Catalog: Estate Jewelry: Gold (1036)

A fine Victorian 14K gold and platinum locket ornately decorated in the Etruscan style with a lily pond scene. The scene includes rose gold cattails, green gold lily pads, and platinum lily blossoms. The remainder of the locket is enanced with ropetwists, wire work, and appliques. The locket opens at the back to reveal a photo compartment. The locket is completed iwth its original matching bail.

• Origin: America, ca. 1860
• Condition: excellent; a few minor pinpoints on the back cover
• Dimensions: 1-3/8" x 2-3/16" (including bail)
• Weight: 14.6 grams

An elegant 14K yellow gold gold bracelet constructed with modified gatelinks, each enhanced with engraved details. The five center links are set with round sapphires. The sapphires have intense coloring and excellent clarity. The interior is stamped "14K" and also has Crane & Theurer's maker's mark.

• Origin: America, ca. 1910
• Condition: excellent
• Dimensions: 3/8" wide; 7-1/4" long
• Weight: 11.6 grams
• Approximate Total Sapphire Weight: .60 carat

A very pretty pierced wedding band depicting rose gold Tudor roses alternating with yellow gold clusters of cherries. Each rose is centered with a synthetic ruby. Rubies from the Retro period are almost always synthetics because the mining of natural rubies was not possible during World War II. The design is very crisp. Tested and guaranteed 14K.

• Origin: America, ca. 1940
• Condition: excellent
• Dimensions: 9/32" wide
• Finger Size: 6-1/2
• Weight: 4.6 grams
• Approximate Total Ruby Weight: .28 carat

A very pretty mid-century wedding band, pierced in an intricate pattern of chapel bells and flowers. The band has nice width and the detail is very crisp. The interior is stamped "14K."

• Origin: America, ca 1950
• Condition: excellent
• Dimensions: 11/32" wide
• Finger Size: 7-1/2
• Weight: 4.1 grams

A pretty 10K yellow and rose gold half-hoop wedding band, the front decorated with finely engraved roses. The flower petals are worked in rose gold for added contrast and the entire design is recessed to prevent wear to the carving. The interior of the shank is marked "10K" and also has an unidentified maker's mark.

• Origin: America, ca. 1950
• Condition:excellent
• Dimensions: 7/32" wide tapering to 1/8" at the back
• Finger Size: 7-1/4
• Weight: 2.9 grams

A classic pave pearl puffed heart pendant centered with an old European cut diamond. The diamond is H color, SI1 clarity. The back is stamped "14K."

• Origin: America, ca. 1900
• Condition: excellent
• Dimensions: 7/8" x 7/8" (excluding bail)
• Weight: 5.7 grams

A heavy 14K gold curb link watch chain, finished with a movable t-bar, a dog clip, and a spring ring. The chain would be perfect to match up with one or more other heavy watch chains to create a unique layered look with multiple charms. Marked 14K.

• Origin: America, ca. 1900
• Condition: excellent
• Dimensions: 12-3/4" long
• Weight: 37.9 grams

A very rare pair of 18K yellow gold Sputnik earrings by H Sern. The spheres are bezel-set with round amethysts, citrines, aquamarines, green tourmalines, pink tourmalines, and peridots. The spheres are suspended from a bar of three larger gemstones. The Sputnik design was created in the 1950s to highlight the range of colored gemstones available from Stern’s Brazilian mines. It later came to be called “Sputnik” for its resemblance to the spiky Soviet satellite launched in 1957. Each piece has a unique appearance depending on the specific colors of the stones and their arrangement. Most Sputnik earrings are clips. This is only the second pair of Sputnik drop earrings we have seen in twenty years. The earrings originally had lever backs which is where the Stern mark would have been. At some point, this pair was changed to a post and clutch system. Tested and guaranteed 18K gold and to be made by Stern.

• Origin: Brazil, ca. 1955
• Condition: excellent
• Dimensions: 1-5/8” long; 5/8” diameter
• Approximate Total Gemstone Weight: 2.72 carats
• Weight: 6.9 grams

A nice Italian Etruscan style 18K gold lantern-shamed fob charm enhanced with coral cabochons. The midsection of the charm is left open to give it a feeling of lightness and to bring more life to the coral. The gold surfaces are enhanced with twisted wire and rosette decoration. The charm is stamped “750” for 18K.

• Origin: Italy, ca. 1960
• Condition: excellent
• Dimensions: 1” wide, 1-1/4” long (excluding jump ring)

A fine Art Nouveau medallist stickpin depicting Demter (“Ceres”), goddess of the harvest and the seasons, in 14K gold by Louis Rault. She is shown in profile with several of her attributes including a tiara of wheat and a scythe. Louis Armand Rault was a leading designer for Boucheron 1868-75 and this is one of his signature designs. His designs were sometimes licensed to other jewelers, hence this American 14K version. The stickpin is finished in a soft bloomed texture. The pinstem is stamped iwth Carter, Gough's 14K mark. The stickpin could easily be converted to a ring or pendant.

• Origin: America, ca 1880
• Condition: excellent, sharp detail
• Dimensions: head, 9/16” diameter, length, 2-1/2”
• Weight: 2.0 grams

A superb Retro 14K gold ring in the form of a buckle set with round brilliant cut diamonds and calibre cut natural rubies. The design is enhanced with a prong-set .65 carat diamond solitaire. The diamond is G/H color and VVS2 clarity. The smaller diamonds are of similar quality. All the diamonds are set in platinum. The rubies have fine color and excellent color. The interior of the shank is stamped “14K.”

• Origin: America, ca 1940
• Condition: excellent
• Dimensions: crown, 3/4" x 17/16” and sits 1/4” high above the finger
• Finger Size: 6-1/2
• Weight: 9.7 grams
• Approximate Total Diamond Weight: diamond, 1.05 carats; ruby, .66 carat

A lovely 14K gold Edwardian long chain set at regular intervals with oval amethysts in collet settings. The chain can be worn at its full 52-1/2” length, our doubled and worn at 26-1/4”. The amethysts have excellent color and brilliance. Tested and guaranteed 14K.

• Origin: America, ca. 1900
• Condition: excellent
• Dimensions: 52-1/2” long
• Weight: 14.1 grams
• Approximate Total Amethyst Weight: 13.9 carats

A wonderful early Victorian portrait locket worked in gilt silver and set with hundreds of Bohemian garnets, including a 10.2-carat rose cut oval at the center. The garnets are set with space between them to lighten the overall effect and better show the bright red coloring of the stones. The locket is suspended from a garnet-encrusted clover shaped bail. The back cover is entirely glass The gilding is intact.

• Origin: probably English, ca. 1845
• Condition: excellent, no missing stones
Dimensions: locket, 1-1/4” x 1-3/8”; overall length, 2-1/8”
• Weight: 14.4 grams

A lovely 14K gold Edwardian long chain set at regular intervals with round brilliant cut amethysts in collet settings. The necklace is completed with a dog clip clasp. The chain can be worn at is full 52-1/2” length, our doubled and worn at 26-1/4”. The amethysts have excellent color and brilliance. Tested and guaranteed 14K.

• Origin: America, ca. 1900
• Condition: excellent
• Dimensions: 52-1/2” long
• Weight: 16.4 grams
• Approximate Total Amethyst Weight: 5.6 carats

A pretty Victorian 14K gold locket, the cover featuring a lion rampant with a shield. The edges of the locket are worked in an ornate rococo design that is mirrored on the large suspension ring. The interior retains the original glass cover and frame insert. The back is engraved with a period “WWW” monogram. Tested and guaranteed 14K.

• Origin: America, ca. 1890
• Condition: excellent; sharp detail
• Dimensions: locket diameter 1”; overall length, 2”
• Weight: 10.7 grams

A classic Art Nouveau brooch / pendant decorated with lush pale blue, medium blue, cream, and yellow matte enamels. The flower is centered with a round diamond. The pin is unmarked but is certainly by one of the Newark jewelers. The back retains the original pinstem and clasp. A bail could easily be added for wear as a pendant. Tested and guaranteed 14K.

• Origin: America, ca. 1900
• Condition: excellent, no enamel damage
• Dimensions: 7/8” x 7/8”
• Weight: 4.3 grams
• Approximate Diamond Weight: .02 carat.

A fun piece of sporting jewelry depicting a crossed pair of croquet mallets and a coral ball inside the wicket. The banded agate stone is black with a single white line and has never been engraved. Croquet became fashionable among the English elite in 1856 when when the first book of croquet rules was published and the All England Croquet Club was formed at Wimbledon. The fob is stamped “10 ct.”

• Origin: England, ca. 1860
• Condition: excellent
• Dimensions: 3/4” x 9/16” x 1-1/4 (excluding jump rings)
• Weight: 5.0 grams.

An elegant Art Nouveau 18K gold, platinum and diamond pendant and brooch depicting a young woman with flowing flower-bedecked hair. She represents the Spring season, “Printemps.” Each of the flowers is centered a rose cut diamond and the maiden wears a necklace of rose cut diamonds, as well. The gold surface is bloomed for a slightly matte finish. The pendant/brooch is faintly heart-shaped and is finished along the edges with 54 rose cut diamonds set in platinum. The pinstem unscrews from the back, so the jewel can be worn as a pendant from the two pendant loops at the top corners. This design was commissioned in 1886 from the medallist Emile Séraphin Vernier by the esteemed house Fonsèque et Olive which was one of Paris’ most successful Art Nouveau jewelers.

• Origin: France, ca. 1890
• Condition: excellent
• Dimensions: 1-1/16 x 1-1/8”
• Approximate Total Diamond Weight: .75 carat
• Weight: 8.9 grams

A classic Art Nouveau brooch / pendant decorated with lush purple, cream, maroon, and yellow matte enamels. The flower is centered with a round brilliant cut diamond. Though this example is unmarked, it is likely by A. J. Hedges. Hedges’ enameled flowers stood out from the competition because they were generally heavier and displayed more sculptural detail. The diamond is graded H/SI2. The back retains the original pinstem, clasp, and folding pendant bail. The bail is stamped “14K.”

• Origin: America, ca. 1900
• Condition: excellent, no enamel damage
• Dimensions: 1-3/16” x 1-3/16”
• Weight: 11.6 grams
• Approximate Diamond Weight: .16 carat.

A wonderful, finely detailed 18K gold pendant / brooch featuring a cat surrounded by an ivy-covered wood wreath. The cat has bright emerald eyes and wears a platinum collar with an old European cut diamond at the front. The pendant is finely engraved to represent the cat’s fur and the wood and foliage textures of the frame. Even the back is engraved in a wood texture. Cat jewelry is extremely difficult to find—this example is one of the two best we have had in the last 20 years. Stamped “15 Ct.”

• Origin: England, ca. 1870
• Condition: excellent
• Dimensions: 1-1/4” diameter
• Weight: 18.8 grams
• Approximate Total Gemstone Weight: emerald, .02 carat; diamond, .05 carat

A large Etruscan style 18K gold fob charm an a crown form, set with emerald and round cut citrines. The gold surfaces are decorated with twisted wire and rosettes, and the lower portion has a Florentine finish with engraved details. Tested and guaranteed 18K.

• Origin: Italy, ca, 1955
• Condition: excellent
• Dimensions: 1-3/8” x 1-3/16” x 1-3/8” (excluding jump ring)
• Approximate Total Citrine Weight: 37.4 carats
• Weight: 22.6 grams

A fine Italian Etruscan style 18K gold fob charm set with amethysts and pearls. The charm is shaped as a crown. The gold surfaces are enhanced with twisted wire and rosette motifs. The oval amethysts have nice medium color intensity and the pearls have good luster. The charm bears the maker’s mark of Figli di Vittoria Franconeri di Lidia (Florence).

• Origin: Italy, ca. 1955
• Condition: excellent
• Dimensions: 1” x 13/16” x 1-1/4” (excluding jump ring)
• Approximate Total Amethyst Weight: 7.99 carats
• Weight: 12.8 grams

An elegant Art Nouveau bracelet, the fancy links comprising ornately twisted knots and set alternately with old mine cut diamonds and round cut sapphires. The diamonds are set in platinum collets while the sapphires are in yellow gold. The diamonds are H color, I1 and I2 clarity; the sapphires are vivid blue. The clasp is stamped with a maker’s serial number indicating a quality house, and the clasp tongue is stamped with French 18K gold marks.

• Origin: France, ca. 1900
• Condition: excellent, normal wear to tops surfaces of gemstones (not visible without 10x magnification)
• Dimensions: length, 6-1/2”; width, 1/2"
• Weight: 23.4 grams
• Approximate Total Gemstone Weight: diamond, .68 carat; sapphire, .84 carat

An elegant Edwardian bracelet comprising rectangular filigree plaques of 14K gold centering collet-set oval amethysts. The filigree is amazingly detailed. The amethysts have rich, saturated color and no zoning. The tongue of the clasp is stamped “14K.”

• Origin: America, ca. 1910
• Condition: excellent
• Dimensions: 7-5/16” long, 1/2" wide
• Weight: 22.3 grams
• Approximate Total Amethyst Weight: 16.02 carats

An exceptional pair of Art Deco platinum, emerald, diamond and onyx cufflinks by Cartier. Each face is made from a melon-carved emerald bead dating to India's Mughal Empire (17th/18th centuries), topped with a round onyx disk centered with an old European cut diamond. The emeralds, variously weighing approximately 5.94, 5.49, 4.53 and 4.20 carats, totalling just over 20 carats. The emeralds have a strong green color with natural inclusions characteristic of the Chivor mines in Colombia. The diamonds are graded as F color, VVS clarity. The faces are joined with removable dog clip connectors. The fixed mountings are marked with the workshop master's mark used in the 1920s and French platinum marks and are signed “Cartier.” The cufflinks are presented in their original fitted, silk- and velvet-lined, fitted leather case.

Jacques Cartier was one of the first European jewelers to travel to India and to acquire antique emerald, ruby and sapphire beads from the maharajahs. These stones were re-set in Cartier's Paris workrooms. One of the most important commissions using carved Mughal beads was a brooch for Marjorie Merriweather Post. That brooch features emeralds carved in the same shape as those in these cufflinks.

• Origin: France, ca. 1920
• Condition: excellent, all original
• Dimensions: faces, approximately 7/16" diameter
• Condition: excellent; emeralds have surface wear consistent with 300-400 years of use as jewelry
• Weight: 8.4 grams
• Approximate Total Gemstone Weight: diamond, .24 carat; emerald, 20.16 carats

A lovely 18K gold bracelet in the Louis XVI style, the links fashioned as floral and foliate wreaths alternately centered with old European cut diamonds and round cut rubies. The pierced design lends a light appearance despite the bracelet’s substantial weight. The clasp is stamped with French 18K gold marks.

• Origin: France, ca. 1900
• Condition: excellent, all original
• Dimensions: 7/16” wide; 7-1/2” long
• Weight: 29.1 grams
• Approximate Total Gemstone Weight: diamond, .24 carat; ruby, .44 carat

A pair of silver egg-shaped earrings decorated with ornate floral guilloche engraving below translucent golden enamel. The enamel gives the appearance that the eggs are constructed entirely of gold. The ridge around the center of each egg was left unenameled for color contrast. The upper half of each egg is set with an old European cut diamond. The 14K gold wires are possibly original, but more likely replacements. The bail of each egg is stamped with illegible hallmarks. Purchased in Paris.

• Origin: Russia, ca. 1910
• Condition: excellent
• Dimensions: 1/2” wide; 3/4" long (excluding wires)
• Weight: 7.8 grams
• Approximate Total Diamond Weight: .06 carat

A delicate early Art Deco gold chain worked in 14K white gold filigree. Each of the baton-shaped links is centered with a short length of ropetwist to create the filigree appearance. Marked “14K.”

• Origin: America, ca. 1925
• Condition: excellent
• Dimensions: 25-5/8” long
• Weight: 3.6 grams

Open the ornately engraved box to reveal a miniature record play complete with an album that turn and a moveable needle arm. The controls are represented by small turquoise and coral cabochons. The music box plays “Let Me Call You Sweetheart,” a song recorded by everyone from Patti Page to Bing Crosby to Ethel Merman, to Micky and Minnie Mouse. The case is stamped “14K.”

• Origin: America, ca 1955
• Condition: excellent, music box in working condition
• Dimensions: 1” x 27/32” x 1/2"
• Weight: 22.1 grams

A elegant brooch worked in 18K yellow gold filigree centering a round brilliant-cut amethyst surrounded by natural seed pearls. The amethyst’s collet is enhanced with millegraining, as is the remainder of the filigree work. The edge is finished with a border of wirework rosettes. The quality of workmanship is superb. Filigree of this delicacy is usually only seen in platinum. The amethyst is moderately pale with a slightly pinkish tint. The back of the pin is marked “18Kt”, and there is an indistinct mark on the original c-clasp. The brooch could easily be converted for wear as a pendant.

• Origin: England, ca. 1900
• Condition: excellent, all original
• Dimensions: 1-1/8” x 1-1/8” on the diagonal; 7/8" x 7/8" on the square
• Weight: 4.7 grams
• Approximate Amethyst Weight: .68 carat.

One of the nicest Retro buckle bracelets we’ve seen, this 18K gold and platinum example comprises a strap of honeycomb-shaped links set off with a large buckle pave-set with rose cut and single cut diamonds in platinum. The buckle’s tongue, frame and loop are set with calibre cut synthetic rubies. This bracelet has a particularly sculptural appearance. Rubies from the Retro period are nearly always synthetics because the usual shipping lanes from the gem mines of southeast Asia were cut off because of World War II. The bracelet bears French marks for 18K and platinum.

• Circa 1940
• Condition: excellent, all original
• Dimensions 7” circumference; strap, 1” wide; buckle, 1-1/2” wide
• Weight: 90.7 grams
• Approximate Total Gemstone Weight: ruby, 4.5 carats; diamond, 1.0 carat

A handsome griffin with back-stretched wings, a lion’s head and a curling serpent’s tail grasps an old mine cut diamond in this 19th century French brooch and necklace slide. Interestingly, the creature’s tongue is licking the diamond. The eye is set with a small faceted ruby. The back retains the original pin stem and a hinged clasp so the griffin can be attached to a chain. The hinged clasp is marked “Déposé” meaning the griffin was a patented design. Tested and guaranteed 18K gold. A bail could easily be added for wear as a pendant.

• Origin: France, ca. 1880
• Condition: excellent
• Dimensions: 1-1/2” x 3/4”
• Approximate Diamond Weight: .12 carat
• Weight: 4.7 grams

A magnificent bracelet comprising seven gold coins spanning the reigns of six Medieval and Renaissance French kings from 1429 to 1610. L to R: (1) écu d’or au soleil from the reign of Henri III, dated 1587; (2) écu d’or au soleil from the reign of Charles IX, dated 1566; (3) écu d’or au soleil du dauphiné from the reign of François I, issued 1515-1528; (4) royal d’or from the reign of Charles VII le Victorieux, issued 1429-1431; (5) écu d’or au soleil from the reign of François I, issued 1515-1519; (6) écu d’or au soleil from the reign of Henri IV, issued 1590-1610; and (7) henri d’or from the reign of Henri II, dated 1559. The larger center coin is 24K gold and the other six are 23K. The coins are mounted, probably around 1900, in simple 18K gold collet settings that do not detract from the beauty of the coins. All of the coins are very near the top rarity ratings for coin collectors, and had they not been set into the bracelet, their current numismatic value would be around $22,000. The pendant came from the family that owned the Medieval French coin pendant in our collection.

Henri III (r 1575-1589) was the last king from the House of Valois. He was bullied by his mother, Catherine de Médicis, tried to marry Queen Elizabeth I despite being openly gay, and was eventually assassinated by a Catholic zealot.

Charles IX (r 1562-1589) was Henri III’s older brother and was also bullied by their mother Catherine with whom he orchestrated the Saint Bartholomew’s Day Massacre that killed 70,000 French Protestants.

François I (r 1515-1547) was France’s Renaissance king, known for building projects such as the Châteaux at Fontainebleau, Amboise, and Chambord, and for bringing Leonardo da Vinci (and the Mona Lisa) to France in the artist’s later years.

Charles VII “le Victorieux” or "le Bien Servi (“the Victorious” or “the Well-Served”) (r 1422-1461) was put on the throne through the efforts of Jeanne d’Arc who helped him win the Hundred Years’ War. The coin was minted right around the same year Jeanne was burned at the stake for witchcraft.

Henri IV “le Grand,” “le Bon Roi,” or “le Vert Galant” (“the Great,” “the Good King,” or “the Green Gallant”) (r 1590-1610) was the first king from the House of Bourbon. Though he was originally a Protestant, he converted to Catholicism to claim the throne, famously remarking “Paris is worth a Mass.” He pardoned all Protestants with the Edict of Nantes and was promptly assassinated by yet another Catholic zealot. He was called “le Vert Galant” because of his prowess with numerous simultaneous mistresses even at what was considered the very advanced age of 56.

Henri II (r 1547-1559) was responsible for bringing the previously mentioned notorious Catherine de Médicis to France as his bride. He created the world’s first patent system for new inventions but spent much of the rest of his time cutting out the tongues of Protestant ministers or burning them at the stake. All three of his sons became Kings of France, including one that Henri married off to Mary, Queen of Scots. He was struck in the eye with a lance during a jousting tournament and died of sepsis and brain damage.

• Origin: France, 1429-1610
• Condition: excellent; sharp detail on coins
• Dimensions: 8” long, 1-3/16” maximum width
• Weight: 37.8 grams.

A classic coin pendant in a simple 18K gold frame, but featuring a spectacularly rare and beautiful “Franc a cheval” coin from the reign of Jean II “le Bon” (“the Good.”) The coin was minted in Paris for just a little more than three years, December 1360-April 64. The front of the coin depicts the king charging on horseback, wearing full armor and a fleur-de-lis crown and with his broadsword raised. The horse, too, is decked out in armor decorated with fleurs-de-lis. The image is surrounded by a Latin inscription translated as “Jean, by grace of God, King of the Franks.” The obverse features a cross surrounded by fleurs-de-lis, in turn surrounded by the Latin motto, “Christ vanquishes, Christ reigns, Christ commands.” The coin is 24K gold and is mounted in a non-invasive 18K frame. The frame probably dates to the mid-20th century and bears French 18K gold hallmarks. The pendant came from the family that owned the Medieval and Renaissance French coin bracelet in our collection.

Jean ascended to the throne in 1350 at a time when France was suffering from the Black Death and was thirteen years into the Hundred Years’ War with England. He was captured by the Black Prince at the Battle of Poitiers in 1356 and taken to the Tower of London. A treaty with King Edward III promised Jean his freedom if he could pay a ransom equal to three times France’s entire annual revenue. He was granted freedom in exchange for offering his son as a captive while he returned to France to raise the ransom. On December 5, 1360, he issued an order to create an entirely new gold coin to be used for the ransom. The word “franc” meant “freedom,” and thereafter French currency has always been known as the franc. Jean’s son escaped captivity in England in 1363, but in chivalric gesture, the King volunteered to take his place, saying “If good faith were banned from the Earth, it ought to find asylum in the hearts of kings.” He returned to England, where he died the following year.

• Origin: France, 1350-54
• Condition: excellent, sharp detail
• Dimensions: 1-1/4” diameter (excluding bail and jump ring)
• Weight: 8.2 grams

A large Etruscan style 18K gold fob/charm/pendant set with large dark blue topaz. We’ve never seen one of these charms set with deep blue gemstones before. The gold surfaces are covered in ornate bead and twisted wire decoration. The pendant opens in the middle to reveal a secret compartment. The bail is stamped for 18K gold and also has French import marks.

• Origin: Italy, ca. 1955
• Condition: excellent
• Dimensions: 1-1/8” diameter, 1-1/2” height (excluding jump ring)
• Approximate Total Topaz Weight: 32.8 carats
• Weight: 24.3 grams

A very good Retro tank ring worked in 14K yellow gold and platinum set with diamonds and natural sapphires (natural sapphires in a Retro ring are rather unusual). The larger diamonds (.40 ct, .25 ct, and .25 ct) are all old European cuts. The smaller stones are single cuts. The ring is broad across the finger and is laid out in a very geometric style typical of tank jewelry. The diamonds I color and VS2 clarity. The sapphires show no indication of heat treatment. It is very uncommon to have natural colored stones in a piece or Retro jewelry. The back of the shank is stamped with French import marks for 14K gold and platinum.

• Origin: America, ca. 1940
• Condition: excellent, all original
• Dimensions: crown, 7/8” x 5/8”; shank tapers to 7/32” at the back
• Weight: 11.3 grams
• Approximate Total Gemstone Weight: diamond, 1.5 carats; sapphire, .44 carat.
• Approximate size:6 3/4

A lovely small locked in the form of a four-leaf clover worked in 18K yellow gold. One petal is set with a round ruby. Each of the leaves is shaped in an exaggerated heart form, perhaps to suggest the beloved contents of the interior. The interior retains the original frames and glass covers, as well as photos of the original owner’s young husband and little girl in period clothing. The locket and jump ring are both stamped with French gold marks. Interestingly, the back of the jump ring is engraved “2016,” perhaps as a reference to when the locket was passed along to another generation.

• Origin: France, ca. 1910
• Condition: excellent, all original
• Dimensions: 13/16” x 13/16” (excluding bail and jump ring)
• Weight: 7.1 grams
• Approximate Gemstone Weight: .14 carat.

A beautifully detailed 18K gold tombstone-shaped pendant dedicated to St. George. The front shows George on horseback killing the dragon with his spear. The sun is depicted in the background with a glowing red ruby cabochon. The reverse depicts a fishing boat carrying Jesus and several disciples across the stormy Sea of Galilee, with the Latin motto “In Tempestate Securitas” (“safety in the storm”). St. George medallions do not always include the ship imagery, but when it’s there, the piece was intended to protect against the perils at sea. Generally, St. George is the patron saint of knights, soldiers, scouts, fencers, and archers, but he apparently also had a knack with the plague, leprosy, and venomous snakes.

• Origin: France, ca. 1900
• Condition: excellent, sharp detail
• Dimensions: 15/16” x 1-1/16” (excluding jump ring)
• Weight: 14.4 grams
• Approximate Gemstone Weight: .05 carat.

A lovely 18K yellow gold, diamond, and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday, less than tomorrow”), a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. His designs changed over time and this piece is a classic example from the 1960s. The heart-shaped medallion is surrounded by a border of smaller hearts alternating with prong-set synthetic rubies. The front is signed A.A. and the pendant is stamped with French 18K marks.

• Origin: France, ca. 1965
• Condition: very good
• Dimensions: 7/8” x 7/8” (excluding bail and jump ring)
• Weight: 4.7 grams

A lovely 18K yellow gold, diamond, and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday, less than tomorrow”), a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem. The word “plus” is represented by a plus sign set with a diamond and the word “moins” with a minus sign set with rectangular synthetic rubies. This example is in the original style with a “crêpe de chine” textured background and laurel wreath border. The back is monogrammed “MG.” The front is signed A.A. and the bail is stamped with French 18K marks.

• Origin: France, ca. 1930
• Condition: excellent, sharp detail
• Dimensions: 11/16” diameter (excluding bail and jump ring)
• Weight: 3.5 grams

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow”) a line from the love poem written by Rosemond Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. In 1907, the Lyonnais jewelry Alphonse Augis created a love token based on the poem, and his designs became iconic. In this example, the word “moins” is represented by a minus sign set with a synthetic ruby. This is the first time we’ve seen a medaille d’amour incorporated into a larger pendant design that also features a rose and a heart. The pendant is stamped with French 18K marks and Augis’ maker’s mark. The pendant is sold with its chain which is not gold.

• Origin: France, ca. 1950s or early 60s
• Condition: excellent
• Dimensions: 3/4” x 5/8”
• Weight: 2.2 grams.

A pretty 14K yellow gold brooch designed as a cluster of leaves, each accented with a collet-set round ruby. The leaf surfaces have stippled and Florentine finishes for nice contrast. The back is marked “14K” and also has an illegible maker’s mark.

• Origin: America, ca. 1960
• Condition: excellent, all original
• Dimensions: 1-7/8” x –1-1/8”
• Approximate Total Gemstone Weight: .15 carat
• Weight: 6.0 grams

An elegant 18K gold and platinum marquise ring set with a central row of oval sapphires surrounded by rose cut diamonds. The sapphires have nicely saturated coloring, and the diamonds have good brilliance. The design is finished with a pierced gallery along the edges. Marquise rings were very fashionable in the Edwardian period and have a very elegant appearance on the hand. Today, they are among the most desirable shapes for engagement rings. Tested and guaranteed 18K and platinum.

• Origin: America, ca. 1910
• Condition: excellent
• Finger Size: 7
• Crown Dimensions: 15/16” x 5/16”
• Approximate Total Gemstone Weight: sapphire, .70 carat; diamond, .20 carat
• Weight: 3.5 grams

Possibly the finest Georgian fob seal we’ve seen, this example is worked in multicolored 18K gold. The large swivel features a carnelian plaque on one side that reverses to an amazing crystal-enclosed compartment. Inside the compartment is a three-dimensional fruit basket worked in yellow, white, rose, green and blue gold. The rock crystal cover is slightly domed to magnify the fruit basket decoration. The edges of the swivel are engraved “S Kip” on one edge and “S Kip Poe” on the other, suggesting it was perhaps a gift from a grandfather to a grandson of maternal descent. Women began wearing pocket watches in the 1780s, so it's also possible this fob was a gift from mother to married daughter. Tested and guaranteed 18K gold.

• Origin: England, ca. 1790
• Condition: very good, evidence of 19th century repairs that do not detract from the beauty
• Dimensions: 1-1/2” x 2-1/16” (excluding jump ring)
• Weight: 29.6 grams

A classy pair of dangle earrings featuring oval cabochon aquamarines and round cabochon sapphires in a simple collet setting. These would look equally good with jeans or a cocktail dress. Tested and guaranteed 18K gold.

• Dimensions: 1-7/16” long
• Approximate Total Gemstone Weight: aquamarine, 8.52 carats; sapphire, 1.06 carats
• Weight: 5.0 grams

A pretty 18K yellow gold pendant in a shape that suggests a pair of wings, each set with rose cut diamonds. The design is completed with an additional diamond at the top in a buttercup setting. The pendant was likely fashioned from a larger piece of jewelry that was no longer fashionable. The reverse is stamped with a goldsmith’s mark and also with the Birmingham date mark for 1849. The jump ring is 14K.

• Origin: Birmingham, England, 1849
• Condition: excellent
• Dimensions: 13/16” x 11/16” (excluding bail)
• Approximate Total Diamond Weight: .15 carat
• Weight: 1.9 gram

An elegant 23” necklace of alternating natural amber oval beads and ribbed melon-shaped 14K gold beads. The gold beads have a slightly matte finish that contrasts nicely with the resinous surfaces of the amber. The amber beads are beautifully matched for color and clarity. The overall effect is understated chic. Marked “14K”.

• Origin: America, ca 1980
• Condition: excellent
• Dimensions: length, 23"; gold beads, 10.9 mm diameter
• Gold Weight: 28.0 grams

A stunning Georgian floral pendant worked in silver-topped 18K gold. The radiating petals are studded with diamonds in the newly fashionable “a jour” or open settings that came into vogue around 1800. The selection of diamonds is a virtual history of early diamond cutting and includes rose cuts, Mazarin cuts, table cuts, and Peruzzi cuts. The flower is centered with an unheated cornflower blue sapphire, likely of Ceylon origin. The back of the setting is ornately engraved in a sort of starburst pattern. There’s a small hole in the back of the setting that would have held a long pin attachment so the piece could be worn as a hair ornament. The flower has been converted for wear as pendant with the discreet additional of a hidden bail. Tested and guaranteed 18K gold.

• Origin: France or England, ca. 1795
• Condition: excellent
• Dimensions: 1-1/2” diameter
• Approximate Total Gemstone Weight: diamond, 5.6 carats; sapphire, 1.65 carats
• Weight: 18.3 grams
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A very fine Victorian Albert chain fashioned from a set of nineteen sizable natural gold nuggets (approximately 20-24K). The nuggets are connected by short sections of handmade chain worked in 14K. The chain has a t-bar enhanced with small nuggets and a short length of chain to suspend a fob. Nugget jewelry became popular during the California Gold Rush in 1849 and again during the Alaska Gold Rush in 1896. Nuggets were difficult to find and a collection this large was a significant indicator of wealth. Tested and guaranteed for gold content.

• Origin: America, 1850-1900
• Condition: excellent
• Dimensions: 15-1/2” long (could be extended by adding additional plain links at the clasp)
• Weight: 55.3 grams

A very good French Art Nouveau 18K gold watch pin in the form of a mythological creature that appears to be a dragon with outspread feathered wings. The details are beautifully worked. The reverse is engraved to match the front. The creature grasps an antique cushion cut diamond in its jaws. The pin retains its original watch hook on the back. This piece could easily and inexpensively be transformed into a pendant with the additional of two pendant hooks at the wingtips. The back is marked with French 18K gold hallmarks, an illegible master goldsmith’s mark, and a design number indicating that the piece was made by a renowned maker of the period.

• Origin: France, ca. 1890
• Condition: excellent, sharp detail
• Dimensions: 1-1/4” x 1-1/8”
• Approximate Total Diamond Weight: .10 carat
• Weight: 12.7 grams

An elegant Art Nouveau bracelet worked in 18K gold, each link is the form of a pansy enclosed in a scrolling border. The Victorian floriography (the “language of flowers”), the pansy represented the sentiment “think of me.” Jewels with pansies were often given as a romantic gesture or by the parents of a young woman upon her marriage. The bracelet is stamped with 18K fineness marks and an unidentified goldsmith’s mark.

• Origin: France, ca. 1900
• Condition: excellent
• Dimensions: 7-7/8” long; 1/2" wide
• Weight: 16.4 grams

A wonderful and very rare vintage 14K gold charm depicting a golf course under a glass cover. The clubhouse is at the top and the 18th hole is at the bottom. In between, there’s a sand trap and water hazard. There’s also a small ball bearing and just like the old-fashioned kids’ game, the idea is to gently manipulate the charm to get the ball to drop into the 18th hole cup while avoiding the sand trap and water hazard. The details are highlighted with colored enamels. But most charming of all is the engraved inscription on the reverse: “April 15, 1950 to April 15, 1975 25 years of playing a ‘round’ with you. Love Joe” The rim is marked with Dankner’s hallmark.

• Origin: America, 1975
• Condition: excellent, no enamel loss or dings
• Dimensions: 1-3/8” diameter (excluding bail).
• Weight: 18.4 grams

A lovely mid-19th century locket worked in 18K yellow gold set with rubies and natural seed pearls. The setting is enhanced with geometric appliques, engine-turned engraving, rope twists, and a beautifully fashioned bow concealing the bail. The rubies have very good color and are unheated. The locket retains its original reeded jump ring, as well. The back is decorated with engine-turned engraving. The interior retains the original gold frame and glass cover. Faintly marked with French 18K gold marks and a maker’s mark.

• Origin: France, ca. 1860
• Condition: excellent, all original
• Dimensions: 1” x 2-1/16” (including jump ring)
• Approximate Total Ruby Weight: .21 carat
• Weight: 14.6 grams

A beautiful enameled oval locket in 18K gold, the cover decorated with a wreath of blue enameled forget-me-nots, each centered with a small rose cut diamond, against a black background. The design is encircled with additional black taille d’epargne enameling. The back is also decorated with blue forget-me-nots surrounded with taille d’epargne enameling and has a shield-shaped reserve that was never monogrammed. In Victorian floriography (the "language of flowers") forget-me-nots represented faithfulness, true love, and remembrance. The exposed gold surfaces on both the front and back are enhanced with engraved and stippled decoration. The interior retains the original glass covers and photos of two 19th century gentlemen. The bail is stamped with French 18K gold marks.Origin: France, ca. 1855

Condition: excellent, less than 5% loss to taille d’epargne enamel, mostly on the back

Dimensions: 15/16” x 1-3/8” (excluding bail and jump ring)

Weight: 13.2 grams

Approximate Total Diamond Weight: .08 carat

An elegant round bangle bracelet in 14K gold, the front set with three sapphires separated by natural baroque pearls. The gold is delicately pierced in a lattice pattern at the back and sides and in a floral pattern at the front. The sapphires have a very attractive violetish-blue color. Stamped with Alling’s hallmark.

• Origin: America, ca 1905
• Condition: very good, a small ding on the back side
• Dimensions: width 1/4" tapering to 6/32” at the back; circumference, 7.87”
• Approximate Total Gemstone Weight: sapphire, .51 carat
• Weight: 8.0 grams

A 14K gold and natural ruby Retro figural brooch worked in fashioned as a stem of cherries. The fruit are fully three-dimensional and set with round unheated natural rubies. The design is finished with a gnarly branch and a pair of gold leaves. The rubies have fine clarity and intense color, without the pinkish cast frequently seen in rubies in Retro pieces. The back retains the original pinstem and clasp marked “14K”.

• Origin: America, ca. 1940
• Condition: excellent
• Dimensions: 3-3/16” x 1-7/8”
• Approximate Total Ruby Weight: 4.2 carats
• Weight: 28.0 grams

A classic Victorian 14K yellow gold fob seal, the surfaces ornately decorated in a repousse pattern of flowers and foliage. Fobs in this design are more typically English than American. It is very generously sized to make an impression when being worn. The citrine plaque is engraved with the monogram “WKV”, so we’ll just assume that was for William K Vanderbilt (LOL!) The ring is marked “14K.”

• Origin: America, ca. 1840
• Dimensions: 1” x 7/8” x 1-1/2” (excluding ring)
• Weight: 19.5 grams

A nice Art Nouveau 14K yellow gold signet ring that appears never to have been engraved. The shoulders are enhanced with scrolling foliage leading up to the oval face. It’s very unusual to find a signet ring that was never engraved. Tested and guaranteed 14K.

• Origin: America, ca. 1900
• Condition: excellent, very light wear to decorative elements at the shoulders
• Dimensions: face, 5/8” x 1/2"
• Finger Size: 8-1/2
• Weight: 9.3 grams

A very fine 19th century French 18K gold locket, the cover in a very three-dimensional design of overlapping geometric shaped enhanced with calibre-cut Persian turquoise, seed pearls and rose cut diamonds. The turquoise are all original, and a few are have taken on the darker greenish cast often found in Victorian-era turquoise. Additional scrollwork, beading and engraving completes the design. The original bail is set with pearls. The back cover opens to reveal a glass-enclosed compartment. The locket is stamped with French 18K marks and an unidentified goldsmith’s mark.

• Origin: France, ca. 1850
• Condition: excellent, a few small dings to the back cover
• Dimensions: 1-1/4” x 1-15/16” (2-5/16” including bail)
• Weight: 20.6 grams
• Approximate Total Diamond Weight: .05 carat

A lovely late Victorian 18K gold locket enhanced with ornate pierced arabesques and pearl-studded laurel wreaths. The pearls have particularly nice color and luster. The cover opens to reveal a glass-enclosed compartment for a portrait or other keepsake. A small piece of cloth soaked in perfume could have been added behind the pierced cover to provide a bit of relief from the smelly Parisian streets of the 1800s. The original bail is also set with seed pearls. Stamped with French 18K gold marks.

• Origin: France, ca. 1880
• Condition: excellent; a small ding on the back cover (more visible from the inside of the locket than the outside
• Dimensions: 1-1/16” x 2” (2-3/8” including the bail)
• Weight: 15.2 grams