked in platinum and 18K yellow gold. Each square face is centered with a gypsy-set old European cut diamond, and has square cut blue sapphires at each corner. The stones have excellent color and clarity, especially the sapphires, which are bright blue. The platinum is finished with a matte surface, causing the gemstones to seem even more vibrant. The faces have pierced galleries around the edges and are attached to baton backs with chains. The outer surface of the batons are also worked in matte platinum. The geometric styling of these cufflinks is a very good example of early Art Deco.

Origin: Europe, possibly France, ca. 1920. Condition: excellent, all original. Size: 15/32" x 15/32". Weight: 7.5 grams. Approximate Total Gemstone Weight: diamond, .25 carat; sapphire, 2.0 carats.

A handsome pair of early Art Deco 18K yellow gold cufflinks, the faces designed in a sort of "Prince of Wales feather" pattern. Each face is highlighted with three old mine cut diamonds in milligrained platinum collet settings. The diamonds have nice color and are well-set for maximum sparkle. The faces are pierced to emphasize the three-dimensionality of the design. The baton backs are attached with chains. Tested and guaranteed 18K gold and platinum.

Origin: America, ca. 1915. Condition: excellent, all original. Size: 9/16" x 9/16". Weight: 8.0 grams. Approximate Total Diamond Weight: .74 carat.

Attractive pair of Victorian cufflinks, the lozenge-shaped faces enhanced with black taille d’epargne enamel applied in a diagonal checkerboard fashion. The space between each crossing of enamel is filled with a seed pearl. The overall effect is very sophisticated, with a strong graphic element. The faces are connected by chains to football backs. Tested and guaranteed 18K gold.

Origin: America, ca. 1880. Condition: excellent, no dings, all original. Size: faces, 13/16” x 5/8”. Weight: 7.5 grams.

A handsome pair of cufflinks and three matching shirt studs in 18K yellow gold set with blue sapphires. The faces are fashioned as knots, the individual gold “threads” textured in a rope-twist motif for added interest. Each knot is centered with a brilliant round-cut blue sapphire. The sapphires have nice color saturation, and the gold is quite heavy. Each cufflink is marked “18K”. The faces of the shirt studs are also 18K, but the spring mechanism on the back is 14K.

Origin: America, ca. 1980. Condition: excellent, all original. Size: cufflink large faces, 5/8” diameter; 7/16” diameter. Weight: 27.0 grams. Approximate Total Gemstone Weight: .82 carat.

A magnificent set of cufflinks the five shirt studs worked in 18K yellow and white gold set with diamonds. The face of each cufflink and stud is formed as a white gold star surrounded by a foliate and beaded yellow gold border. The stars are set with brilliant round-cut diamonds of extremely fine quality, estimated at F color, VSI clarity. The outer gold edges have fine saw-pierced galleries. The backs of the cufflinks have a toggle closure and the studs have double-folding flanges. This set is most unusual in that it includes five shirt studs. The quality of workmanship is at a level of the most exclusive makers. The presence of five studs indicates that the set was probably a custom order, since most formal shirts have only three or four holes for studs. The advantage of the fifth stud, of course, is that if you lose one of the others you have a ready replacement! The yellow gold is intensely yellow—a shade not usually achieved below 20K. Each piece is marked “750” for 18K gold and is signed “DIF”.

Origin: probably European, ca. 1950. Condition: excellent, all original. Size: cufflinks, 5/8” diameter; studs, 7/16” diameter. Weight: 25.0 grams. Approximate Total Diamond Weight: 1.25 carats.