Catalog (2481)

A handsome and heavy pair of 18K yellow gold cufflinks in the classic baton style. The surfaces are decorated with a fine stippled pattern lending a dark patina similar to higher-karat gold. The backs are plain beveled rectangles. The connectors are marked "18K S.&F.".

Origin: America, ca. 1980. Condition: excellent. Size: batons, 1-1/16" long. Weight: 10.0 grams.

A handsome mid-Victorian Scottish agate pendant featuring pear-shaped cabochons of bloodstone ("heliotrope") and carnelian in a fine gold setting. The gold surfaces are heavily decorated with fiolate engraving. Queen Victoria personally led the fashion for all things Scottish. Most jewels were set in silver; those set in gold were generally made in London using Scottish stones. Tested and guaranteed 15K.

Origin: Scotland/England, ca. 1870. Condition: excellent, the piece was originally a brooch and the pinstem and clasp were removed and a bail added for wear as a pendant. Size: 1" diameter. Weight: 11.1 gr.

A lovely Art Nouveau 14K yellow gold honeymoon pin in the form of a pearl-studded horseshoe enclosing a beautifully-enameled violet. The petals are worked in realistic shades of purple fading to pinkish-cream at the centers and the flower is accented with a bright green leaf. In the Victorian language of flowers, the violet was used to symbolize faithfulness. Combined with a horseshoe for good luck, a pin of this sort almost certainly would have served as a going-away gift. The original clasp is stamped 14K and has Krementz' hallmark.

Origin: America, ca. 1890. Condition: excellent, all original, no enamel damage. Size: 13/16" x 3/4". Weight: 3.3 gr.

A stunning pair of 18K yellow gold earrings in the "Heliocoidal" pattern by lauded designed Michael Good. The earrings are constructed in the anticlastic raising technique in with the piece is formed from a sheet of gold and then twisted along all three dimensions to create an organic shape that Good refers to as "molten energy." Each piece is created entirely by hand and does not employ any machine made parts such as earwires or clasps. Older examples of Good's jewelry is difficult to find. Each earring is marked "750 M Good".

Origin: America, ca. 1987. Size: 2-7/8" long. Weight: 8.2 gr.

A very fine pair of platinum, diamond and aquamarine earrings in a classic Art Deco style. The brilliant round-cut diamonds graduate from .20 ct at the top to .30 ct at the bottom. The diamonds are finely matched at H color, VS1 to VS2 clarity, with good to very good cut. The brilliant oval-cut aquamarines have fine color color, very good brilliance and SI clarity. The aquamarines are unheated. Each gemstone is set in a fully articulated mounting with a pierced gallery. The earrings have screw posts. Tested and guaranteed platinum.

Size: 1-3/4" long. Total Gemstone Weight: diamond, 2.52 carats; aquamarine, 3.52 cts. Weight: 9.0 grams.

A very fine, heavy 18K yellow gold bracelet in the “Signature” or “Signature X” pattern by Tiffany & Co. This is a classic design that hasn’t been in production for quite some time. Each link is fully articulated so the bracelet lies nicely on the wrist. The clasp is marked “T & Co. 750”. Comparable bracelets at Tiffany currently retail in the $8,000 range.

Origin: America, ca. 1995. Condition: excellent. Size: 7-1/8” long; 5/16” wide. Weight: 29.1 grams.

A lovely pair of 18K yellow gold dome earrings studded with bezel-set tourmaline, topaz, garnet, citrine and aquamarine. This style was popularized by H Stern in the 1950’s and was used to show off the variety of gemstones available from the company’s native Brazil. Due to its spiky appearance, the design was eventually called “Sputnik”. The style was mostly used for rings, but also for pendants, charms and earrings. Earrings are quite uncommon. The earrings retain the original post-and-clip backs, but the posts could be removed if desired. The clips are marked “MN 750”.

Origin: Brazil, ca. 1955. Condition: excellent. Size: 13/16” diameter. Weight: 7.7 grams. Approximate Total Gemstone Weight: 8.36 cts.

A heavy 18K yellow gold Venetian Etruscan Revival style fob charm of elongated lantern form set with almandine garnet cabochons. The gold surfaces are heavily decorated with beaded and ropetwist decoration. The jump ring is marked “Italy 750”.

Origin: Italy, ca. 1955. Condition: excellent. Size: 1-1/4” long excluding jump ring. Weight: 11.1 grams. Approximate Total Gemstone Weight: 14.1 cts.

A heavy pair of 18K yellow gold and diamond cufflinks in the “Signature” or “Signature X” pattern by Tiffany & Co. This classic design was created in 1992 and is no longer available at Tiffany. The arms of the X are set with single-cut diamonds (I color, VS2 clarity). The toggle backs are marked “Tiffany & Co. 1992 750”.

Origin: America, 1992. Condition: excellent. Size: 17/32” x 17/32”. Weight: 14.9 grams. Approximate Total Diamond Weight: .63 ct.

A very good pair of doubled-sided 18K yellow gold cufflinks, the faces made from carved mother-of-pearl punctuated with gold “stitches” and finely-worked laurel wreath borders. The backs of the faces are beautifully decorated in an engraved foliate pattern. The faces are connected by chains. Fully marked with French “tete d’aigle” hallmarks for 18K.

Origin: France, ca. 1900. Condition: excellent, all original. Size: 9/16” diameter. Weight: 6.3 grams.

A very good, large 18K yellow gold Sputnik ring by H Stern. The dome is studded with a variety of bezel-set tourmalines, amethysts, citrines, aquamarines and garnets. Stern popularized the style in the 1950’s to show off the variety of gemstones mined in the company’s native Brazil. Due to its spiky appearance, the design eventually became known as “Sputnik”. The rings were made in a variety of dome sizes, and this example is exceptionally large. The inside of the shank is marked with Stern’s hallmark and with 18K hallmarks.

Origin: Brazil, ca. 1955. Condition: excellent. Finger Size: 8-3/4. Size: dome, 1-1/8” diameter. Weight: 8.7 grams. Approximate Total Gemstone Weight: 8.0 cts.

A handsome pair of Victorian 14K yellow gold double-sided cufflinks, the faces set with cabochon agates. The variety of agate is called “landscape agate” because the colors and markings resemble painted landscapes. These particular stones suggest colorful sunsets behind wooded landscapes. The bezel settings are finished with fine millegraining. The connectors are marked 14K and have an unknown American maker’s mark.

Origin: America, ca. 1890. Condition: excellent. Size: 5/8” x 9/16”. Weight: 10.4 grams.

A fine, heavy pair of 18K yellow gold cufflinks, the faces set with round brilliant-cut rhodolite garnets. The gemstones have very good color with a strong purplish-red component that is accented nicely with the gold setting. The faces are connected with solid arched bridges to flat oval backs. The bridges are marked “18K” and one is signed “A Shoon” (?).

Origin: America, ca. 1990. Condition: excellent. Size: faces, 7/16” diameter. Weight: 15.1 grams.

Fine Napoleon III 18K yellow gold pansy brooch, the upper large petals accented with a lacy pierced floral border and the lower petals with a row of alternating rose cut diamonds and antique cushion cut rubies. The gold surfaces have a matte finish that mimics the velvety texture of pansy blossoms. Delicate engraving brings out the veining on the lower petals. The diamonds and rubies are of fine color. In the Romantic language of flowers, the pansy was used to symbolize remembrance (the French word for pansy is the same as the word for thought). The diamond and ruby border is faintly heart-shaped, perhaps adding another layer of secret meaning. The back retains the original extended pinstem and c-clasp fully stamped with French 18K hallmarks.

Origin: France, ca. 1850. Condition: excellent, all original. Size: 1-3/8" x 1-7/32". Weight: 5.7 grams. Approximate Total Gemstone Weight: diamond, .37 ct; ruby, .72 ct.

A stunning late Art Deco pair of diamond and palladium dress clips by Tiffany & Co. The clips are fully convertible with a duette mechanism into a single round brooch of substantial presence. Each clip features a pair of stylized flowers with curving foliage and are faintly in the cornucopia shape popular in Deco and Retro jewels. The clips are extremely versatile--they can be worn singly, as a pair or joined as the larger brooch. The diamonds are G color and VVS2-VS1 clarity. The back of each clip is marked "950 Palladium Tiffany & Co." and each as a scratched inventory number. The duette mechanism is worked in gold. The clips are presented in their original Tiffany box.

Origin: America, ca. 1940. Condition: excellent, all original. Size: 1-3/8" x 3/4" each; 1-3/8" x 1-1/2" joined. Weight: 16.4 grams. Approximate Total Diamond Weight: 4.88 cts.

An outstanding pair of modernist 18K yellow gold and blue topaz cufflinks by exclusive Brazilian jewelry designer Haroldo Burle Marx. He is known for his bold use of colorful, large gemstones native to Brazil. His designs for men's jewelry are extremely uncommon. Each cufflink is roughly formed as a highly-polished "c" enclosing a Florentine-finished background. A brilliant oval blue topaz completes each cufflink. The gemstones are fine quality, graded as very slightly bluish-green hue with medium tone and very slightly grayish saturation (vslgB 5/3). Both stones are eye-clean and have good cut. Each cufflink is signed "Burle Marx" and is stamped "18K" and "No Bras".

Marx was chosen by the Brazilian government to create gifts for visiting heads of state and their wives, including the Empress Nagako of Japan, the Empress Farah Diba of Iran, Queen Margrethe of Denmark, and Indira Gandhi. He was also a favored jeweler of Natalie Wood and Merle Oberon. One of his most famous commissions was a gem-set cross for Pope John Paul II.

Origin: America, ca. 1970. Condition: excellent, all original. Size: 1-1/8" x 7/8". Weight: 29.0 grams. Approximate Total Gemstone Weight: 28.5 cts.

A fine mid-19th century French silver tastevin (wine taster), the base inset with an 1810 Italian silver coin from the reign of Emperor Napoleon I as King of Italy. The bottom edge of the bowl is decorated with curved, scalloped "godrons" which were intended to reflect light through white wine to judge clarity. This tastevin does not have the "cupules" ("ovoides") specifically intended to deepen the color of red wines. The sides are decorated with grapevines and clusters of fruit. The handle is formed as a coiled serpent--as style particularly popular in Burgundy. The whole is raised on a circular ropetwist foot. Napoleonic coins are rarely seen in tastevins, and this piece probably dates to the Second Empire when Napoleonic items were viewed with some nostalgia. Fully hallmarked.

Origin: France, ca. 1850. Condition: excellent, sharp detail. Size: 3" diameter excluding handle. Weight: 72.3 grams.

A classic late Art Deco or early modernist porcelain water jug advertising Ricard Anisette. In the south of France, tradition dictates that anise-flavored aperitifs should be served with water to dilute the drink. Makers such as Ricard and Pernod provided advertising pitchers to local bars and cafes to increase their sales. This squared-off rectangular form is less common than the traditional globe-shaped pitcher and became popular after World War II. The bottom is marked "Ateliers de Céramique Ricard/Made in France".

Origin: France, ca. 1950. Condition: excellent, no chips or cracks. Size: 9" x 3-3/4" x 5-1/2" tall.