Catalog: Estate Jewelry: Gold (1036)

A very nice 18K yellow gold ring in the Sputnik style. The sphere is collet-set with round amethysts, citrines, pink and green tourmalines, garnets and aquamarines around a central aquamarine set at the top of the dome. This design was originally created by H. Stern in the 1950s to highlight the range of colored gemstones available from the mines of the company’s native Brazil. It later came to be known as “Sputnik” for its resemblance to the spiky Soviet satellite launched in 1957. Each ring has a unique appearance stemming from the specific combination of gemstones used. This example has particularly nice warm tones—reds, pinks and dark oranges. The ring is unsigned, but is most likely by Stern. Tested and guaranteed 18K.

Origin: Brazil, ca. 1955. Condition: excellent; one garnet toward the edge has a small flake visible with 10x magnification. Finger Size: 8. Dimensions: 15/16” diameter. Weight: 6.1 grams. Approximate Total Gemstone Weight: 4.64 carats.

A delightful 14K yellow gold money clip in the form of a wishbone. The back of the clip is marked "14K" and has an unidentified maker's mark. It is interesting to note that we've seen this exact money clip with a Cartier hallmark. Leading houses such as Cartier and Tiffany often bought gold objects such as money clips and cufflinks from the better manufacturing jewelers in the New York and Newark area.

Origin: America, ca. 1940. Condition: excellent. Size: 2" x 1-3/16". Weight: 12.1 grams.

Exquisite and extraordinarily rare French Napoleon III 18K yellow gold and silver locket set with rose-cut diamonds and an en plein enamel plaque. The locket is essentially of geometric shield form relieved at the upper corners with finely chased applied clusters of roses and foliage, and at the bottom with an ornate volute. The shield form, flanked with two arches of rose cut diamonds set in silver, is suspended from a diamond-set urn motif in the Louis XVI style, and itself suspends a rose cut diamond in a pinched collet setting. The locket is very much in the style of the Parisian Belle Epoque master jeweler Eugene Fontenay and his enamelist Eugene Richet.

The front cover features an oval plaque decorated with an en plein enameled scene of two cherubs in a Watteau-like pose. One of the cherubs, however, is special. He has white feathered wings and a quiver of arrows. He represents Amor (aka Cupid or Eros), son of Venus (Aphrodite). He is commonly considered the god of love, but more accurately was the god of desire and erotic love.

The back cover features a beveled glass cover conforming to the shield form enclosing a bed of silk. The interior includes two glass-covered compartments. The bail is stamped with the "tete d'aigle" mark for 18K gold and bears an unidentified master goldsmith's mark.

Origin: France, ca. 1870. Condition: very fine; the glass of one interior compartment is cracked, but seems secure in its frame. Dimensions: 1-1/2" x 2-5/8" (excluding jump ring). Approximate Total Diamond Weight: 1.15 carats.

A stunning 18K white gold and blue sapphire ring from the "Paris Nouvelle Vague" collection launched by Cartier in 1999. The collection was inspired by the dynamism of the City of Paris. The ring is designed as an unending double spiral of white gold with one loop extended into an oval. The band crosses over at the top and is set with a row of eleven vivid pure blue round brilliant-cut sapphires. The interior of the shank is signed "Cartier" and is marked "750" for 18K gold and "55" for the size. It is also marked with the serial number 34958B" and with "tete d'aigle" marks for 18K gold. The ring is presented in its original red leather and suede fitted box imprinted Cartier and includes the original matching outer box. This ring is no longer available at Cartier.

Origin: France, ca. 1999. Condition: excellent. Finger Size: 7-1/2 to 8. Dimensions: width varies from 3/16" to 3/8". Weight: 15.3 grams. Approximate Total Gemstone Weight: sapphire, 1.06 carats.

A stunning pair of late Art Nouveau 14K yellow gold floral earrings, the petals enhanced with iridescent enamel and the centers set with clusters of blue sapphires. The quality of the enamel, shading from a medium blue to a pale greenish-yellow is superb. The gold surfaces underneath the enamel are delicately engraved to represent the veining and surface textures of real flower petals. The use of iridescent enamels and the quality of workmanship suggests one of the better Newark workshops as the likely maker. The round sapphires have vivid blue coloring and are set nicely above the surrounding petals to create a very three-dimensional appearance. The earrings probably originally had wire, but now have omega-clips. The could easily be returned to wire, or have posts added. Tested and guaranteed 14K.

Origin: America, ca. 1915. Condition: excellent; no enamel damage; omega clips replacing original wires. Size: 1-1/8” diameter. Weight: 13.1 grams. Approximate Total Gemstone Weight: sapphire, .84 carat.

A vintage Cartier “Trinity” pendant worked in 18K yellow, white and rose gold. Unlike the contemporary “Trinity” pendants that are essentially miniaturized versions of Cartier’s “Trinity” or rolling rings, this pendant is fashioned as a large yellow gold disc enhanced with tri-color gold “Trinity” rings. The gold has a soft matte finish. The pendant looks best hanging from a black silk cord, but can also be worn on a silk cord bracelet. Replacing the black silk with a leather cord, the pendant can be worn by a man. The pendant is signed “Cartier” and has the serial number “H14175”, Italian and French hallmarks, and a 1995 copyright.

Origin: France/Italy, ca. 1995. Condition: very good, normal surface wear from contact with a chain. Size: 11/16” diameter. Weight: 7.6 grams.

A lovely double-sided 18K yellow gold and beveled crystal porte-photo (“photo carrier”), the gold rim simply decorated with a bound reed design in the Louis XVI style. It is cleverly constructed with a hidden screw mechanism that allows the gold frame to expand so the crystal covers can be removed for adding or changing the contents. Double-sided porte-photos were often used to display a photo on one side and a tiny lock of hair or a memento such as a pressed flower on the other. They could also be used to display a "public" photo on one side and a more "private" photo on the reverse. These lovely little pieces are becoming increasingly difficult to find. The porte-photo is fully stamped with French 18K gold hallmarks.

Origin: France, ca. 1880. Condition: excellent; very minor surface scratching on crystal consistent with age and a small roughness of the edge of the crystal (not visible when inside the frame). Size: 29/32” x 1-3/8” (excluding jump ring). Weight: 5.3 grams.

A lovely double-sided 18K yellow gold and beveled crystal porte-photo (“photo carrier”), the gold rim simply decorated with a bound reed design in the Louis XVI style. It is cleverly constructed with a hidden screw mechanism that allows the gold frame to expand so the crystal covers can be removed for adding or changing the contents. Double-sided porte-photos were often used to display a photo on one side and a tiny lock of hair or a memento such as a pressed flower on the other. They could also be used to display a "public" photo on one side and a more "private" photo on the reverse. They are usually round or oval; lozenge-shaped examples such as this are uncommon. These lovely little pieces are becoming increasingly difficult to find. The porte-photo is fully stamped with French 18K gold hallmarks.

Origin: France, ca. 1880. Condition: excellent; very minor surface scratching on crystal consistent with age. Size: 1-5/16” x 1-1/2” (excluding jump ring). Weight: 6.0 grams.

A very fine 18K yellow gold fob charm set with coral cameos. The faces are similar to comedy and tragedy masks, with one frowning, one smiling and one somewhere in between. The cameos are very nicely carved and have the strong coloration typical of Mediterranean coral from the Italian coast. The gold surfaces are ornately decorated with beading and twisted wirework. This is one of the nicer and more unusual large fob charms we’ve seen over the years. The fob is marked “750” for 18K gold and bears an Italian maker’s mark.

Origin: Italy, ca. 1955. Condition: excellent, sharp detail, all original. Size: 1-9/16” long (excluding jump ring). Weight: 18.1 grams.

A very pretty pair of Shakudo earrings in the form of partially folded fans. The dark metal surfaces are delicately enhanced with silver cranes amid gold plum blossoms, rocks and tree stumps. The crane was used in Japanese art to symbolize longevity. The fans are suspended from 18K rose gold wires. After the collapse of the feudal system in Japan, the artists who created elaborately decorated swords turned to jewelry as a way to express their creativity. Sometimes shakudo pieces were turned into jewelry with the addition of later mountings, but in this case the earring fittings appear to be original. It is also rather unusual for shakudo jewelry to have gold findings rather than silver.

Origin: Japan, ca. 1890. Condition: excellent, all original. Size: maximum width 11/16”; 1-11/16” long to top of earwire.

This exceptional verre eglomise rock crystal panel depicts a maiden in classical dress playing with a hound. She sits on a plinth in a clearing with cypress trees in the background. The scene is backed with grayish mother-of-pearl that seems to create a sky of swirling clouds. The reverse of the pendant is simply finished with pale grayish-blue silk. The plaque is simply mounted in an 18K yellow gold frame with a bail at the top. Verre eglomise was most often used in mourning jewelry, but nothing about the composition of this scene suggests it was created for memorial purposes. In fact, the unusually playful interaction of the dog and the maiden, the latter with a delicately painted smiling face, suggests just the opposite. The pendant was found in France, but the absence of a hallmark suggests England as a more likely place of origin. Tested and guaranteed 18K gold.

Origin: England or France, ca. 1800. Condition: excellent, a 1/8" flake on one edge of the front crystal and a couple of 1/8" faded areas to black border, all visible only with strong, raking light. Size: 1-3/8" x 1-3/4" (excluding bail).

A stunning pair of vintage 18K yellow gold and platinum earclips set with diamonds by Cartier. The clips are worked in heavily textured gold that resembles a flame motif that ascends the earlobe when being worn. The recessed parts of the texture are unpolished, creating a strong contrast with the remaining highly-polished surfaces. Each clip features a irregularly shaped cluster of nine platinum-set round brilliant diamonds, graded as E-VVS2. These earrings are a lovely example of Cartier's prevailing style in the early 1960s. The gold shortages that followed World War II were in the past, so jewelry could take on a heavier look; and there was a pronounced fondness for chunkier, daytime jewelry that reflected the modern woman. It was important, however, that the jewelry could be worn in the evening as well. The backs are signed "Cartier France" and bear all the appropriate marks for 18K gold. The clips are original and never had posts, but posts could be added without disturbing any of the signatures or markings.

Origin: France, ca. 1962. Condition: excellent. Size: 5/8" x 1-1/4". Weight: 12.3 grams. Approximate Total Diamond Weight: 1.0 carat.

A very fine, beautiful Art Nouveau gold brooch featuring a row of three kittens sitting on a diamond-studded platform. The kittens are finely cast with excellent attention to detail. The cat at the far right appears to be licking his neighbor while the one of the opposite end seems completely aloof from the proceedings. The bar supporting the cats is topped with silver in the traditional style of French Art Nouveau jewelry and is set with antique cushion-cut diamonds of very nice quality. Interlaced gold volutes are suspended below the diamond platform. The back retains the original pinstem and c-clasp, both marked with “tete d’aigle” stamps for 18K gold. The clasp also bears an illegible maker’s mark. The back is also stamped with a serial number, “6044”, indicating it was sold by an exclusive jeweler. While dogs are a relatively common theme in 19th century jewelry, domestic cats are much less so.

Origin: France, ca. 1880. Condition: excellent, all original. Size: 1-1/2” x 1-1/2”. Weight: 16.7 grams. Approximate Total Diamond Weight: .675 carat.

An extremely rare and very important 18K yellow gold ring set with a white pearl and a black pearl designed by Jean Dinh Van for Pierre Cardin. The design features a squared shank with a flat open gallery enclosing the two 7.0mm pearls. The pearls are drilled and rotate freely on their axes. The pearls are of very nice quality with superb luster and natural color. The back of the shank is fully stamped with French 18K gold hallmarks and the interior is signed "Pierre Cardin".

Jean Dinh Van is one of the most important modernist French jewelers. He apprenticed at Cartier before starting his own studio in 1965. Dinh Van collaborated with most of the most avant-garde fashion designers of the era, including Pierre Cardin and Paco Rabanne. This design, created in late 1965 or early 1966, was Dinh Van's first independent commission and represented a major milestone in modern French jewelry. The simplicity and squared-off outline that eventually became his signature are already in clear evidence.

An example of the ring is included in France's permanent national jewelry collection housed at the Musee des Arts Decoratifs in Paris. It is also illustrated in "La Collection de Bijoux du Musee des Arts Decoratifs a Paris", "Jewelry & Metalwork in the Arts & Crafts Tradition", "European Designer Jewelry" and "Dictionnaire International Bijou".

Origin: France, ca. 1965. Condition: excellent, all original. Finger Size: 5. Dimensions: shank, 1/8" thick; 3/4" wide. Weight: 5.25 grams.

A lovely Retro necklace worked in 14K rose and yellow gold and set with moonstones and amethysts. The necklace descends from a rose gold paperclip link chain toward a pair of openwork yellow gold plaques, each set with a round amethyst accented with a rose gold stylized flower, and flanking a central triangular plaque designed in the same manner. A pair of oval cabochon moonstones is set at either side. The central plaque suspends a larger oval moonstone with a nearly invisible setting. The moonstones have very nice bluish adularescence and the amethysts have rich purple color. The interplay of gemstone and gold colors and the unusual design mixing Victorian, Art Nouveau and Retro elements creates a very striking effect. Tested and guaranteed 14K.

Origin: America, ca. 1935. Condition: ecellent, all original. Size: 17-5/8” long; central plaque and pendant, 1-3/8” long. Weight: 14.7 grams. Approximate Total Gemstone Weight: moonstone, 7.43 cts; amethyst, .32 ct.

A classic Retro 14K gold, platinum, diamond and ruby mesh buckle ring by Tiffany & Co. The folding buckle is set with four round rubies and a small diamond in platinum. The pointed tail of the ring is set with three additional round rubies. The mesh buckle design was popular for bracelets in Retro jewelry, but rings were far less common. In most cases, rings had a false buckle and could not be opened and closed to adjust the size. This example is functional, and can be adjusted from 5-3/4 to 9-1/2. The inside of the clasp is marked by Tiffany.

Origin: America, ca. 1940. Condition: excellent, one ruby has minor surface abrasion visible under 10x magnification. Size: 11/32” wide. Weight: 7.8 grams. Approximate Total Gemstone Weight: diamond, .04 ct; ruby, .48 ct.

A lovely 18K yellow gold ring and pearl ring by Tiffany & Co. The split shank is enhanced with a chain-link motif at the crown and is set with a single 7.5 mm Akoya cultured pearl. The pearl is of very fine quality with white body color and silver overtones—the shading most favored by Tiffany. The luster is is very good and the surface is excellent condition. The interior of the shank is stamped “750” and “Tiffany & Co.”.

Origin: America, ca. 2000. Condition: excellent. Finger Size: 8. Weight: 4.8 gr.

A lovely 14K yellow gold Art Nouveau bracelet comprising a series of round floral plaques, each hinged separately for comfort. The center five plaques are set with a round brilliant cut ruby at the middle of each blossom. The rubies have a strong purplish-red color that contrasts nicely with the yellow gold. Each plaque is pierced around the flower petals for added delicacy. The concealed clasp is marked “14K”.

Origin: America, ca. 1895. Condition: excellent, sharp detail. Size: 7-1/2” long; 1/2” wide. Weight: 12.8 grams. Approximate Total Gemstone Weight: ruby, 1.02 cts.

A very good 18K yellow gold Venetian Etruscan charm in the shape of a crown set with amethysts and pearls. The gold surfaces are decorated with ornate bead and twisted wire ornaments. The bottom of the charm has a large oval brilliant amethyst weighing approximately 6.77 carats, while the sides are set with four oval amethysts of 3.58 carats each. The lower sides are also collet-set with a band of smaller round amethysts. The amethysts are nicely cut with good brilliance and even, medium violet color. The top of the crown features four cultured pearls. Tested and guaranteed 18K.

Origin: Italy, ca. 1950. Condition: excellent. Size: 1-1/8” x 1” x 1-3/8” high (excluding bail). Weight: 19.4 grams. Approximate Total Amethyst Weight: 23.49 cts.

This delicate 14K yellow gold ring is set with a beautiful fire opal surrounded at compass points by old European cut diamonds. Fire opal is an uncommon stone, and it is very rare to find with play-of-color, the flash effect seen in traditional opals. This stone flashes with red, green and blue. The strong orange body color and fine clarity makes this a beautiful stone. The diamonds are quite good quality and are particularly bright against the orange fire opal. The shank is finished with milligrained edges on both sides. It is engraved “My love, forever 6-16-56”. It is stamped 14K and has an unknown maker’s mark.

Origin: America, 1956. Condition: excellent. Finger Size: 6. Crown Size: 7/16” x 7/16”. Weight: 2.1 grams. Approximate Total Gemstone Weight: fire opal, .71 ct; diamond, .12 ct.

A fine 18K yellow gold and multi-stone Sputnik ring by H. Stern. This classic modernist design features a golden dome studded with 19 variously colored gemstones including green tourmaline, citrine, amethyst, aquamarine and spessartite garnet. Each piece of Sputnik jewelry has a unique appearance depending on the color combinations and arrangement of the gemstones. This particular example is a little less haphazard than some and has a more symmetrical appearance (notice the alternating light and dark colored stones in the first ring out from the center stone and the placement of the citrines and orangy spessartite garnets always at an angle from each other in the outer rows). The design was created specifically to show off the range of colored stones mined in Stern’s native Brazil, but it quickly came to be known as “Sputnik” because of its resemblance to the 1960’s soviet satellite. The inside of the shank is marked with a Stern mark and “750” for 18K.

Origin: Brazil, ca. 1965. Condition: excellent. Finger Size: 8-1/4. Size: 7/8” diameter; 1/2" high. Weight: 4.9 gr. Approximate Total Gemstone Weight: 4.18 cts (amethyst, .59; aquamarine, 1.2; citrine, .78; green tourmaline, .68; spessartite garnet, .93).

A fine 18K yellow gold and multi-stone Sputnik ring. This classic modernist design, originally created by H Stern, features a golden dome studded with 19 variously colored gemstones including green tourmaline, citrine, amethyst, aquamarine and spessartite garnet. Each piece of Sputnik jewelry has a unique appearance depending on the color combinations and arrangement of the gemstones. This particular example is more pastel than most, with a preponderance of pale pink, green, blue and purple. The design was created specifically to show off the range of colored stones mined in Stern’s native Brazil, but it quickly came to be known as “Sputnik” because of its resemblance to the 1960’s soviet satellite. The inside of the shank is marked 18K.

Origin: Brazil, ca. 1965. Condition: excellent. Finger Size: 5-1/2. Size: 13/16” diameter; 9/16" high. Weight: 4.7 gr. Approximate Total Gemstone Weight: 4.14 cts (amethyst, .82; aquamarine, .83; citrine, .61; green tourmaline, .71; pink tourmaline, 1.17).

Exquisitely rare Art Nouvean plaque pendant by master jeweler and enamelist Eugene Feuillatre. The overall bell-shaped outline mimics the shape of the flowers surrounded the golden maiden at the center of the pendant. The flowers are worked with en plein enamels in subtle shades of pale green and gold translucent enamels, and are surrounded by openwork filled with plique-a-jour enamels in milky opalescent shades of pale rose and blue. Every detail is perfectly worked. The best of the French Art Nouveau jewelers believed that a jewel should look as good from the back as from the front. The back of this piece features fine hand-engraved details showing the maiden's flowing hair and the delicate veining of the flowers' leaves and petals. the back is signed with Feutillatre's cartouche and is marked with a bigorne (a 19th century French guard against forgeries) and the "tete d'aigle" guarantee for 18K gold.

Eugene Feuillatre was born in Dukerque in 1870 and began exploring enameling techniques at the age of 18. He was hired by Lalique to execute his enamel designs and continued that association until around 1898 when he exhibited to great acclaim at the Paris Salon of the Societe des Artistes Francaises, where the Musee des Art Decoratifs (the decorative arts wing of the Louvre) acquired one of his works for its permanent collection. By the following year, he was exhibiting regularly at the New Gallery (London) and the Libre Esthetique (Brussels) alongside jewelry luminaries such as Lalique and Fouquet. Feuillatre exhibited successfully at the international expositions in Paris (1900) and Milan (1902). Today, he is considered among the greatest French fathers of Art Nouveau jewels.

Origin: France, ca. 1900. Condition: excellent, absolutely no enamel damage. Size: 1-1/4" x 2-9/16" (excluding bail). Weight: 13.7 gr.

A lovely pair of 18K yellow gold set with cultured pearls by Mikimoto. Each earring features a pair of 7.3mm pearls with very fine luster, blemish-free surfaces and cream body color with rose overtones. The pearls are simply nested in a swirl of gold. The backs are marked with Mikimoto’s hallmark and “750” for 18K.

Origin: Japan, ca. 1980. Condition: excellent. Size: 5/8” x 9/16”. Weight: 6.1 gr.

An outstanding Victorian lion's claw pendant mounted in 18K yellow god in the Etruscal Revival style. The mounting is covered with twisted rope, stippling and applied bead decoration, and is finished with a slightly matte surface. The quality of workmanship suggests the workshops of Rome as a likely place of origin. Lion's and tiger's claws were often brought back as souvenirs from hunting trips to Africa and India and were transformed into jewels. This claw is quite generously sized and is in very good condition, with a sharp point and no scaling. There is the natural splitting usually found on the inside of the curved edge. Tested and guaranteed 18K. French import hallmarks for 18K.

Origin: probably Italy, ca. 1860. Condition: excellent. Size: 1-5/8" (excluding remnants of chain) x 1-7/8". Weight: 9.1 gr.

NOTE: We will not ship this item outside the United States.

A classic 18K yellow gold link bracelet in the "Atlas" pattern by Tiffany & Co. The design is based on the Roman numerals from the clock over the doorway of Tiffany's NY flagship store. The clasp is signed by Tiffany and is dated 2003. This bracelet is currently available only in white gold and is priced at $3,700.

Origin: Italy, 2003. Condition: excellent, all original. Size: 5/16" wide; 7-1/8 long. Weight: 28.7 gr.

A fine and large 18K yellow gold and multi-stone Sputnik ring by H. Stern. This classic modernist design features a golden dome studded with various colored gemstones including green tourmaline, aquamarine, garnet, citrine and amethyst. Each piece of Sputnik jewelry has a unique appearance depending on the combination and arrangement of the gemstones. The design was created specifically to show off the range of gemstones mined in Stern’s native Brazil, but it quickly came to be known as “Sputnik” because of its resemblance to the 1960’s Soviet satellite. The inside of the shank is marked with an older Stern hallmark at “750” for 18K. Origin: Brazil, ca. 1970. Condition: excellent, all original. Finger Size: 5 (easily enlarged). Size: 1-1/8” diameter; 5/8” high. Weight: 7.5 grams. Approxiamte Total Gemstone Weight: 8.37 cts (garnet, 2.16cts; tourmaline, 1.89cts; amethyst, 1.80cts; citrine, 1.44cts; aquamarine, 1.08cts).

A fine and large pair of 18K yellow gold and multi-stone Sputnik earrings by H Stern. This classic modernist design features goldn domes studded with various colored gemstones including green tourmaline, pink tourmaline, amethyst, aquamarine, citrine and garnet. Each piece of Sputnik jewelry has a unique appearance depending upon the combination and arrangement of the gemstones. The design was created specifically to show off the range of colored gemstones from Stern’s Brazil mines, but it quickly came to be known as “Sputnik” because of its spiky resemblance to the 1960’s Soviet satellite. The clips are marked with an older Stern hallmark. The earrings have their original clips and never had posts. Posts could easily be added. Marked “750” and “18K”.

Origin: Brazil, ca. 1970. Condition: excellent, all original. Size: 15/16” diameter; 1/2” high. Weight: 10.8 grams. Approximate Total Gemstone Weight: 9.79 cts (green tourmaline, 2.67cts; citrine, 2.29cts; aquamarine, 2.09cts; pink tourmaline, 1.58cts; aquamarine, .70cts; amethyst, .46cts).

A truly superb and rare example of a Georgian mourning ring, the navette-shaped crown set with a mourning scene on ivory covered with a rock crystal dome. The scene depicts are pair of doves perched on the edge of a fountain. The doves are worked in a thick application of enamel so they stand out from the ivory background like a bas-relief. Doves were commonly a reference to the Holy Spirit The fountain itself is made with gold borders (presumably 15K) infilled wth enamels and highlighted with floral swags applied with watercolors. A matching swag, centering a seed pearl, is suspended above the birds and fountain. The crystal is surrounded by a border of bright green and white enamel worked in a scalloped pattern. White enamel is rather uncommon and was nearly always used sparingly to reference the purity of a deceased woman. The use of green is extremely rare. The interior of the shank has an engraved monogram and a partial date that was obscured when the back of the shank was sized. At the time of the sizing, the interior of the shank was also stamped with a modern American 14K hallmark. The shank itself, however is completely original and is actually 15K gold, as is the crown.

Origin: England, ca. 1785. Condition: excellent, minute loss to enamel, sized. Finger Size: 6-1/2. Size: crown, 7/8” x 11/16”. Weight: 5.2 grams.

A stunning 19K yellow gold enhancer pendant intended for a thick chain or a strang of beads by Elizabeth Locke. The oval pendant encloses a gorgeous labradorite cabochon glowing with the billowy blue color of the best labradorite. The central stone is accented at compass points by round brilliant-cut blue sapphires. The sapphires have a slightly violet tint and exceptional brilliance. The bail is hinged so the pendant can be slipped over a thick chain or onto a strand of beads or pearls. The interior of the bail is has Locke’s signature and is marked “19K”. The pendant is presented in its original Elizabeth Locke silk pouch. A similar pendant currently retails for $3,600.

Origin: America, ca. 2010. Condition: excellent. Size: 1-1/2” x 3/4”. Weight: 10.6 grams.

An elegant pair of 18K yellow gold earrings with mother-of-pearl inlay by Angela Cummings. The designer pioneered modern hardstone mosaic techniques when she was still lead designer at Tiffany & Co. After establishing her own luxury boutique, she continued to make similar designs under her own name. The earrings are marked “Cummings 18K”.

Origin: America, 1984-2003. Size: 1” x 3/4". Weight: 15.7 grams.

An elegant pair of 18K yellow gold earrings with lapis lazuli inlay by Angela Cummings. The designer pioneered modern hardstone mosaic techniques when she was a lead designer at Tiffany & Co. She began working at Tiffany in 1967, but was not allowed to sign her own designs until 1974. These earrings are definitely her design, but are unsigned, indicating that they date from the period 1967-74. The earrings are marked “T&Co 18K”.

Origin: America, 1967-74. Size: 7/8” x 3/4". Weight: 15.6 grams.

A lovely Art Nouveau 14K yellow gold pin in the form of a violet, each of the petals worked in soft shades of violet, rose, cream and green. The flower is centered with a 10-pt old European cut diamond. In the Victorian language of flowers, the violet represented faithfulness. The back is marked “14K”.

Origin: America, ca. 1910. Condition: excellent, no enamel damage, all original. Size: 1-1/8” x 7/8”.

A lovely late Victorian 14K yellow gold locket, the front decorated with a coiled snake with a diamond-set head. The serpent’s head and tail are twisted together forming a circle that, in Victorian symbology, represented the eternal nature of love. The snake’s body is very nicely detailed and the 5-point old mine cut diamond has bright color and good clarity. The locket’s smooth surfaces have a slightly matte “Russian” finish that contrasts nicely with the details of the snake. The interior of the locket retains both original frames and glass covers. Tested and guaranteed 14K gold.

Origin: America, ca. 1890. Condition: excellent, a few pinpoints on the back side, no monogram. Size: 1” diameter. Weight: 5.9 grams.

An incredible Victorian 14K yellow gold watch fob in the form of an 1880’s style oil derrick. The details are amazing, complete with a pump house, a suspended drilling bit inside the derrick and a collection vat. Even spare parts lie around on the base. The entire piece is completely handworked and was almost certainly a special order and was probably made shortly after the first commercial oil well was drilled in Pennsylvania around 1860. Figural fobs of this quality are extremely rare. Tested and guaranteed 14K.

Origin: America, ca. 1880. Condition: excellent, sharp detail, no monogram on seal. Weight: 12.5 grams.

An elegant pair of 18K yellow gold earrings by acclaimed designer Angela Cummings. The simple elongated oval is enhance with a center bulge that echos the oval outline. The surfaces have a matte finish for a warm glow. The style is very versatile and can be worn with jeans as easily as a cocktail dress. The backs retain their original omega clips and are marked “1987 Cummings 18K”.

Origin: America, 1987. Condition: excellent. Size: 1-3/16” x 7/8”. Weight: 20.8 grams.