Catalog (2179)

Sterling silver and 14 karat gold bangle bracelet, set with three pearls and three rubies, each mounted in yellow gold. The gems are set equidistant from one another. The pearls are deeply lustrous and have a fine, faint pink tint. The pear-shaped rubies are also of good color and clarity. The pearls are 6mm in diameter; the rubies are approximately 4mm x 2mm. Ca. 1950's.

Excellent squat Rookwood vase with raised decoration featuring large three-leaf clovers and flowers. The flowers, particularly, are molded in fairy high relief, so that the glaze is thinner over the tips of the petals, creating lovely shading. The glaze is shiny, but with an orange peel texture, and is colored a medium chocolate brown. The bottom is marked with Rookwood's impressed mark and the date letters "XLV", the pattern number "6352" and the decorator's number "23" scratched into the glaze.

Origin: American, 1945. Condition: mint; no glaze crazing. Size: 5" diam.; 3-1/2" tall.

Lovely glass paperweight button featuring a swirled pink and white rose set off by three green leaves and adventurine on an opaque white ground.

Origin:Possibly Charles Kaziun, Brockton, Mass., ca. 1950s but more likely Czechoslovokia, 1920's. Charles Kaziun produced this same style paperweight button with 4 leaves instead of three and with a looped wire shank without a shankplate. Condition: mint. Size: 7/16" diam.

Outstanding early South Jersey glass paperweight enclosing a frit design of an eagle with an American flag and the words "The American Fire Philadelphia A.D. 1810." I'm not sure if this refers to a fire department or a fire insurance company. The detailing, especially the feathery delicacy of the eagle's wings, is very nice. The glass is very good quality and the design achieves very nice magnification because of its placement low in the crown. The bottom is flat with a polished pontil mark.

Origin: Southern New Jersey (Millville area), possibly Whitall Tatum Co., ca. 1900. Condition: the crown has one relatively small moon and the typical surface wear found on weights of this age (interestingly, most of this wear is around the periphery of the weight and not directly over the design); the bottom has the usual wear and somebody's etched initials (J.M.B.). Size: 3-1/4" diam.

Outstanding American late Classical mirror framed in solid well-figured mahogany with a gilt applied composition border of bellflowers. The gilding has a particularly rich patina. The glass is old and 1/4" thick, but probably not original, and has dulled to a very nice patina. The plate is backed with a wood panel that is covered with paper. The nails holding the plate in place have been replaced.

Origin: America, probably mid-Atlantic region, ca. 1840. Condition: all original surfaces; the tip of one bellflower is broken off; crackling of composition elements appropriate to age. Size: 14.5" diameter.

Staffordshire Red Riding Hood & The Wolf figure decorated in red, green, blue, black, pink, yellow and brown enamels.

Origin: Staffordshire, England, ca. 1850. Condition: some scratching to the overglaze red enamel (mostly at her elbow and along the edges of her bonnet), otherwise excellent. Size: 4" tall.

These porcelain inkwells were made as an advertising novelties for Carter's Ink in 1914. This example has nicely painted details and crisp modelling. The bottom is marked "Made In Germany." Excellent condition. 3.75" tall.

Unusual Victorian copper ladies' button-up boot. The Victorians often placed these along their mantles for purely decorative purposes. Most examples are made of brass, but this piece is entirely copper. Another nice touch is the applied scalloped pattern along the front edge of the boot and the white brass buttons.

Origin: England or America, ca. 1880. Condition: excellent. Size: 5" tall.

Nice Victorian brass ladies' lace-up boot. This example has holes drilled to represent the holes for laces. The Victorians often placed these along their mantles for purely decorative purposes.

Origin: England or America, ca. 1880. Condition: excellent, light scratching near the toe. Size: 4.5" tall.

Terrific pair of sterling silver sugar tongs dating to the reign of George III. The design (made by cutting reflective facets in the silver) is very nicely executed on this quality piece, and unlike many Georgian tongs, these are quite heavy.

The tongs are marked with the lion passant and the script hallmark "GS" for George Smith, entered in London in 1782. Since the tongs bear no other marks, they were probably made to order and the duty was never paid.

No monogram and in excellent condition. 5-5/8" long.

Hand carved giltwood letter "G", unusual for being an italic letter and for the sides having contrasting black sand paint decoration. Gilt letters and numbers from 19th century trade signs have great graphic appeal and offer a fun opportunity to try to put together your name or initials.

Origin: American, 19th century. Condition: very good, all original surface, 40% wear to the black paint along the sides. Size: 7-3/4" high.

Hand carved giltwood letter "C". Gilt letters and numbers from 19th century trade signs have great graphic appeal and offer a fun opportunity to try to put together your name or initials.

Origin: American, 19th century. Condition: excellent, all original surface. Size: 6-1/4" high.

Hand carved giltwood letter "O". Gilt letters and numbers from 19th century trade signs have great graphic appeal and offer a fun opportunity to try to put together your name or initials.

Origin: American, 19th century. Condition: excellent, all original surface. Size: 7-3/4" high.

Lovely blown flint glass sugar bowl or covered comport in a panel design, the molded bell-shaped lid rising to a pointed finial. The bottom has a polished pontil. The glass is of heavy weight and good clarity.

Origin: American, possibly Sandwich or Cambridge, ca. 1840. Condition: the bowl has one 1/8" flake under the bottom rim and another of the same size on the edge of the bottom rim; the top has one 1/2" shallow flake underneath the rim and some general roughness around the edges of the rim. Size: 5" diam.; 7" tall.

This rare Canton covered oval dish (unfortunately, minus its cover) is the finest quality Canton wear, with excellent, crisp underglaze blue decoration. The sides are decorated with floral sprays.

Origin: Canton, China, ca. 1825. Condition: excellent; glaze rubs on the edges; one small glaze bite on the underside of the rim. Size: 9.75" x 8" x 2.25".

Attractive and unusual Victorian inlaid wood stereographgraphoscope. When the lid is raised and a stereograph is inserted in the holder, the viewer looks through the magnifying portal for a realistic three dimensional view.

Origin: probably English, ca. 1850. Condition: very good, although there is some chipping of the veneer along the edges. Size: 5.25" x 3.25" x 1".

Stunning Victorian bronze picture frame, the border inset with gold velvet completely encrusted with gold thread embroidery of twining vines and flowers. The easel back is covered in gold moire silk.

Origin: probably French, ca. 1890. Condition: excellent; some staining on the back side. Size: outer--2.5"x3.25"; sight--1.5"x2.25".

Fabulous brass and copper picture frame in the Aesthetic Japonaise style. The basketweave pattern of the brass frame is detailed with raised copper decorative elements that include a crane standing in a stream, bamboo and cherry blossoms. The back has an easel. The frame is 3.5" x 2.75". The oval opening with glass is 2.25" x 1.5". Circa 1870.