Catalog: Estate Jewelry (1645)

An elegant 18k yellow gold ring featuring an oval brilliant cut aquamarine accented at compass points with folds of gold nestling small round brilliant diamonds. The aquamarine has medium light pure blue color and eye-clean clarity. The cut is very good with excellent brilliance. The interior of the shank is stamped “18K.”

• America, circa 1960.
• Dimensions: crown, 3/4 x 11/16” (20 x 17 mm).
• Weight: 6.2 grams.
• Finger Size: 7 1/4.
• Approximate Total Gemstone Weight: aquamarine, 7.21 carats; diamond, .05 carat.
• Condition: excellent.

A rare and outstanding six-piece dress set in 14K yellow gold set with cat’s eye chrysoberyls by Larter for A. Sulka & Co. The gemstones are very dramatic and exhibit superior chatoyancy—the cat’s eye effect displayed when the stones are moved in light. Cat’s eye comes in a variety of colors, but the choice of this dark greenish-grayish black with the white eye is perfect for dress wear. The set comprises a pair of double-faced cufflinks and four shirt studs. Each piece is marked with Larter’s 14K stamp. The set is presented in its original fitted case from A. Sulka & Co., one of the most exclusive men’s clothing boutiques of the 20th century. The box can be dated between 1946 and 1973, the only years in which Sulka had a location in Palm Beach.

• Origin: America, ca. 1950.
• Dimensions: cufflink faces, 1/2” diameter; stud faces, 5/16” diameter.
• Weight: 13.3 grams.
• Approximate Total Gemstone Weight: 53.48 carats.
• Condition: excellent; all original; excellent box.

A classic pair of 14K yellow gold barbell cufflinks with knot ends by Tiffany & Co. The cufflinks have substantial weight and are very comfortable to wear. Each connector is marked “Tiffany & Co. 14K.” The cufflinks are presented in their original fitted box.

• Origin: America, ca. 1970.
• Dimensions: larger faces, 9/16” diameter; smaller faces, 7/16” diameter.
• Weight: 21.6 grams.
• Condition: excellent; original box.

An elegant Art Nouveau cross pendant worked in a foliate design of 18K yellow gold overlaid with a sunburst of milgrained platinum set with rose cut diamonds and centering a larger old mine cut diamond. The gold surfaces are enhanced with chasing to enhance the naturalistic look of the swirling leaves. The center diamond, .20 carat, is I/VS2. The remaining diamonds cannot be accurately measured for size, but face up at about .40 carat. Tested and guaranteed 18K and platinum.

• Circa 1900.
Dimensions: 1-5/8” x 2-1/2” (including jump ring).
• Weight: 8.7 grams.
• Approximate Total Gemstone Weight: .carat.
• Condition: excellent; all original.

A wonderfully detailed 14K yellow gold brooch depicting a spaniel. The shape of the dog’s head and the amount of fur suggests that the pin represents a Springer or English Cocker spaniel. The pin has substantial weight. The clasp is marked “14K.”

• Origin: America, circa 1935.
• Dimensions: 1 3/32” x 3/4”.
• Weight: 6.9 grams.
• Condition: excellent; sharp detail.

A classic Retro buckle ring worked in 18K yellow gold buckle ring with a platinum loop set with single-cut diamonds and the end tip set with caliber-cut rubies. Unlike in many Retro pieces, the rubies are natural. The ring has four holes that allow it to be adjusted from size 5 1/2 to 9 1/2.

Circa 1935.
• Dimensions: belt, 3/8” wide; platinum loop, 19/32” wide.
• Finger Size: adjustable from 5 1/2 to 9 1/2.
• Weight: 8.0 grams.
• Approximate Total Gemstone Weight: ruby, .25 carat; diamond, .12 carat.
• Condition: excellent; fully functional; closes securely.

A large pair of 18K yellow gold Sputnik earrings by H Stern. The domes are bezel-set with round amethysts, citrines, aquamarines, peridots, green tourmalines, pink tourmalines and garnets. The Sputnik design was created in the 1950’s to highlight the range of colored gemstones available from Stern’s Brazilian mines. It later came to be called “Sputnik” for its resemblance to the spike Soviet satellite launched in 1957. Each piece has a unique appearance depending on the specific colors of the stones and their arrangement. The earrings currently have posts, but those could be removed, if desired. Marked with an older Stern hallmark.

• Origin: Brazil, ca 1955.
• Dimensions: 15/16” diameter.
• Weight: 12.9 grams.
• Approximate Total Gemstone Weight: 10.11 carats.
• Condition: excellent; all original; no dings

A large 18K yellow gold Sputnik ring by H Stern. The dome is bezel-set with round amethysts, citrines, aquamarines, peridots, green tourmalines, pink tourmalines and garnets. The Sputnik design was created in the 1950’s to highlight the range of colored gemstones available from Stern’s Brazilian mines. It later came to be called “Sputnik” for its resemblance to the spike Soviet satellite launched in 1957. Each piece has a unique appearance depending on the specific colors of the stones and their arrangement. The interior of the shank is stamped “750” for 18K gold, and bears Stern’s older hallmark.

• Origin: Brazil, ca 1955.
• Dimensions: 1” diameter.
• Finger Size: 7 1/4.
• Weight: 6.1 grams.
• Approximate Total Gemstone Weight: 5.05 carats.
• Condition: excellent; all original; no dings.

A large, heavy 18K gold Venetian Etruscan fob charm set with brilliant cut amethysts and pearls. The gold surfaces are heavily decorated with applied wire-work and rosettes. The amethysts intense violet coloring and excellent clarity. The pearls display good luster with a slightly rose overtone that nicely complement the color of the amethysts. Marked “Italy 18K.”

• Origin: Italy, ca. 1955.
• Dimensions: 1-1/4” x 1-5/8” (excluding jump ring).
• Weight: 21.3 grams.
• Approximate Gemstone Weight: 16.26 carats.
• Condition: excellent; no dings; all original.

A fine pair of late Victorian 14K yellow gold bean-back cufflinks, the front faces decorated with ornately fashioned coiled snakes. The gold surface is treated to the soft, semi-matte bloomed finish sometimes seen in Victorian and Art Nouveau jewels. Kirby seemed particularly partial to snakes and produced several different serpent designs for cufflinks. In Victorian symbology, snakes conveyed sentiments of eternal love. Each cufflink is stamped “14K” and bears the maker’s mark for H. A. Kirby & Co.

• Origin: America, ca. 1890.
• Dimensions: faces, 3/4" x 1/2".
• Weight: 4.9 grams.
• Condition: excellent; all original.

A very fine pair of 14K yellow and white gold engine-turned cufflinks, the faces set with round brilliant cut blue sapphires. The quality of the engine-turned decoration is truly superb—matched by the selection of bright blue sapphires with excellent clarity. These cufflinks are considerably heavier than most other “flats” from the period. The connectors are stamped “14K” and bear the maker’s mark for Strobell & Crane.

• Origin: America, ca. 1920.
• Dimensions: 9/16” x 9/16”.
• Weight: 9.7 grams.
• Approximate Total Gemstone Weight: sapphire, .25 carat.
• Condition: excellent; all original.

A classic Victorian fancy double belcher chain link necklace composed of interlocking fluted and ropetwist links in 14K gold. The fluted links enhances the reflections in the gold, so they offer a more reflective quality that contrasts nicely with the ropetwist links. The chain is substantial enough to be worn alone or suspending a quite large pendant or locket, and the links are open enough that they can suspend multiple smaller pendants or charms. Tested and guaranteed 14K gold.

• Origin: America, ca. 1890.
• Dimensions: 21” long.
• Weight: 29.5 grams.
• Condition: excellent, no repairs.

A classic Victorian fancy double belcher chain link necklace composed of interlocking fluted double links in 14K gold. The fluted shape of the links enhances the reflections in the gold, so the chain has a certain sparkly quality. Substantial enough to be worn alone or suspending a large pendant or locket, the chain can also be worn wrapped three to four times around the wrist as a bracelet. The links are also open enough that the chain can suspend multiple smaller pendants or charms. Tested and guaranteed 14K gold.

• Origin: America, ca. 1890.
• Dimensions: 28.5” long.
• Weight: 14.2 grams.
• Condition: excellent, no repairs.

A colorful 18K gold and gemstone ring from the “Rainbow Collection” by H Stern. Made in the 1980’s, the collection was intended to show off the variety of colored gemstones available from Stern’s Brazilian mines and also the artistry of the company’s designers in the subtly graduated colors that reproduce the colors of the rainbow spectrum. The selection includes amethyst, iolite, green tourmaline, peridot, citrine, pink tourmaline and garnet. The interior of the shank is marked “750” for 18K and bears Stern’s hallmark.

NOTE: We are also offering a matching pair of earrings (Item #1381057).

• Origin: Brazil, ca 1985.
• Dimensions: 1/4" wide at front, tapering to 1/8” at the back.
• Finger Size: 7 1/2.
• Weight: 5.5 grams
• Approximate Total Gemstone Weight: not accurately measurable due to setting, but estimated around 5 carats
• Condition: excellent; all original.

A colorful pair of 18K gold and gemstone earrings from the “Rainbow Collection” by H Stern. Made in the 1980’s, the collection was intended to show off the variety of colored gemstones available from Stern’s Brazilian mines and also the artistry of the company’s designers in the subtly graduated colors that reproduce the colors of the rainbow spectrum. The selection includes amethyst, blue topaz, green tourmaline, peridot and citrine. The backs have omega clips and posts could be added. Each earring is marked “750” for 18K and bears Stern’s hallmark.

NOTE: We are also offering a matching ring (Item #1381060).

• Origin: Brazil, ca 1985.
• Dimensions: 13/32” wide; 3/4" long.
• Weight: 10.7 grams.
• Approximate Total Gemstone Weight: 10.8 carats.
• Condition: excellent; all original.

A very nice late Georgian carnelian spinner fob mounted in an 18K gold frame in the form of two intertwined snakes. The snakes are hand-chased with detailed scales and interesting, their heads are finished with duck-bill mouths (complete with teeth) grasping apples. This form is often seen in French silver wine tasters and was intended as a reminder of temptation and the snake in the Garden of Eden. The spiral mechanism in the center of the snakes’ entwined bodies is a spring mechanism that allows the carnelian plaque to be locked into place. The fob is generously sized and would make a stunning pendant. Marked with an indistinct Continental hallmark (likely French) and tested 18K.

• Origin: Continental Europe, probably France, ca. 1830.
Dimensions: 1-9/16” x 1-3/4”.
• Weight: 11.3 grams.
• Condition: excellent; carnelian was never engraved; all original.

A fine modernist 18K yellow gold ring by Burle Marx set with an intricately carved aquamarine in the “forma livre” (free form) style. Haroldo Burle Marx was particularly known for his use of Brazilian gemstones, often fashioned by carving or tumbling rather than faceting, a technique he invented in 1948. The aquamarine’s deep, dusky blue color contrasts beautifully with the gold, which is worked with florentined engraving typical of Burle Marx’s pieces. The shape of the stone also creates a wonderful linearity that looks beautiful on the finger. The interior of the shank is fully signed and marked for 18K.

Burle Marx worked in his native Brazil, and his only international boutique was at the Watergate Hotel in Washington, DC. He was chosen by the Brazilian government to create state gifts for Empress Nagako of Japan, Empress Farah Diba of Iran, Queen Margarethe of Denmark and Prime Minister Indira Gandhi of India. He was also a favorite jewelry of Hollywood stars Natalie Wood and Merle Oberon.

• Origin: Brazil, ca. 1965.
• Dimensions: crown, 1-1/8” x 1/2".
• Finger Size: 4 (can be enlarged).
• Condition: excellent; no abrasions; no dings.

A very unusual pair of 14K yellow gold barbell cufflinks, one end the traditional ball shape and the other in a geometric “rooftop” shape. Louis Tamis & Sons opened in 1909 and quickly became the leading American maker of gold boxes and other luxury objects. In the 1930s, the company manufactured for Paul Flato. By mid-century, it had become on of New York’s most exclusive manufacturing jewelers, creating commissioned pieces for Tiffany & Co., Cartier and Van Cleef & Arpels. Each cufflink is stamped “14K” and bears Tamis’ hallmark.

• Origin: America, ca. 1940.
• Dimensions: “rooftop” faces, 1/2” x 1/2”; ball faces, 3/8” diam.
• Weight: 10.3 grams.
• Condition: excellent.

An elegant pair of vintage sterling silver and rosewood inlaid cufflinks by an unknown Taxco maker. The geometric positive and negative space design and is finely executed. The backs are marked “Mexico 925” and have the maker’s registry number “TS-15.”

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• Origin: Taxco, Mexico, circa 1980.
• Dimensions: 29/32” x 5/8” (23 x 16 mm).
• Weight: 14.8 grams.
• Condition: excellent.

A handsome pair of 14k yellow gold cufflinks, the faces set with Essex crystals depicting dogs (definitely terriers, and most likely fox terriers). The dogs are colorfully painted on the reverse-carved crystal and set against mother of pearl backgrounds. The cufflinks are finished with toggle backs. The toggles are stamped “14K” and have a patent number, indicating the patent was still active when the cufflinks were made.

• Origin: America, ca. 1950.
• Dimensions: 17/32” (14 mm) diameter.
• Weight: 7.2 grams.
• Condition: excellent, no scratches or moisture damage.

A classic Victorian double belcher chain link necklace composed of interlocking double links in 14K gold. Substantial enough to be worn alone or suspending a large pendant or locket, the chain can also be worn wrapped three to four times around the wrist as a bracelet. The links are also open enough that the chain can suspend multiple smaller pendants or charms. Tested and guaranteed 14K gold.

• Origin: America, ca. 1890.
• Dimensions: 28” long.
• Weight: 18.2 grams.
• Condition: excellent, no repairs.

A gorgeous and generously sized Art Nouveau 14K gold and diamond locket by Carter, Gough & Co. The cover features a maiden emerging from a bouquet of flowers. The choice of flowers in the bouquet sends a very specific hidden meaning in Victorian floral symbolism. The iris on the left means, "I have a message for you," and the jonquil on the right means, "I desire a return of affection." The flowers and the maiden's hair are studded with six old mine cut diamonds. The background is worked in a stippled pattern that contrasts beautifully with the hand-chased design. The back of the locket has a period three-letter monogram "MCR". The interior retains the original frame and is engraved "June 30, 1903." The interior is stamped with Carter, Gough's hallmark.

• America, 1903
• 1-1/2" diameter (excluding the bail and jump ring)
• 22.3 grams
• Approximate Total Diamond Weight: .15 carat

A very attractive 18K yellow gold ring set with an amethyst by the famed mid-century Brazilian designer Haroldo Burle Marx. Burle Marx is well-known for his free form designs, but his collaborations with his brother, the landscape architect Roberto Burle Marx, had a much more linear, abstract feel as in this piece. The amethyst at the center is of the very finest quality, with intensely purple color and excellent clarity. The gold is completed with the finely worked florentined finish typical of Burle Marx's work. The interior of the shank is fully signed.

Burle Marx worked in his native Brazil, and his only international boutique was at the Watergate Hotel in Washington, DC. He was chosen by the Brazilian government to create state gifts for Queen Elizabeth, Empress Nagako of Japan, Empress Farah Diba of Iran, Queen Margarethe of Denmark, Prime Minister Indira Gandhi of India, and many others. In Hollywood circles, he was a favored jeweler to Merle Oberon and Natalie Wood.

• Brazil, ca 1970
• Excellent condition
• 1-1/16" wide at crown, tapering to 3/16" at the back of the shank
• Finger Size: 5-3/4
• 17.0 grams
• Approximate Gemstone Weight: 3.08 carats

A fascinating 18K yellow gold cocktail ring featuring a "forma livre" (free-form) amethyst by the famed mid-century Brazilian designer Haroldo Burle Marx. Burle Marx invented the technique of carving and tumbling forma livre stones in 1948, and the style became his signature. The amethyst chosen for this ring has distinct color zoning that creates an interesting interplay of deep and light purple coloring. The setting is finished in the florentine style typical of Burle Marx's work. The interior is stamped "750" for 18K. The ring is unsigned, but is definitely by Burle Marx.

Burle Marx worked in his native Brazil, and his only international boutique was at the Watergate Hotel in Washington, DC. He was chosen by the Brazilian government to create state gifts for Empress Nagako of Japan, Empress Farah Diba of Iran, Queen Margarethe of Denmark, and Prime Minister Indira Gandhi of Indian. In Hollywood circles, he was a favored jeweler of Merle Oberon and Natalie Wood.

• Brazil, ca 1965
• Very good condition; very light wear consistent with age to the stone visible under 10x magnification
• Crown Dimensions: 1-3/16 long; 7/8" wide; 3/4" high.
• Shank tapers to 1/4" at the back
Finger Size: 5-1/4
• Weight: 23.4 grams.

A classic pair of Edwardian almandite garnet cufflinks, the oval gemstones set simply in 18K yellow gold collet settings. The faces are attached by chains to torpedo backs. The garnets are of nice quality, having a slightly more orange coloring than is typical of almandite--nearly in the color range for spessartite garnet. Tested and guaranteed 18K.

Ca. 1910. Condition: excellent, all original. Size: 5/8" x 5/16". Weight: 6.6 grams. Approximate Total Gemstone Weight: 5.78 carats.

A striking Retro floral pendant worked in 18K yellow and rose gold and platinum, set with diamonds, amethysts and synthetic rubies. The pendant is designed as a large flower blossom with diamond encrusted petals surrounded ruby stamens. A spike of purple flowers is suggested by the oval brilliant cut amethysts to one side. The gemstones are of good quality with strongly saturated coloring and good clarity. The rubies are synthetic as is expected of pieces from the Retro period. The use of platinum suggests that the pendant falls toward the beginning of the Retro period, in the late 1930s. The pendant was originally a brooch. The pin has been removed and a 14K gold bail added. The clasp is hinged, so that the pendant can be worn from a thick gold chain or a strand of pearls. Marked 18K.

• Origin: America, ca. 1938
• Excellent condition
• Dimensions (excluding bail): 1-5/8 x 1-15/16 in (41 x 50 mm)
• Weight: 14.0 grams
• Approximate Total Gemstone Weight: diamond, .83 carat ruby, .60 carat; amethyst, 2.40 carats

Breathtaking French 18K gold, silver, diamond and pink tourmaline brooch from the reign of the Emperor Napoleon III. The brooch is formed as a naturalistic swirl of leaves, set throughout with rose-cut diamonds. The design features three large old mine-cut diamonds, each a bit larger than 1/2 carat. The center stone is prong-set while the outer stones are collet-set. The old European cut diamonds are scattered along an unusual knife-edge setting at the top of the brooch. The gold setting is topped with silver in the traditional style of 19th century French jewels. The brooch suspends a collet-set oval pink tourmaline cabochon topped with a collet-set old European-cut diamond. The diamonds used in the period, as would be expected of such a significant piece. The color is a very bright white and the clarity is quite good for the period. The tourmaline is a soft pink shade with just a tinge of violet. The brooch retains the original extended pinstema and c-clasp, both of which are stamped with French 18K marks and the mark of an unidentified jeweler (AH).

Origin: Paris, ca. 1855. Condition: excellent, all original. Size: 1-5/8" x 1-19/32". Weight: 11.25 grams. Approximate Total Gemstone Weight: diamond, 2.6 carats; tourmaline, 1.5 carats.

A beautiful pair of 18K yellow gold and diamond earrings by Gucci. The earrings are designed in a sort of “knitted” ropetwist pattern, the tops sprinkled with round single cut diamonds. The stones are graded as I color and SI1 clarity. Both earrings are marked “18Ct Italy” and signed “Gucci”. The earrings retain their original posts and omega clips, and are presented in their original fitted Gucci box.

Origin: Italy, ca. 1960. Condition: excellent, all original. Size: 11/16” long; 1/2” wide. Weight: 10.9 gr. Approximate Total Diamond Weight: .30 ct.

A fine pair of vintage 18K yellow gold earrings in the Venetian Etruscan style. Each earring features a 1.52 amethyst cabochon surrounded by smaller cabochons. The gold surfaces are enhanced with an intricate pattern of wire- and bead-work, and the edges are finished in a zigzag pattern. The earrings are marked with Italian hallmarks. The backs have omega clips, but posts could easily be added.

• Italy, ca. 1960
• Excellent condition
• 15/16" diameter
• 13.0 grams
• Approximate Total Gemstone Weight: 7.0 carats

A heavy and finely made pair of 18K yellow gold stirrup (étrier) cufflinks set with calibre-cut blue sapphires designed by the Russian émigré jeweler Olga Tritt for sale at her Park Avenue boutique in New York. The arches of the cufflinks are set with rows calibre-cut intensely-colored blue sapphires.

Tritt specialized in antique jewelry, but supplemented her selection with an array of her own luxury designs, mostly made in France to her specifications. Her client roster included many luminaries, including the Duchess of Windsor. These cufflinks are unsigned, but the particular elongated figure-8 style of the hinged connectors was unique to Tritt. Tested and guaranteed 18K.

• France, circa 1935
• Condition: excellent; all original
• Dimensions: 3/4" x 15/16" (20 x 24 mm)
• Weight: 14.9 grams
• Approximate Total Sapphire Weight: 2.03 carats

A delightful enameled 18K gold love/friendship charm or pendant by Georg Adam Scheid, jeweler to the Imperial Hapsburg Court in Vienna. The rooster is carefully engraved into the gold surface and then filled with translucent enamels in shades of orange, green and yellow. The edge is enameled in black with the French phrase, "Quand ce coq chantera, mon amitié finira. (When this rooster crows, my friendship will end.)" Obviously, the gold and enamel rooster will never crow, so the friendship will never end! The pendant/charm is stamped with Scheid's hallmark, the city mark for Vienna and French import marks for 18K.

Georg Adam Scheid (sometimes listed as Georg Anton Scheid) was active 1882-1911. He was particularly noted for his enamel work and became a favored gold- and silversmith to the Imperial Family. Scheid's pieces in gold are far rarer that his silver items.

• Origin: Austria, ca 1900
• Condition: excellent; no enamel damage
• Dimensions: 9/16" (14 mm) diameter (excluding bail and jump ring)
• Weight: 2.0 grams

A fabulous pair of 18K yellow gold Sputnik DANGLE earrings by H Stern. The spheres are bezel-set with round amethysts, citrines, aquamarines, peridots, green tourmalines, pink tourmalines and garnets. The Sputnik design was created in the 1950s to highlight the range of colored gemstones available from Stern's Brazilian mines. It later came to be called "Sputnik" for its resemblance to the spiky Soviet satellite launched in 1957. Each piece has a unique appearance depending on the specific colors of the stones and their arrangement. These earrings are the only examples of dangle Sputniks we have ever seen. Tested and guaranteed 18K.

• Origin: Brazil, ca. 1960
• Condition: excellent, all original
• Dimensions: spheres, 19/32" (16mm) diameter; length, 1-5/8" (44mm)
• Weight: 6.7 grams
• Approximate Total Gemstone Weight: 5.2 carats

An 18K gold and amethyst Venetian Etruscan charm or pendant enhanced with ropetwist and beaded decoration. The larger portions of the gold surface are worked in an engraved crosshatch pattern that is very unusual for Italian charms of the period. The decoration creates a soft sheen rather than a glittery surface. The amethysts are set with fleur-de-lis and claw prongs. The amethysts have deep purple coloring and are of very nice quality. The bail is marked "18K Italy."

• Origin: Italy, circa 1960
• Condition: excellent
• Dimensions: 7/8" x 7/8" x 1-1/2" (excluding jump ring) (23 x 23 x 40 mm)
• Weight: 15.9 grams
• Approximate Amethyst Weight: 9.6 carats

An outstanding 18K gold shield-form perfume locket ("vinaigrette"), opening to reveal two compartments separated by a hinged crystal cover. The front cover is worked in an ornate pierced and engraved design in the Persian taste. The tiny pierced openings are concealed within the design and are intended to permit the escape of scent from a tiny perfume-soaked sponge that can be wedged inside the front cover. Vinaigrettes of this sort were used by ladies to ward off the unpleasant odors of the streets. The back cover is more simply decorated in a stippled pattern that vaguely suggests fleurs-de-lys. When opened, the back side can accommodate a portrait. The two halves are separated by a thick crystal cover with beveled edges set in gold. The locket hangs from a scrolled bail ornament. The gold has a slightly rosy tint. The inside edges are stamped with French “tete d’aigle” hallmarks for 18K.

• Origin: France, ca. 1870
• Condition: very good, sharp detail; the back cover has a few small dings visible in strong raking light
• Dimensions: 1-9/16” x 15/16” (40 x 23 mm)
• Weight: 21.0 grams

A pair of Victorian cufflinks in 14K rose gold, each face set with a faceted amethyst cabochon. Cufflinks of this type almost always use plain cabochons and the use of foil-backed faceted amethysts here is particularly attractive. The faces are joined by solid oval links. The backs are marked for 14K.

• America, ca 1890
• Excellent condition
• Faces, 5/8" x 5/16" (16 x 8 mm)
• 6.2 grams
• Approximate Total Amethyst Weight: 11.96 carats

A fine Victorian 14K yellow gold watch fob pendant featuring a 23.5-carat oval brilliant cut amethyst nested in the coiled tail and wings of a ferocious dragon. The tail and wings are very nicely detailed with scales and feathers. The dragon's neck forms the bail from which the pendant would hang. The amethyst has very nice even coloring, eye-clean clarity and good cut. Jewels featuring mythological creatures became popular in Paris around 1870 and the craze then spread to England and America. Being worked in 14K gold (tested and guaranteed), this example is certainly American.

• America, ca. 1875
• Very good condition; sharp detail to gold work; minor wear abrasions to facet junctions (mostly along the keel at the back of the stone) on the amethyst consistent with age
• 1-3/16" x 1-1/4"
• 10.79 grams
• Approximate Amethyst Weight: 23.5 carats

A vintage 18K yellow gold turtle brooch set with rubies by Cartier. The turtle’s shell is formed as interwoven wide ribbons of textured gold, the intersections prong-set with round brilliant-cut rubies. The eyes are also set with small rubies. Parts of the gold have a Florentine finish while others are smooth, creating very pleasing contrast. The rubies are of very fine quality, with strongly saturated color and eye-clean clarity. The reverse side of the pin is worked in a trellis pattern. The back is marked with “Cartier 18K” and has a serial number. The pin could easily be converted to a pendant by adding a bail under the head.

• France, circa 1965
• Excellent condition
• 1-7/16 x 1"
• 15.2 grams
• Ruby, .44 carat

Elegant 18K yellow gold and diamond ring in the "Saffo" pattern from the "Greca" line by Versace. The wide gold band is solid in the back, but the front is pierced in a classic Greek key pattern. The pierced area is pavé-set with 59 round brilliant-cut diamonds (G/VVS2). Prior to his death in 1997, Gianni Versace created a limited line of fine jewelry, and this particular design appeared as rings, bracelets and earrings. The back of the band is signed "VERSACE" and the interior is marked with Italian 18K gold hallmarks. The ring is accompanied with its original embossed leather presentation box and the original paperboard outer box. The original retail price of this ring was $4,050.

Origin: Italy, 1995. Condition: mint. Finger Size: 7-1/2. Size: 3/8" wide. Weight: 8.0 grams. Total Diamond Weight: .71 carat.

Gorgeous pendant comprised of a 14 karat yellow gold sunburst, with white gold accents, centered by a .89 carat round brilliant-cut blue sapphire of dark, vividly saturated, very slightly greenish-blue color. The stone exhibits notable green and blue pleochroism is likely Australian in origin. The chain in the photo is not included. The clasp is marked "14K".

• America, circa 1930
• Excellent condition, all original
• 1-5/16" diameter
• 9.0 grams
• Approximate Gemstone Weight: .89 carat

A stunning and very heavy late Victorian 18K yellow gold fob chain and watch chain. The chain is a wonderfully complex snake-like combination of plain links intertwined with heavily chased links. The edges of the fob are decorated with a matching chased design. The fob has never been monogrammed. The clasp is marked with Continental 18K gold hallmarks.

Ca. 1910. Condition: excellent. Size: overall length, 5-3/8”; fob, 15/16” x 13/16” x 15/32”. Weight: 24.5 grams.

A nice smaller-size pyramidal Etruscan style 18K yellow gold fob charm set with carnelian and dyed green chalcedony cabochons. The gold surfaces are finely decorated with beading and wirework in the antique Etruscan manner. The original jump ring is stamped with Italian 18K hallmarks.

Origin: Italy, ca. 1960. Condition: excellent. Size: 1” long (excluding jump ring) x 3/4” Weight: 6.5 grams.

A nice Victorian 14K yellow gold watch fob in the form of a pair of dolphin-like fish facing one another. The bodies are scaly and they have ornate flowing gills in the classical manner. The oval seal is engraved with a four-letter monogram and also T. E. Co. 1918. The fob retains its original reeded jump ring. Tested and guaranteed 14K.

Origin: America, ca. 1918. Condition: excellent, all original, sharp detail. Weight: 4.7 grams. Size: 1-5/8” x 1”.

A stunning Belle Epoque brooch in the form of a fern worked in silver-topped 18K gold and set with 89 rose cut diamonds. The curving shape and the delicacy of each individual diamond-set leaf gives the piece a lightness that is very attractive for wear with today's clothing styles. The pin could also easily be converted to a pendant by attaching a gold chain at either end. In the 19th language of flowers, fern conveyed the sentiment of "sincerity." The back is stamped with French 18K marks.

France, circa 1870

Excellent condition

1-3/8" x 2-7/16"

9.9 grams

Approximate total diamond weight: 1.33 carats

An outstanding Victorian 18K yellow gold oval slide locket, the cover with set with an amazing sardonyx cameo depicting an early steamship also rigged with sails. The single smoke funnel, the sails’ rigging and the absence of a sidewheel suggest the locket dates to the mid-19th century. The carving is expertly worked using the alternating cream and rust colors of the sardonyx to represent every small detail. The marshy foreground is littered with barrels, crates and a large anchor. The hardstone is surrounded by a Greek key pattern carved into the gold. This pattern is repeated on the back cover surrounding an oval or engine-turned engraving. The locket opens by sliding sideways from a pivot at the top. Lockets were used, of course, to hold pictures, locks of hair or other sentimental remembrances. Most likely, a locket with this kind of decoration would have been worn by a ship captain’s wife (the only sailor’s wife likely to have enough money to purchase an expensive locket of this size and quality).

Ca. 1845. Condition: excellent, no damage to carving, 2 pinpoint dings on the back cover, original frames remaining in interior, no monogram. Tested and guaranteed 18K. Size: 1-3/16” x 1-11/16” (excluding jump ring). Weight: 15.9 grams.

Extremely fine Victorian memorial ring in 18K yellow gold, the shoulders with glossy black taille d’epargne enamel and engraved foliate decoration. A shield-shaped black and white sardonyx cartouche crowns the ring and covers a hair compartment visible through the beveled rock crystal cover on the inside of the ring. The inside of the shank is engraved “Thomas Bland 1857 Obt 23 March 68 years” and the compartment holds a woven plaque of his gray hair. The back inside of the shank is fully hallmarked for Birmingham 1856-57, with the maker’s mark “TM”. This is certainly one of the finest memorial rings we’ve seen.

Origin: England, 1857. Condition: virtually mint. Size: 8-1/4. Weight: 4.5 grams.

A fine 14K yellow gold griffin stickpin by Riker. The eye is set with a bright faceted ruby and the claw grasps an old European cut diamond. As with all Riker pieces, the gemstones are of excellent quality. This stick pin could be worn as is, or converted to a ring or necklace charm. The reverse is stamped with Riker's hallmark.

• America, circa 1880
• Head, 5/8" x 1/2"; overall length, 2-1/2"
• 1.8 grams
• Approximate diamond weight: .05 carat

A colorful pair of Art Deco 14K gold double-sided cufflinks, each face featuring an oval cabochon of green chalcedony in a simple gold frame. The faces are joined by chains. The backs are marked "585" for 14K.

• Continental Europe, circa 1925
• Excellent condition
• Faces, 9/16" x 3/8"(14 x 9 mm)
• 6.6 grams.

An elegant Art Nouveau 14K yellow gold locket depicting the head of a lion in 3/4 profile on the cover. His eyes are set with round faceted rubies (natural and untreated) and he grasps a 5-pt old European cut diamond in his jaws. The flowing mane is just visible behind the head and blends into the swirling border that completes the design. The plain back cover was never engraved.

• America, ca 1890
• Very good condition; a few small pinpoints on the back cover
• 1-1/8" diameter
• 6.5 grams
• Approximate Gemstone Weight: diamond, .05 carat; ruby, .05 carat

An outstanding Victorian multi-colored 14K gold watch fob worked in yellow, green and rose gold with platinum. The fob is fashioned as a bouquet of flowers bound together with a scalloped border. The flowers are expertly enhanced with engraved details. The trace link chain alternates between rose gold, green gold and platinum. The swivel is original and is marked "14K."

• America, circa 1890
• Excellent condition; sharp detail
• charm, 5/8" diameter; 4-11/16" overall length
• 9.5 grams

A rare gilt bronze watch fob with a carnelian seal with an allegorical figure depicting "Temptation" in the form a hooded monk with hands piously folded across his own chest while standing next to a nude woman. The woman is pressing against him and appears to be whispering into his ear. Virtuous themes presented gentlemen of the era with an opportunity to indulge in a little erotic naughtiness. The figure is enhanced with detailed engraving.

• England or France, circa 1830
• Very good condition; light wear to gilding; no engraving on carnelian; better in person than the photos
• 1-1/2" x 7/8" x 11/16"

An 18K yellow gold and diamond necklace for the French luxury jeweler Fred of Paris. The design features a series of bar-shaped chain links interrupted by stations collet-set with round brilliant diamonds of G color and VVS2 clarity. The necklace is 16" long and is designed to curve gently around the lower neck. This length is very versatile for either evening or day wear. The necklace is signed "Fred" and is fully hallmarked with French 18K marks.

Fred Samuelson established his Paris boutique in 1936, and quickly became a favored jeweler to Marlene Dietrich and many other luminaries of the time. Today, there are a few boutiques worldwide, but Fred is still considered an understated luxury of quintessentially Parisian style.

• France, circa 1980
• 16" long; 3/16" wide
• 27.3 grams
• 1.1 carats approximate total diamond weight

A lovely pair of 18K yellow gold and steel earrings by Fred of Paris. The original FORCE 10 line was created by French jeweler Fred Samuels in 1966 and was based on pieces of rigging found on sailboats. Since 1936, the Parisian house had been one of the world’s most exclusive jewelers, the Samuels’ combination of precious metals with stainless steel was a shocking innovation. In the forty years since the collection debuted, Fred of Paris has continually tweaked the collection by adding gemstones or other decorative elements—in this case cloisonné enamel. The translucent green, red and blue flowers appearing against an opaque white background gives the earclips a casual style that meshes nicely with the gold and steel setting. They’d be perfect to wear with either jeans or business attire. The backs are fully hallmarked with the maker’s mark and the French 18K gold standard, and are signed “Fred of Paris/Force 10”.

Origin: France, ca. 1990-1998. Condition: excellent. Size: 13/16” long; 7/16” wide. Weight: 12.8 grams.

A wonderful Victorian angel skin cameo depicting a 17th century gentlemen set in 18K gold. Male cameos are rather unusual and typically depict deities from the Greco-Roman pantheon or historical figures. This example appears very similar to the Van Dyck portraits of King Charles II. The details of the lace collar, heavy neck chain, ruffled shirt, beard and hair are very finely worked. The cameo is deeply carved, with the white figure standing out beautifully from the soft pink background. The setting is simple, featuring only a simple line of wire-twist decoration. Tested and guaranteed 18K.

• Probably American, circa 1850
• Excellent condition; no cracking to coral; replaced clasp
• 2-1/32" x 1-13/16"
• 26.8 grams

A superb Victorian shell cameo depicting Jesus wearing the crown of thorns set in a simple 18K gold frame. The cameo is beautifully carved with extraordinary detailing to the hair. The shell's shape is deeply cupped and adds wonderful depth to the design. Cameos depicting Jesus are extremely rare Tested and guaranteed 18K.

• America, circa 1860.
• Excellent condition; no cracks to shell
• 1-23/32" x 1-3/8"
• 11.2 grams

A Victorian shell cameo depicting Aurora/Eos, goddess of the dawn set in a 14K gold frame decorated in the Etruscan taste withe beads and rosettes. The goddess is shown with her chief attribute, a pair of feathered wings in her hair (not to be confused with Psyche who has butterfly wings). The back retains the original pinstem and folding bail, but the clasp is an old replacement. Tested and guaranteed 14K.

• America, ca. 1870
• Excellent condition; no cracks to shell; replaced clasp
• 1-11/16" x 1-5/16"
• 7.4 grams

An attractive Victorian shell cameo depicting Diana/Artemis, goddess of the hunt, the moon, and nature. She is shown wearing her crescent moon tiara. As a virgin goddess, Diana was considered the protector of women, especially during childbirth. The cameo is set into a wide gold frame ornately engraved in a floral motif. The back retains the original pinstem and clasp, as well as pendant hook that appears to be a later replacement. Tested and guaranteed 10K.

• America, circa 1900
• Very good condition; no cracks to shell; replaced pendant hook
• 1-15/15" x 1-5/8"
• 10.8 grams

A fine Victorian shell cameo pendant/pin depicting Diana, goddess of the hunt, the moon and nature (Artemis in Green mythology). The setting is beautifully worked in the Etruscan taste with delicately formed bead, wire and rosette decoration. The carving makes nice use of the shell's coloring to add details to the goddess' gown. She holds three of her attributes—a bow, a quiver of arrows and a crescent moon tiara. Diana/Artemis, being a virgin goddess, was regarded as the protector of women, especially during childbirth. The cameo is indistinctly signed by the artist. The back retains the original pinstem and pendant hook. The clasp is a slightly later replacement in 10K. The pinstem is stamped for 12K gold and the setting is tested and guaranteed 12K.

• England, circa 1865
• Excellent condition; clasp replaced; no cracks to shell
• 2-5/32" x 1-3/4"
• 14.25 grams

A classic late Victorian 14K yellow gold curb link chain bracelet with collet-set oval amethyst stations. The amethysts have nicely saturated violet color. Marked 14K.

• America, circa 1900
• 9 1/2" long
• Excellent condition
• 6.75 grams
• Approximate Total Amethyst Weight: 3.66 carats

A classic 14K yellow gold "Tree of Life" pin by Mikimoto. This design is an enduring classic available only from the higher-level Mikimoto boutiques. The pin is set with twelve cultured pearls, ranging in size from 4.89 to 6.79 mm. The pearls are of exceptional AAA quality, with cream body color, rose overtones, a bright luster. The back is marked with Mikimoto's oyster shell signature.

• Japan, circa 2010
• Excellent condition
• 1 1/4" x 1 11/16"
• 8.2 grams

A Victorian 18K gold locket in the shape of an elongated heart centering an enameled plaque depicting a lovebird delivering a love letter amidst a bower of roses. The plaque is outlined with an ornate border of black champleve enamel. The gold is highlighted with lightly engraved decoration which is repeated on the back. The back cover is more ornately engraved. Tested and guaranteed 18K.

• Probably English, ca. 1840
• Very good condition; a small ding on the left edge of the heart and minor pinpoints on the back cover
• 2" (excluding bail) x 1 1/8"
• 9.0 grams